Recommended Components 2020 Edition Cables

Interconnects

AcroLink 7N-DA2090 Speciale: $2375/1.5m pair
The less-than-snappily named 7N-DA2090 Speciale is technically laudable; commendably, AcroLink publishes the specs for this product's resistance (18milliohm/meter) and electrostatic capacitance (56pF/meter). It's made of 99.99999% pure multistrand copper, arranged in what AcroLink calls a "balanced twin core structure." According to MF, substituting the AcroLink interconnect for his TARA Zero Evolution "produced sharper but not unnaturally defined transients, shorter sustain and decay, and an overall well-detailed and more speedy sound." (Vol.39 No.3)

Analysis Plus Apex Silver: $1106 (1m pair)
The Analysis Plus Silver Apex uses as its conductor an oxygen-free copper "stabilizing strand" covered with pure silver, in an arrangement the manufacturer describes, somewhat elliptically (haw) as "a hollow oval cable inside a hollow oval cable inside a hollow oval cable," said to be double shielded and thus quiet. And MF found it to be so: In his words, the Silver Apex is "highly recommended!" (Vol.42 No.5)

Audience Au24 SE: $1190/1m pair
Audience's latest interconnect uses an RCA plug of tellurium-copper alloy with a single, small contact point, meant to reduce the formation of eddy currents. Compared to Audience's Au24 e, the SE version offered superior detail, clarity, timing precision, and image focus, said BD. Au24 e owners can upgrade to SE status for $220. (Vol.36 No.12, Vol.37 No.2 WWW)

Audio Art Cable IC-3 Classic: $120/1m pair (RCAs), $140/1m pair (XLRs)
The IC-3—available with Audio Art's own gold-plated brass RCA plugs or, for $10 more, DH Labs' Ultimate XLR plugs—uses conductors of silver-coated, oxygen-free copper, a foam polyethylene dielectric, aluminum-Mylar shielding, and a PVC jacket. Compared to AudioQuest's Big Sur, the IC-3 lacked some midrange body and warmth but produced a pleasantly forward, detailed sound with an unusually wide soundstage, said SM. Sold direct with a 30-day, money-back guarantee. (Vol.37 No.2 WWW)

AudioQuest Big Sur: $129.95/1m ★
AudioQuest Golden Gate: $79.95/1m
AudioQuest Evergreen: $39.95/1m
AudioQuest Tower: $29.95/1m
AudioQuest's Bridges & Falls interconnects (of which these are the four least expensive models) put left and right channels in a single cable, thereby minimizing manufacturing costs while maximizing termination possibilities. Available terminations include RCA-to-RCA, mini-to-RCA, mini-to-mini, DIN-to-DIN, RCA-to-DIN, iPod-to-mini, or iPod-to-RCA, making these interconnects ideal for desktop and portable applications. The Tower and Evergreen use AQ's solid Long-Grain Copper (LGC) conductors. Golden Gate uses higher purity Perfect-Surface Copper (PSC) conductors. Big Sur uses even-higher-purity Perfect-Surface+ Copper (PSC+) conductors, and upgrades the other models' gold-plated RCA plugs to gold-plated plugs of pure purple copper. All four models are insulated with foamed polyethylene, and are attractive, well made, and very flexible. Moving up the line, SM heard improvements in image focus, tone color, drama, and overall clarity and extension. "If you're in the market for truly affordable, truly high-quality interconnects, I can think of no better place to start than AudioQuest," he concluded. SM used it between his laptop and PSB Alpha PS1 desktop speakers. Compared with the stock PS1 cable, the AQ produced a larger, more present overall sound, with deeper silences, longer decays, cleaner highs, more realistic bass, and richer tone color. "Suddenly, I had real high-fidelity sound coming from my laptop," SM enthused. (Vol.36 Nos.7, 8, Evergreen; Vol.36 No.10 WWW)

AudioQuest Earth (balanced): $919.95/0.5m pair
KR, who hates wrestling with stiff cables even more than Rick Grimes hates wrestling with stiffs, has welcomed into his home a set of AudioQuest's Earth balanced interconnects, terminated with XLR plugs and featuring AQ's 72V Dielectric Bias System (DBS). Cable conductors are solid, perfect-surface copper, while the plugs are high-purity red copper with hanging-silver plating. KR's only disappointment: AQ's omission of a latching feature from the "otherwise impressively designed" XLRs. (Vol.38 No.9 WWW)

