Re-Tales #45: Riding the Common Wave

In the e-commerce era, brick-and-mortar dealerships must give customers compelling reasons to stop by. Los Angeles hi-fi dealership Common Wave's owner Wesley Katzir keeps customers coming through the door with a simple idea: that music matters in our everyday lives and that what he enjoys, other people will enjoy, too. That extends not just to music but also design, which is a particular preoccupation of Katzir and his business.

"I wanted to create a hi-fi space for people who were interested in the same sorts of musical and listening experiences as I am, which is much more communal," Katzir told me in a recent phone conversation. "We have enough screens in our face. I'm trying to get people away from that to a more meditative, peaceful experience with music."

By hi-fi–hobby standards, Katzir is young. He attended college in the 1990s, studying environmental design (footnote 1); think of it as a kind of experiential architecture. He also worked at Circuit City. His after-school work was almost as much a part of his training as college was, because several of his colleagues had been laid off from Rogersound Labs, which had gone out of business in 1992 (footnote 2). "I got this pretty rare tutelage," he said. "Here I am 17, 18 years old. You have people who are 40, 50, 60 years old who have a wealth of knowledge. I was obsessed with hi-fi, and obviously they were too." He learned a lot about turntables, tube amplification, and other components that (seemingly) were on the way out then.

Katzir started his business in 2016, then opened the first Common Wave showroom in 2018. That first store was about the size of a largish house, around 2600ft2. Recently, Common Wave added a reference listening room, reaching the current 3500ft2. Katzir says they were after "almost a skate-shop feel." Common Wave offers everything we've come to expect from a traditional hi-fi dealership: equipment sales, system setup and calibration, and a few repairs (turntables, not electronics). There's also a record store up front.

Common Wave hosts events. That's hardly unusual: Most hi-fi stores host events, at least now and then. But Katzir goes beyond traditional manufacturer demo–type events; he aims to put on events that are fun—that he finds fun. He hosts as many experiences as he can, including live music, album listening parties, and DJ sessions. This past Father's Day, Common Wave put on a pop-up event, inviting other vendors to set up shop, including five specialty record sellers and a specialist in Japanese ceramics and crafts. "It started off as an effort to give people something tangible to play around with or look through from the get-go, as opposed to looking at exotic equipment," he said. "When we designed the space, my whole idea was to make the systems approachable."

"I really want it to feel like your hi-fi clubhouse," he said. "You can come in here and have an experience, and it doesn't cost you a penny." At such times, "we're not selling you anything; we're here to [let you] experience music."

Common Wave does, of course, sell hi-fi equipment. Katzir believes in a hands-on approach: He wants customers to do more than see and hear equipment. "I want them to go around and touch and feel and imagine how it would be in their house," he said. "Because at the end of the day, this should be an object that's used, and I want them to want to pick up that tonearm and use it." Katzir regards hi-fi equipment not as ornament but as functional sculpture. As such, he thinks it should last a lifetime, assuming you maintain it well.

Common Wave's location—between Boyle Heights and L.A.'s downtown arts district—means that their customers come from a range of means. Many hi-fi customers are on a budget. Katzir wants to accommodate them by carrying as much entry-level gear as he can. He can, he said, put together an analog separates system for under $1500. Sometimes that's just the right choice for the client and their space. "I want people to start there. We want them to feel like they have an option here," he told me. "We are planting the seeds for people to live with music for the rest of their lives."


Common Wave doesn't skimp at the high end, however. The dealership carries equipment across the whole range of prices up to high-end brands including Acora Acoustics, DeVore, Esoteric, Kuzma, Nagra, Nordost, Piega, SME, and YG Acoustics. "We have incredible equipment here," he said.

Katzir's background includes designing and building furniture, and he continues to build custom speakers, turntables, and various custom built-ins. As such, his interests and his business's activities go beyond conventional home hi-fi. About 20% of its business comes from commercial clients such as yoga studios, stores, bars, and restaurants. "I think there's a lot of interest in creating that secondary experience," he said. "Where if you are going to go out and you spend some money on a drink or some food. ... Hi-fi is my favorite way of adding that on, but I think people love it, too." Common Wave has also been receiving requests to install hi-fi systems in design studios at major corporations, "so that people can ... decompress and regroup with themselves," Katzir said. Despite these other activities, Katzir maintains that two-channel hi-fi is the store's primary focus. "We're a hi-fi showroom first and foremost. We just try to provide services for as many different avenues as we can."

