DEQX PreMate D/A processor/digital equalizer Measurements

Sidebar 3: Measurements

Before examining the DEQX PreMate's equalization and correction features, I wanted to make sure that its basic performance as a D/A processor was up to the expected standard—"First, do no harm" is as fundamentally important in digital signal processing as it is in healthcare. I examined the PreMate's electrical performance with my Audio Precision SYS2722 system (see www.ap.com and the January 2008 "As We See It"), mainly using the TosLink optical input, though I repeated some of the tests using a USB connection from my MacBook Pro laptop running on battery power. Apple's USB Prober utility identified the processor as the "XMOS USB Audio 2.0" and confirmed that the USB input operated in the optimal isochronous asynchronous mode. The USB input accepted 24-bit data with sample rates ranging from 44.1 to 192kHz, including 88.2 and 176.4kHz. The TosLink input accepted data with sample rates up to 96kHz, and the AES/EBU input sample rates up to 192kHz. However, the DEQX Calibration app (v.2.93), running on a Windows XP machine, indicated that 192kHz data were downsampled to 96kHz, and 176.4 down to 88.2.

Before performing any measurements, I selected the P0 preset with the remote control, which, as programmed by KR, sets all DSP functions to flat, though the DSP engine remains in the data path. I also pressed EQ Reset on the remote, to ensure that the parametric equalizer was set to do nothing. With the digital inputs' sensitivity set to "0dB" with the DEQX Cal software, the maximum output level at 1kHz was 2.847V from the balanced outputs, 1.327V from the unbalanced outputs. (When shipped, the PreMate is set-up with 6dB of digital headroom when the analog output gain is set to 0dB.) A 0dBFS signal was indicated as "+0.1dB" on the DEQX Cal's meters. With the signal polarity set to "+" on the software's control panel, the PreMate inverted signal polarity from both sets of outputs. The balanced output impedance was 200 ohms at high and middle frequencies, rising to 1260 ohms at 20Hz. The unbalanced output impedance was 74 ohms across the audioband.

The impulse response of the PreMate's digital reconstruction filter is shown in fig.1. Unusually but commendably, it appears to have a minimum-phase characteristic, with no pre-ringing. Fig.2 shows the results of the test suggested to me by Jürgen Reis of MBL, in which the device under test is fed 44.1kHz-sampled data first representing a full-scale 19.1kHz tone, then white noise at –4dBFS. The reconstruction filter rolls off sharply above 21kHz, and while it hasn't reached full attenuation at the Nyquist frequency (half the sample rate, indicated by the vertical green line), the image of the tone at 25kHz is completely suppressed. The distortion harmonics of the tone are very low in level, but there is a peculiar rise in the noise floor to either side of the spectral spike that represents the tone, as well as symmetrical low-level sidebands, both presumably due to jitter of some kind.

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Fig.1 DEQX PreMate, impulse response at 44.1kHz (4ms time window).

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Fig.2 DEQX PreMate, wideband spectrum of white noise at –4dBFS (left channel blue, right magenta) and 19.1kHz tone at 0dBFS (left cyan, right red), with data sampled at 44.1kHz (20dB/vertical div.).

Fig.3 shows the conventional frequency response of the PreMate's digital inputs, plotted at 44.1 and 96kHz with the P0 preset. (I haven't shown the 192kHz response, as it was identical to that at 96kHz, which suggests that the DSP signal path operates at a maximum rate of 96kHz.) There is a smooth ultrasonic rolloff, followed by a sharp drop just before each Nyquist frequency. However, the PreMate will not generally be used in its bypass mode, but instead will be programmed to apply equalization. Fig.4 shows one of the programmed filter responses Kal Rubinson had used with the Bryston Middle T loudspeakers; fig.5 shows the measured response. The theoretical and actual responses are, as hoped, identical, other than the reconstruction filter's slow rolloff above the audioband.