BIS RCA Expression: 500 (Canadian)/1m pair
From Quebec-based BIS Audio comes their middle-of-the-line interconnect, the Expression: a cable of moderate thickness and flexibility, covered in a sheath of braided polymer and terminated with Eichmann BulletPlugs (RCA). AD found that the BIS Expression allowed his system to perform "with good drive and momentum," and while the Canadian interconnect lacked the subtler musical and sonic strengths of his more-expensive Audio Notes and Shindos, the BIS performed "somewhat better . . . than its relatively humble price predicted." (Vol.38 No.6 WWW)

Cardas Audio Clear Rev.1: $2020/1m pair, balanced; $1840/1m pair, unbalanced
Rev.1 applies to both Cardas's Clear balanced and single-ended interconnects; JM tested the balanced version, which incorporates Cardas's heavy, gold-plated CG XLR plugs. With the Rev.1 in his system, JM gained significant measures of detail and transparency. (Vol.36 No.12 WWW)

Fono Acustica Virtuoso: $20,384/1.5m pair
The conductors are an alloy of silver and gold (shades of Burl Ives!), the styling is Spanish Cowboy Baroque, and the price is enough to buy a brand-new Volkswagen Golf and a couple of Brooks Brothers suits. What does that add up to? According to MF, when substituted for his reference TARA Zero Evolution interconnect, the Fono Acustica made for "more graceful, almost cautious, romantic, but somehow still precise and well-detailed attacks, and long, long sustains." On switching back to the TARA, did Mikey miss the Fono Acustica? "Yes—but you can't have everything!" (Vol.39 No.3)

Kimber Kable Hero: $366/1m pair with WBT-0114
The "strong, silent type" when it comes to cables, says the inestimable JM. "And reasonably priced, into the bargain." (NR, but see "The Fifth Element" in Vol.33 No.6 WWW)

Kimber Kable PBJ: $132/1m pair, as reviewed
Originally released in the late 1980s, PBJ is a minimalist design comprising three high-quality, multistrand wires in individual Teflon jackets, braided together and terminated with Kimber's Ultraplate connectors. With the PBJs in his system, SM heard greater clarity, detail, depth, and presence. Compared to AudioQuest's Sidewinder, the PBJ lacked body and warmth but was more muscular, insistent, and precise, said SM. (Vol.35 No.6 WWW)

Kimber Kable Tonik: $94/1m pair
Kimber's most affordable interconnect uses three stranded copper wires neatly braided in a noise-canceling pattern. Though they lacked the resolution of much more expensive interconnects, the Toniks "offered clarity without brightness, and reasonably good amounts of color, texture, and touch. For $80, that was A-okay with me," said AD. Price includes Kimber's Ultratike connectors. (Vol.34 No.11 WWW)

Kubala-Sosna Anticipation: $500/m pair; $180/additional meter
Like the K-S speaker cables (see "Loudspeaker Cables"), the K-S interconnects are based on a low characteristic impedance and solid construction. The results are uncolored sound and extremely low noise pickup. (Vol.29 No.7 WWW)

Kubala-Sosna Elation Interconnect: $7000/pair first meter, $1500/each additional meter
Expensive but superbly transparent interconnect that JA found worked synergistically with YG's Sonja 1.3 speakers. (NR)

Luna Red: $2400/1m pair
See Powerline Accessories.

Nordost Valhalla 2 Interconnect: $7980/1m pair
Characterized by the inclusion of Nordost's Dual-Mono-Filament spacing between conductor and dielectric, as well as of Nordost's new Holo:Plug connectors, the analog interconnects, speaker cables, phono cables, and power cords in the company's Valhalla 2 Reference series impressed BD, whose system had been wired with Nordost's original Valhalla-series cables. With the new cables in place, BD heard gains in a number of areas—especially improved transparency and resolution, greater clarity in the reproduction of spatial information, and greater timbral warmth and richness—compared with his ca-2001 Valhallas. BD added that, of all the cable products in the new Valhalla 2 Reference series, "it was the 1m interconnect with RCAs ($7599.99) that had the greatest effect on the sound of my system." (Vol.39 No.7 WWW)

Pure Silver Connection (PSC) PST 8: $1500/1m pair
Balanced interconnects featuring solid, silver-plated 6N copper and round conductors. LG reported that they reduced system hum problems and were "highly recommended!" Price is for both balanced and unbalanced interconnects. (NR)

Stealth Sakra V16 interconnect: $12,000/1m, $7,600 each additional meter
Balanced version: $16,000/1m pair, $9,500 each additional meter
Lightweight, very flexible, and finished in an outer jacket of near-opalescent white, the Sakra interconnect is built into a hermetically sealed, helium-filled tube and terminated with proprietary solid-silver connectors. The overall sound was open and clean, with lightning-fast attacks, generous sustains, and long decays. Compared to the TARA Labs Zero, the Sakra had a bit more midrange body and texture but lacked some air and speed, felt Mikey. (Vol.34 No.6)

