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I still have my AR 3a speakers from 1975. Still sound great.
Compact Disc:
West of Oz; A. McBroom & L. Mayorga; Sheffield CD-15
Jazz at the Pawn Shop; Various; Proprius CDP 7778/9
Night Train; O. Peterson Trio; Verve 821 724-2
Windham Hill Live; Various; Windham Hill WD-1026
Drum Record; Various; Sheffield CD-14
Track Record; Various; Sheffield CD-20
Court and Spark; Joni Mitchell; Asylum 1001-2
Remain in Light; Talking Heads; Sire 6095-2
Mister Heartbreak; Laurie Anderson; Warner 25077-2
Sampler 2; Various; Telarc CD-80102
Chants D'Auvergne; Kiri Te Kanawa; London 410 004-2
3 Concert Nach Vivaldi; Daniel Chorzempa; Philips 412 116-2
Utrecht Te Deum; Choir of Christ Church, Oxford; L'oisueau-Lyre 414 413-2
Schubert: Songs; D. Fischer-Dieskau & A. Brendel; Philips 411 421-2
Holst: The Planets; Lorin Maazel; CBS CD 37249
The Sound of Trumpets; NY Trumpet Ensemble; Delos D/CD 3002
LP:
Haydn: Flute Quartets; Wolfgang, Gerhard, Schulz; Telefunken 6.42903 AZ
Tug of War; Paul McCartney; Columbia TC 37462
The Missing Linc; Lincoln Mayorga; Sheffield S10
Crumb: Madrigals; Jan deGaetani; DGG 0654 085
Hollywood Town; L. Mayorga & A. McBroom; Sheffield 13
Interludes; Fresh Aire; A. Gramophone AG 373
Holst, Handel, Bach; Frederick Fennell; Telarc 5038
Dark Side of the Moon; Pink Floyd; Mobile Fidelity MFSL 1-017
Rhapsody in Blue; Cincinnati Symphony; Telarc DG-10058
Confederation; Larry McNeely; Sheffield 9
Vaughan-Williams; Saint Louis Symphony; Telarc DG-10059
Paradise and Lunch; Ry Cooder; Reprise MS 2179
Three Friends; Gentle Giant; Columbia KC 31649
Fragile; Yes; Atlantic SD 7211
Beethoven: Symphony #5; Carlos Kleiber; DG 2530 516
I still have my AR 3a speakers from 1975. Still sound great.
Shades of the Concert Grand SI from ESP Loudspeakers? Even though those were more meant to derive from the Beveridge line source, rather than being a very low dispersion radiator with delayed ambience drivers, there are some similarities in terms of general form factor and how various drivers aim off from the central axis, imo.
I like some of the theoretical ideas at work here, and wonder what could be done with a modern implementation.
i have Ken's old pair of MGC-1's that i was able to restore with the help of a friend. i couldnt procure a working MGC-1e ambient controller, so i use an HT receiver to drive both driver arrays, using the front arrays as main speakers and the side firing array as surround speakers.
i also installed a center speaker and dedicated sub to outfit the system. this works quite well, but i do not employ a delay to the side arrays and instead rely on the receivers dsp abilities to reproduce stereo recordings in a 5.1 mode. surround recordings are reproduced in true 5.1 with glorious results.
i have yet to hear the MGC-1 as they were designed to be used, but my modern version of implementation is jaw-droppingly good.