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Fig.3 DEQX PreMate, frequency response at –12dBFS into 100k ohms with data sampled at: 44.1kHz (left channel cyan, right magenta), 96kHz (left blue, right red) (0.5dB/vertical div.).

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Fig.4 DEQX Calibration app, original programmed filter response for Bryston Model T at 96kHz (left channel blue, right red; 1dB/vertical div.).

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Fig.5 DEQX PreMate, measured filter response for Bryston Model T at –12dBFS into 100k ohms with data sampled at 96kHz (left channel blue, right red; 1dB/vertical div.).

Channel separation was excellent, at >115dB in both directions below 1kHz, and still 95dB at 20kHz. The noise floor (fig.6) was free from power-supply–related artifacts. To investigate the PreMate's ultimate resolution, I used the DEQX Cal app to remove the 6dB of headroom. I then fed it dithered data representing a 1kHz tone at –90dBFS with first a 16-bit word length, then 24 bits, using the TosLink input. The results are shown in fig.7. The increase in bit depth lowers the noise floor by 18dB, implying that the PreMate offers 19-bit resolution, which is excellent. Repeating the test with the USB input gave identical results, confirming that the USB receiver correctly handles 24-bit data.

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Fig.6 DEQX PreMate, spectrum with noise and spuriae of 1kHz tone at 0dBFS into 100k ohms with 24-bit data (left blue, right red) (20dB/vertical div., ; linear frequency scale).

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Fig.7 DEQX PreMate, +6dB gain trim, spectrum with noise and spuriae of dithered 1kHz tone at –90dBFS with: 16-bit data (left channel cyan, right magenta), 24-bit data (left blue, right red) (20dB/vertical div.).

When a digital signal-processing engine is used to apply gain, as the signal data can't exceed 0dBFS, it actually attenuates the signal at frequencies at which gain is not required. This will reduce the ultimate resolution by the amount of attenuation applied. Fig.8 repeats the resolution analysis using KR's filter setting examined in figs.4 and 5. The DEQX app revealed that the gain offset was now 3.1dB in the left channel, 2.5dB, right, and the 24-bit noise floor had risen by up to 8dB. Resolution was thus approximately one bit lower than when the PreMate was set to do nothing, but the noise floor was commendably free from idle tones and other spuriae. The PreMate's reproduction of an undithered tone at exactly –90.31dBFS clearly shows the three DC voltage levels described by the data (fig.9), with the waveform symmetry implying very low DAC linearity error. With undithered 24-bit data, the result was a well-defined sinewave (fig.10).

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Fig.8 DEQX PreMate, filter operating for Bryston Model T, spectrum with noise and spuriae of dithered 1kHz tone at –90dBFS with: 16-bit data (left channel cyan, right magenta), 24-bit data (left blue, right red) (20dB/vertical div.).

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Fig.9 DEQX PreMate, waveform of undithered 1kHz sinewave at –90.31dBFS, 16-bit data (left channel blue, right red).

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Fig.10 DEQX PreMate, waveform of undithered 1kHz sinewave at –90.31dBFS, 24-bit data (left channel blue, right red).

Harmonic distortion was very low, even into the demanding 600 ohm load (fig.11), with the second harmonic the highest in level at –97dB (0.0014%) and –106dB (0.0005%) for the right and left channels, respectively. Intermodulation distortion was also very low, but the peculiar rise in the noise floor to either side of the high-level tones evident in fig.2 is also visible in fig.12. It was only in its rejection of jitter that the PreMate fell short of excellent performance. Fed 16-bit J-Test data via TosLink or USB, the result was the same (fig.13): the noise-floor modulation, accompanied by many low-level sidebands that obscure the high harmonics of the LSB-level, low-frequency squarewave. (The green line shows the expected level of these harmonics.) The picture didn't change with 24-bit J-Test data.

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Fig.11 DEQX PreMate, spectrum of 50Hz sinewave, DC–1kHz, at 0dBFS into 600 ohms (left channel blue, right red; linear frequency scale).