TARA Labs Air Evolution interconnect: $1895 1m; each add'tl meter is $200
TARA Labs Air Evolution w/Evo Ground Station: $2495 each add'tl meter is $250
A slightly less expensive alternative to TARA's Zero Evolution balanced interconnect, the Air Evolution also uses rectangular-core copper conductors for both its positive and negative legs. Its shield is floated with respect to the signal conductors, but is terminated at the source end with mini-banana plugs that can be connected to TARA's optional Evo Ground Station, designed to shunt shield noise to ground. Although MF observed that the Air Evolutions weren't "quite as resolved on top" as the costlier Zero Evolution, he thought the two models were "close." (Vol.40 No.1 WWW)

TARA Labs Zero Evolution w/HFX Ground Station: $18,900/1m, each add'tl meter is $2000
The Zero Evolution is an all-new, physically flexible, easier to manage air-dielectric interconnect than the original Zero with non-insulated square solid-core conductors. Because neither end of The Zero Evolution's shield is attached to ground, TARA employs the Floating Ground Station, a heavy, black box containing Ceralex, a combination of ceramic materials and metallic compounds that absorbs RFI and EMI. Switching from the original Zero to the new Evolution Zero, MF's system benefited yet further from an enormous addition of lushness, texture, and warmth, along with major extensions of air, detail, and transparency. Due to The Evolution Zero's ultrawide bandwidth, some outside transient noise can leak into the system when nearby appliances are activated. But—"I've heard nothing like it," he declares, adding "a genuine breakthrough, though hideously expensive. The TARA Labs Evolution Zero had a fast, clean, open overall sound, with airy highs and tight bass. The Evolution upgrade adds the rich, textured midrange of the Stealth Sakra, while continuing to produce faster attacks, longer sustains, and deeper decays, said MF." (Vol.29 No.12, Zero; Vol.34 No.6 WWW, Zero Gold; Vol.36 No.11, Zero Evolution)

TARA Labs Zero GX DIN-to-RCA tonearm cable: $3800/1m, each additional meter $600
Though it was "somewhat bereft of physicality," the Zero GX's accentuated sibilants and precise attack made it "a good choice for detail devotees," said MF. (Vol.32 No.7)

Tellurium Q Black XLR: $500/1m pair
A new company based in Somerset, UK, Tellurium Q is a cable specialist offering three lines of products, with Black squarely in the middle. JM responded well to a pair of Black balanced interconnects, which he found "on the slightly warm or musical side of neutral," and praised for sounding "quieter and far less closed-in at the top" than his comparatively plebian Canare interconnects. Extra points for emphasizing engineering over fancy packaging. According to JM, this entry-level-premium cable line is "well worth exploring." (Vol.38 No.4 WWW)

Wireworld Platinum Eclipse 8 Interconnect: $3000/1m pair
Though it wasn't as transparent as the TARA Labs Zero, when used with the Constellation Centaur Mono monoblock amplifiers, the Eclipse 7 "produced a much better overall picture in terms of tonality, texture, and transients," said Mikey. (Vol.36 No.11)

Deletions
Teresonic Clarison Gold, no reply to queries.

Loudspeaker Cables

Audio Art Cable SC-5 Classic: $240/10ft pair (gold spades; add $10/pr for silver spades), $250/10ft pair (gold bananas; add $10/pair for silver bananas)
The SC-5 has silver-coated OFC conductors (14AWG), a foam polyethylene dielectric, a PVC jacket, and an internal packet of vibration-absorbing fibers. It can be terminated with gold-plated brass banana plugs or, for $10 less, DH Labs' gold-plated copper spade lugs. Compared to AudioQuest's Rocket 33, the SC-5 lacked body, weight, and warmth, but produced a detailed, dramatic overall sound, with clean transients and impressive dynamics, said SM. Sold direct with a 30-day, money-back guarantee. (Vol.37 No.2 WWW)

AudioQuest Oak: $3300/8' pair
AudioQuest's Oak speaker cable, available terminated for full-range, biwiring, double biwiring, or bi-amping, features double-counterspiral conductor geometry and AQ's 72V Dielectric Bias System (DBS). KR, who actually admits to not obsessing over cables—"confesses" would be more like it!—has now switched from older AudioQuest cables terminated with spade lugs to a set of Oaks terminated with AQ's SureGrip silver-plated beryllium-copper banana plugs, which "fit so tightly into the amp and speaker terminals that I can just barely insert or remove them by hand." (Vol.38 No.9 WWW)

AudioQuest Rocket 33: $429.95/10ft pair
AudioQuest's 14AWG, solid-core Rocket 33 speaker cable offered an exciting leap in performance over SM's RadioShack Flat Megacable speaker wire, infusing music with more low-level resolution, transient speed, clarity, and physicality. (Vol.34 No.9, Vol.37 No.2 WWW)

Cardas Clear rev.1: $4085/2m pair, terminated in spades
JM was most impressed by the Cardas Clear's low-frequency clarity and resolution, finding the Clear to give two or three more bass notes on a pipe organ, with a lower noise floor and "spooky" resolution compared with his reference MIT MH-770 CVTerminator cables. "The best-sounding cables I have heard," he concluded. JA agrees that these are fine-sounding cables. (Vol.33 No.10 WWW)

Kimber 4PR: $157/3m pair (10'), as reviewed
Practically unchanged since its introduction in 1979, the 4PR is Kimber's most affordable speaker cable. It employs the same braided geometry found in the company's more expensive 8VS, but instead of the 8VS's eight gray and eight black conductors, the 4PR has four pairs each of black and brown conductors in an apparently looser braid. Compared to RadioShack's inexpensive 16-gauge zip cord, the 4PR offered greater nuance, detail, clarity, and bass control, said SM. Price is $90/10ft pair without connectors. (Vol.35 No.7 WWW)

Kimber 8TC: $590/3m pair (10') w/o connectors
(NR, but see "The Fifth Element" in Vol.33 No.6 WWW)

Kimber 8VS: $335/3m pair (10'), as reviewed
Kimber's 8VS is made up of eight gray and eight black conductors in individual polyethylene jackets, braided together and terminated in a choice of high-quality spade lugs or banana plugs. Compared to AudioQuest's Rocket 33, the 8VS lacked body and warmth but offered greater clarity and control, said SM. Compared to Kimber's 4PR, the 8VS offered similar tonal qualities but presented music with even greater urgency, drama, and purpose, said SM. Price is $231/10ft pair without connectors, $271/10ft pair with bananas. (Vol.35 Nos.6 & 7 WWW)

Kubala-Sosna Elation Speaker Cable: $7000/pair first meter, $1500/each additional meter
A JA favorite. See "Interconnects." (NR)

Kubala-Sosna Fascination: $1000/m pair; $350/additional meter
Kubala-Sosna claims that their OptimiZ technology "results in a lower characteristic impedance and a higher ratio of capacitance to inductance than any other cable." Each cable consists of a hefty pair of conductors twisted around each other, sheathed with a knitted cover, and solidly terminated in thick spade lugs. The current versions have sleek, tight jackets that make them easy to snake and arrange. With the K-S cables in his system, KR noted a decrease in overall residual hiss and softer but more precise highs. "I can't say that the change is substantial, but it is definable." Further auditioning with his multi-channel system completely wired with K-S cables led him to describe these cables as among the quietest and most transparent cables he has encountered: "Overall, they seem to get out of the way of everything else and let the system do its thing." (Vol.28 No.3, Vol.29 No.7 WWW)

Luna Mauve: $1800/2.5m pair
See Powerline Accessories.

Naim NACA5: $26/ft $$$
Inexpensive spaced-twin cable that ST found to work well with the Spendor S100 loudspeaker. Unchanged in Naim's product line since 1986, the NACA5 is made of two chunky runs of stranded heavy-gauge wire twisted into a very tight bundle and molded into a thick sheath of Teflon. "Stiffer than Swedish roadkill," said AD. Compared to RadioShack's inexpensive SW-1650 speaker wire, however, the unwieldy NACA5 was better at communicating pitch relationships and had "a more realistic sense of flow." Worth investigating as a good-value cable, thinks JA. (Vol.32 No.8 WWW)

Nirvana Audio S-X Ltd.: $2780/2.5m pair
"A dynamite speaker cable," the S-X Ltd. was tonally neutral and produced well-defined images, powerful and fast transients, and incredible transparency. The only nit BD could pick was a slight compression of front-to-back soundstaging depth. "A big jump in performance from the company's SL." Add $50/pair for biwire configuration. (Vol.28 No.10 WWW)

Nordost SuperFlatline: $314.99/2m pair
A couple of decades ago, Nordost's SuperFlatline speaker cable was popular—in 1996, writing in Listener, AD hailed it as "great stuff." Nordost quietly discontinued the model in 2009, but relaunched it in 2018. The original SuperFlatline comprised 16 flat copper conductors per channel, each the equivalent in mass to a 23AWG wire, laminated within a clear fluoropolymer, and terminated with a choice of spades or low-mass bananas—the new version is identical in every way but the fluoropolymer, now FEP instead of Teflon. In 2018 as in 1996, AD found that the Nordost SuperFlatline does indeed become "[sonically] clearer and more open over time," after which it "[gets] the essentials right without leaving the sound dull or the music lifeless." Extra points for their flatness, which makes it possible to hide them under a rug. (Vol.42 No.1 WWW)

Nordost Valhalla 2 Speaker Cable: $10,100/1.25m
See Interconnects.