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Fig.12 DEQX PreMate, HF intermodulation spectrum, DC–30kHz, 19+20kHz at 0dBFS into 100k ohms (left channel blue, right red; linear frequency scale).

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Fig.13 DEQX PreMate, high-resolution jitter spectrum of analog output signal, 11.025kHz at –6dBFS, sampled at 44.1kHz with LSB toggled at 229Hz: 16-bit data via TosLink from AP SYS2722 (left channel blue, right red). Center frequency of trace, 11.025kHz; frequency range, ±3.5kHz.

Other than the peculiar behavior of its noise floor with high-level, high-frequency signals, the DEQX PreMate, considered as a D/A processor, offers superb measured performance. That it also has an enormously flexible DSP engine is a bonus!—John Atkinson

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COMMENTS
JR_Audio's picture

Hi Kal

Great review and description how to work on the Speaker and the Room Optimization separately with DEQX PreMate. I know it is a bit difficult to validate, but this point make a bit difference between different “room optimization” hard- / soft-ware.

Lately I have done also some measurements on different room optimization hardware (2 of the 4 based partly on your recommendations over the last years) and separation speaker from room optimization separates the men from the boys.

With the MLSSA measurement system you can chose different lengths of the adaptive time window (where the lengths changes with time (and so the resolution over frequency)) and so you can differentiate between the results of the speaker optimization from those of the room “optimization”.

Looking forward seeing you at the CES.

Juergen

Timbo in Oz's picture

Does it have a simple switch option for that?

corrective_unconscious's picture

"However, the DEQX Calibration app (v.2.93), running on a Windows XP machine, indicated that 192kHz data were downsampled to 96kHz, and 176.4 down to 88.2."

"(I haven't shown the 192kHz response, as it was identical to that at 96kHz, which suggests that the DSP signal path operates at a maximum rate of 96kHz.)"

Does this mean only the signal processing part of the component downsamples, or is this indicating that the DAC downsamples also? (Or you don't really have a true bypass option, do you?)

In either case, assuming I have understood this at a basic level, I am surprised that such an expensive component would be doing this in any of its modules. The specs seem to claim the unit accepts high resolution recordings through at least some of its digital inputs. Are those claims misleading?

DEQX's picture

Yes - There is a simple software switch that allows each of the four outputs (2 x main speakers and 1 or 2 optional subwoofers) to be individually phase inverted and auditioned in real-time.

John Atkinson's picture
Quote:
Does this mean only the signal processing part of the component downsamples, or is this indicating that the DAC downsamples also? (Or you don't really have a true bypass option, do you?)

Though the PreMate will accept 176.4 and 192kHz datastreams, it appears that it downsamples them to half those rates before the data are presented to the DSP section, then finally the DAC. So no, there is no true bypass.

Quote:
In either case, assuming I have understood this at a basic level, I am surprised that such an expensive component would be doing this in any of its modules.

Running powerful DSP at 4Fs sample rates is very consuming of resources, so this compromise is not uncommon. It is likely that the benefits of the DSP correction outweigh the potential drop in sound quality due to the downsampling.

John Atkinson
Editor, Stereophile

corrective_unconscious's picture

Good thing the high end consumer is getting more and more choices of hi rez music. And hi rez formats!

It is hilarious, benefits of DSP or not, imo.

(Thanks for the clear explanation and confirmation.)

lhissink's picture

Life becomes more interesting when the speaker system is a Larsen 8 that are specifically designed to work with the floor and rear wall. My system is in a temporary location but DEQX did a preliminary speaker correction limiting the correction window from 20 to 800 Hz. But I have to wait until May or June 2015 before any more comments can be made.

And great review, and agree with the documentation - it requires deep study and time to fully utilise the software.

w1000i's picture

If possible I hope to see a review for wyred4sound DAC-2 DSDse :)

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