Stealth Dream V16: $14,700/2m pair, $6,600 each additional meter
The hermetically sealed, helium-filled Dream V10 is a thick yet flexible cable made of three flat solid-silver wires and a conductive carbon-fiber core. Compared to the TARA Labs Omega Onyx, the Stealth cable had a richer, warmer sound, with a softer attack for a slower overall musical flow. Partnered with the Stealth Sakra interconnects, the Dream V10 cable produced a more textured midrange but lacked the TARA's upper-octave air, said MF. Bi-wiring adds $1300 regardless of cables' length. (Vol.34 No.6)

TARA Labs Air Evolution SP speaker cable, 8' with bananas & spades: $4800; each add'tl foot is $380
See "Interconnects."

TARA Labs Omega Evolution SP loudspeaker cable: $35,000/8' pair, each additional foot $3400
The physically flexible TARA Labs Omega Evolution, incorporating almost twice as many rectangular, solid-core elements of "8 nines" (99.999999%) oxygen-free copper (280 vs the Gold's 156), adds the speed, transparency, dimensionality, and, especially, textural suppleness that the previous Gold cable lacked, thus losing the Gold's "somewhat laid-back overall sound" while paying no sonic penalty for the major improvements, said Mikey. Even more recent is TARA's Omega Evolution SP speaker cable, a higher-inductance and identically priced variant intended as a better match for amplifiers with very low damping factors and/or speakers that present distinctly reactive loads. In his system, in comparison with the less expensive TARA Omega Golds, MF found the Omega Evolution SPs to offer "more precise note attacks" and "greater textural nuance," among other attributes. (Vol.36 No.11, Vol.38 No.12)

Wireworld Platinum Eclipse 8 Speaker Cable: $26,800/3m pair
Compared to the new TARA Labs Omega Evolution, the Platinum Eclipse 7 is equally transparent, resolving, and dimensional, but less texturally supple and extended on top, with a less richly drawn midrange, said MF. (Vol.36 No.11)

Digital Data Interconnects

Canare DigiFlex Gold model RCAPOO3F: approx. $19.37/3ft $$$
Before you try any of the expensive coaxial links, CG advises trying this inexpensive, true 75 ohm cable with Canare crimp RCA connectors. He rates it as his first choice in a digital cable at any price, even preferring it to the Kimber AGDL. JA uses the 110-ohm version in various lengths for CD mastering. (Vol.16 No.7)

DH Labs Silver Sonic D-110 AES/EBU: $99/1m
(NR, but see EL's review of the Bel Canto DAC3.5VB in Vol.34 No.6 WWW)

Kimber Orchid: $849/1m
Expensive, but the best AES/EBU link JA has used. J-10 loved the Orchid's midrange liquidity and detail, but preferred Illumination's S/PDIF cable overall. SD (almost) doesn't equivocate: "Probably the best out there for now....A stunner!" RH and RD are also fans. New lower price usefully brings this cable in reach of more music lovers. (Vol.19 No.5)

Kubala-Sosna Expression: $900/m, $240/additional meter
A KR favorite. See "Loudspeaker Cables." (Vol.29 No.7 WWW)

Revelation Audio Labs Prophecy CryoSilver Reference DualConduit USB cable: $649/1.25m
KR first became acquainted with Revelation Audio Labs' USB cables when a set was supplied with his Baetis Prodigy-X server. He was especially intrigued by the build quality of RAL's DualConduit design, in which dual Type A USB plugs converge in a single Type B USB plug, with one lead for signal and the other for the 5V USB power. The RAL DualConduit remains a KR reference in various computer-audio settings. (Vol.41 No.3 WWW)

Deletions
Transparent Audio Performance USB discontinued.

COMMENTS
Bogolu Haranath's picture

Time for Stereophile to review the Denafrips flagship Terminator DAC (under $5k) :-) ........

Kempff's picture

Audioquest Nightowl Carbon (and its Nighthawk sibling) have been discontinued.

There's a new version of the Chord Mojo? Do you know something no one else does?

Bogolu Haranath's picture

AQ NightOwl Carbon is listed under Class-B headphones :-) .......

Kempff's picture

That’s my point. Discontinued items aren’t supposed to be listed.

Bogolu Haranath's picture

May be the people who worked on the list are dis-connected :-) ........

Jim Austin's picture

When we contacted companies about changes in their product lines, as we do before every Recommended Components issue, we were told by AudioQuest that the NightHawk and the NightOwl were still current products.

As for the Mojo, the reason given for its deletion from the list is in error--my error. It is the Hugo, not the Mojo, that has been replaced. The Mojo was deleted because it was last auditioned by a Stereophile writer in the February issue, 2016. Unless awarded a star, components typically "age out" after about three years.

Jim Austin, Editor
Stereophile

Kempff's picture

I guess one hand doesn't know what the other is doing at AQ. They sent out a letter to dealers over a year ago announcing that they were "leaving the headphone category," and they stopped producing the nightbirds at that time. But their website still features them as if they're current.

I'm not sure I understand about the Mojo, though. There are quite a few things on the RC list that were reviewed before the Mojo and don't have stars -- the Audeze LCD-X and Senn HD-650, to pick a couple from the same page. Besides, the Mojo surely deserves a star if anything does: it's a classic, sounds fantastic, and has no competition at its price point. It was the RC listing and JA's review that convinced me to take the plunge, and I've loved it ever since.

Jim Austin's picture

Thanks for your note. Well, the HD-650 should have a star, and I'm going to give it one; there aren't many headphones (HD-600 to name one) that have been around as long and still perform well. In any case, I own a pair, and I think JA1 does, too. As you can read in the intro to the section, we keep things on the list if a reviewer has recent experience and still finds the product worthy. The LCD-X is an example of that: JA owns a pair and uses them often.

That's the general case: Products that were reviewed longer ago than the Mojo but still on the list are there because they are in some reviewer's system.

I've never heard the Mojo, but based on its reputation, I certainly respect it. Whether it's a "classic" is of course a judgment call; smart people can disagree.

Best Wishes,

Jim Austin, Editor
Stereophile

tonykaz's picture

to "excellent" ?

Are some reviewers assigning the Excellent designation but not quite meaning it unless the "truly" adverb precedes the critical adjective? Is this a "secret" writers code word for some reason ?

Why do people feel the need to crutch support their declarations with clumsy adverbs?, seems like it dilutes the most important concepts and fosters mistrust of the Writers intentions.

Those dam Brits have taken to say'n "to be honest" or "if I'm honest" . ( We don't see it here, thank you. )
Feels like the Brit leading off with "If I'm honest" is someone I shouldn't be listening to. ( especially if it's coming from a Religious Minister that buys a series of my Sunday performance Sermons ).

My Audio Importing, Manufacturing & Retailing experiences reveal these Recommended Component Issues to have critical influence in the buying decisions of Audiophiles. Your gifted "fiancé of audio adventures" ( Mr.HR ) is probably the most influential man of letters in this here entire Industry. Mr.Steve G. is souring into Cassey Neistat territory with his Audio related YouTube dailies, big hair & colorful shirts. ( he only needs an electric scooter to ride the now-Empty Streets of Manhattan ) The NEW Steve G. is makning 33.3 look like its soooooo Old-School tired. Of course, I approve.

Tony in Venice

Tony in Sunny Venice

ps .. by the way, Audiologists are still using Astell & Kern players.

Bogolu Haranath's picture

To be honest, I think these recommended component lists are very excellent :-) .......

Bogolu Haranath's picture

BTW ....... Tom Brady is gonna play in a town near you :-) .......

tonykaz's picture

and...

Who cares ?

Tony in Venice

Bogolu Haranath's picture

You don't know the record holder, 6 times Super Bowl winner? :-) .......

tonykaz's picture

I have a super bowl that holds 5 cups of cereal.

Tony in Venice

ps. I'm probably not a proper American

Tromatic's picture

Oddly enough I can believe someone who praises the Chinese government does not know who Brady is, although I do agree with "who cares".

tonykaz's picture

Who? I don't know anyone like this .

Tony in Venice

Tromatic's picture

In one of your voluminous screeds about how racist the US is if IRC.
I was going to post something about how the typical Uighur would disagree with you but that would have been off-topic. I'll look for it if you wish, but it may take some time.

I can see how you would forget.

tonykaz's picture

You might have the wrong fellow. I'm contending that China has been an Industrial Quality Leader for the last 5 Centuries ( with the recent decades being the exception )

I do not approve of my GMCorp. going to Asia to take free Labor while abandoning our local legacy Labor.

What is IRC ?

Graham Luke's picture

We must wean ourselves off this curse.
Well, we wouldn't buy stuff from Kim Jong Un so why are we buying it from the PRC....?

misterc59's picture

Sorry, don't know how this ended up under this comment, plus the body of my post went AWOL. I think I'll wait until the posting gods have (hopefully) fixed the problem...

Bogolu Haranath's picture

$400 Project Pre Box S2 is listed in Class-A digital processors ........ To be honest, I think that is very excellent :-) ........

Indydan's picture

To be honest. You should listen to more music, and post less.

tonykaz's picture

"to be honest" is the actual writer saying that he is not normally an honest reporter.

So, I ask, are you being facetious ? I think yes as your comments are typically concise.

Tony in Venice

ps. I'm not here for Music, I'm here for the Literary ( editorial ) Content. I can select Audio Gear without reviewer guidance. I have an Audiologist & Psychiatrist to help me synchronize my personal hearing curves, tastes and synapse tunings. I seem to prefer Class A and still haven't been able to tune-in Class D amplification as satisfactorily as the Norther Europeans have achieved.

Ortofan's picture

... the Pro-Ject Amp Box RS, which combines Hypex class D power amp modules with a vacuum tube input buffer stage.
You could buy one with your $1,200 UBI and still have some change left over.
It's even available at those Best Buy stores with a Magnolia department.

https://www.pro-jectusa.com/en-us/products/pro-ject-box-designs/amplifiers/rs-line/amp-box-rs

Bogolu Haranath's picture

HR could review the Amp Box RS :-) ........

tonykaz's picture

I can't thank you.

Of course you proffer dam good advice, as usual.

I'm something of a Maverick Brand Ambassador for Schiit & PS Audio ( although either Company would & should say that I'm strictly out-on-my-own and not part of their operations ) I think that Mr.s Stoddard and McGowan are both men of high integrity ( maybe even including M.Moffat who might be a horrible smart ass and proud of it )

I was once a Dealer for PS Audio ( 1980s ) and Tyll introduced me to Schiit back in 2011. Both outfits manufacture in the USA, service their products, answer customers, make A+ level products and price sensibly. What's not to like except for Schiit's dam Name and their stupid rear mounted power switches.

As far as those UBIs are concerned, the Corporate worshiping donkeys may not allow we civilians the same life saving financial treatment being lavished on their sponsoring donor Class. Boeing to accept $60 Billion after ruining their financials with the 787 and 737 mismanagements.

Fingers crossed on those $1,200 ea. with $5,000 per family, I'll be investing in Color changing LED Lighting.

Tony in Venice

Ortofan's picture

... Maverick Brand Ambassador for Schiit Audio - and since Messrs. Stoddard and Moffat seem to know their way around tubes, as well as transistors - perhaps you could suggest to them that they design a variation of the Vidar power amp with a vacuum tube front end. It could effectively be a budget version of the PS Audio BHK amp.

tonykaz's picture

I'm certain that Mr.Stoddard would entertain your own personal inquiry far more than they would value my nudging suggestions which typically get tossed ( like my standard insistant demand for ALLLLL dam power switching be located on the dam FRONT panel AND! Dammit, change the Brand Name to Stoddard & Moffat like any respectable Company would normally do!!!

I love your idea for Product Development Improvements. ( go ahead and nominate yourself to Schiit's advisory board, I'll second it)

Are you sure about Moffat and tubes ? I wonder if he's cooking up a nice tube DAC?

Tony in Venice

tonykaz's picture

I'm certain that Mr.Stoddard would entertain your own personal inquiry far more than they would value my nudging suggestions which typically get tossed ( like my standard insistant demand for ALLLLL dam power switching be located on the dam FRONT panel AND! Dammit, change the Brand Name to Stoddard & Moffat like any respectable Company would normally do!!!

I love your idea for Product Development Improvements. ( go ahead and nominate yourself to Schiit's advisory board, I'll second it)

Are you sure about Moffat and tubes ? I wonder if he's cooking up a nice tube DAC?

Tony in Venice

Bogolu Haranath's picture

Your idea of a tube DAC is a smart idea for S. Audio ........ They could offer that DAC with a choice of tube or transistor output ......... They could also offer a choice of multiple digital reconstruction filters for that DAC :-) ........

tonykaz's picture

Why does it need multiple reconstruction?

I suspect that we are already past the point where DACs feature discernible sound quality differences, although professionals like Bob Katz carefully choose converters and can hear details beyond "normal" amateur listeners.

But...

... for the sake of outlandish Pricing, Schiit could offer a DAC made up of ONLY Tubes, much like the very first IBM Computer needing a very large room. Price it at, say..., 3 Million Dollars. Lets give em sumpt'n to talk about.

Tony in Venice

Bogolu Haranath's picture

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tonykaz's picture

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Bogolu Haranath's picture

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tonykaz's picture

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Bogolu Haranath's picture

Almost all of the DACs which offer multiple filters, also offer the standard linear phase 'brick-wall' filter ...... Some listeners choose other types of filters because, they say that, those filters sound more 'analog like' .......... Those other filters are available with a push of a button ....... Similarly, tube or transistor output could be chosen with a push of a button :-) .........

Bogolu Haranath's picture

When Mr.Tony and Mr.Ortofan become the board members of S. Audio, they could make the suggestion about the above mentioned tube DAC :-) .......

tonykaz's picture

Sir Ortofan is leagues beyond me in logical expressions, I would never be welcomed to that exclusive Board of Directors ( BOD ).

Can Orto fandom be explained?

Tony in Venice

tonykaz's picture

Sir Ortofan is leagues beyond me in logical expressions, I would never be welcomed to that exclusive Board of Directors ( BOD ).

Can Orto fandom be explained?

Tony in Venice

Bogolu Haranath's picture

Mr.Ortofan got a 'face tat' which says 'I got the power' :-) ........

Bogolu Haranath's picture

Or ..... May be the tattoo says 'Better at 70' :-) .......

Bogolu Haranath's picture

Mr.Indydan ........ To be honest, you should listen to more music and read less posts or, better yet, read no posts at all :-) .......

tonykaz's picture

looks like a $1,200 UBI per person with a married cap ( possibly $2,500 )

Tony in Venice

enrique majluf's picture

Dear Misters. of Stereophile, it seems to me that they have made a mistake in removing the DAC Bryston from the list, since Larry Greenhill has them within his teams for his reviews, as well as other components of Bryston. His last review was on February 27, 2020. You can't say you haven't been auditioned in a long time.

jay.levine's picture

Just curious how that decision is made? I have a VTA 120 from Bob Latino and it too can be purchased fully assembled--great amp for the money (along with his mono-blocks)--surely they along with a couple of other similar amps deserve attention.

davemill's picture

I am wondering why the B&W 702 S2 are considered “Full Range” while their specifications don’t go to 20 Hz. Stereophile’s review measurements also don’t support this categorization. If these really aren’t “Restricted Extreme LF”, the same should apply to the Revel Performa F228Be.

davemill's picture

I am wondering why the B&W 702 S2 are considered “Full Range” while their specifications don’t go to 20 Hz. Stereophile’s review measurements also don’t support this categorization. If these really aren’t “Restricted Extreme LF”, the same should apply to the Revel Performa F228Be. Perhaps this rule only applies to Class A, I may have just answered my own question. This seems arbitrary to even have Restricted Extreme LF categorization for the other classes unless there are different requirements for them?.

brams's picture

It is not very clear (at least to me) how items rated in one class are subjectively considered to be superior performers to those in the class below. To clarify this it would be helpful in each case to include a small blurb in the comments for each item not considered to be in class A as to why they were not included in the class above. For example the comment for an item in class B would say " Misses class A because in all systems tested it lacked the ultimate resolution of the lowest ranked item currently considered to be in class A" or "Is slightly too sweet or bright to be considered neutral".

In some cases the reasoning can be gleaned by careful reading of the reviews (and perhaps that is Stereophile's intent), but in many cases it is simply not clear.

As a case in point, consider the case of the Kef Reference 5. It is rated as class B while the LS50 is rated as class A LF. However a reading of the Reference 5 review specifically with comparison to other speakers (eg. Magico) currently listed as class A provides no clue to the reason for the ranking especially relative to the ranking of the LS50. Yes, the Reference 5 appears to be slightly sweeter than other class A speakers, but we are also told that its high end performance is similar to the class A Magico.

Now I have heard both the LS50 and Reference 5 in various systems. I also own the little brother to the Reference 5, the Reference 1. It is my opinion that there is no sane person who after hearing all three who could realistically make the case that the LS50 is anywhere near the performance of either Reference speaker. This opinion appears to be supported by any objective testing I have seen. How then does Stereophile explain this discrepancy?

Stereophile owes it to its readers to explain such anomalies as it risks casting doubt on the legitimacy of the Recommended Components list. Perhaps there is a valid reason in the example provided. If so, I would like to hear it. Your general comments in the "How We Do It" section does not appear to cover this.

Alan Marcy's picture

Hi! Stirful & other text addicts. I wandered into good sound visiting a surviving friend who ran off to Paris, France after he got his PHD at the University of Minnesota to teach Romance Languages at the Sorbonne. We are both offline (Text-talk for too old for anyone to care that he is now (Class
D) a dread illegal alien in France) after running Sorbonne until they demanded he retire. He has since married his lover in this US of A, is free of her homeland, China. They had visited her family in China and were happy to get their marriage approved. Families are perhaps as picky as loyal readers of this fine publication, even online.I HAVE UTFERED
i have ordered, om the comments om Vlass===]]]

ckassf Vkass S,

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