In an era that continues to shift to online sales, Katzir remains optimistic about brick-and-mortar hi-fi dealerships' viability. "There are a number of great shops across the country," he said. "They're all kind of getting in the groove of serving clients."


Footnote 1: The Encyclopedia of the City defines environmental design as seeking "to create spaces that will enhance the natural, social, cultural and physical environment of particular areas." That's from Wikipedia.

Footnote 2: Rogersound Labs has since reopened and currently manufactures the RSL line of affordable loudspeakers.

COMMENTS
Glotz's picture

Great idea and really what is missing in the hobby now. Put a cafe next door and a record store nearby too! (Perhaps there's never enough investment capital to do it right...)

I freakin' love this guy's vision though. Pop-up vendors serve disparate needs and foster new discovery while create new interest for another crowd. That's a nice refinement on the pop-up.

I can see newbies getting brought in and realizing they love the time and experience and a place where the regulars can help friends learn. I can only hope the hybrid activities and diverse thinking continues and it thrives! Just brilliant and necessary.

MBMax's picture

Next time in LA visiting the kids, I'll be paying a visit. And perhaps become a purchasing client, though the system is in a great place right now...

What a great, great concept.

Ortofan's picture

... Wesley Katzir would recommend at about the $1,500 price point.

From among the brands they carry, my choices would be:

- Yamaha R-N303 receiver (over 100W/ch and networking included)
- TEAC TN-3B-SE turntable (with AT-VM95E cartridge and phono pre-amp
- Klipsch RP-5000F II speakers

https://usa.yamaha.com/products/audio_visual/hifi_components/r-n303/index.html

https://teacusa.com/products/tn-3b-se-belt-drive-analog-turntable

https://www.klipsch.com/products/rp-5000f-ii-floorstanding-speaker

Glotz's picture

I actually looked at one of your links- the 1st Yamaha suggestion.

My friend has this unit and I have heard it many times. Nice mid-fi digital receiver. Nothing is really grabbing, but it's not offensively bright either.

The buttons leave a little to be desired to say the least. For treble and bass, there are 2 separate buttons for increase and decrease. Doesn't weigh very much and if you touch the buttons too hard, the whole unit slides back in the rack. Needs a rock on top.

The build quality is stunningly lower than most audiophile mfgs. Yamaha's multi-thousand preamp and amps do sound great and are built to another several levels over this model. 'There is no drinking by the label' - per Stereophile's claim decades ago.

I would rather offer Cambridge Audio or Rotel or NAD for anyone looking at this price point of $300 or so. Or even spring for a cheaper Chifi DAC or amp or whatever one would prefer. Most want headphones and pre outs.

And even as a vinyl-first audiohead for decades- DACs have massively more value for the newbie. Analog has a massive entry fee to getting great sound. Upkeep, cleaning and many more costs to consider. If one really wants to get into analog and has substantial expendable income, go for it! It is more fun.

Ortofan's picture

... for $20 more the Yamaha A-S301 integrated amp has better build quality than the R-N303 and includes a phono preamp stage.
Common Wave doesn't offer Cambridge, but they do have NAD and Rotel, whose amps would be more expensive.
You could offset that increase by choosing a cheaper turntable and/or less expensive "bookshelf" speakers, but then you might have to add in the cost of stands.

I was trying to speculate as to what system this dealer might assemble at the $1,500 price point mentioned in the article.

Here's a link to all of the brands they sell:
https://www.commonwave.net/brands

Given that price constraint of about $1,500 and selecting only from that list of brands, what system - consisting of an amp/receiver, turntable/cartridge and speakers would you suggest?

Glotz's picture

And just because you asked it:
(not easy given one website's offerings- I used another online retailer for the pricing and current mfg sales)

NAD C 316BEE $400 on sale from $500
Project T1 $359 on sale from $450
Dali Oberon $600 (though there are others)
Ortofon - 2M Blue $189 from $239
Mofi Electronics - StudioTracker $149 on sale from $200.

By no means exhaustive.

Stands? Make your own. Concrete cinderblocks or wood or whatever you can cobble together.

Cables? Ask your audiophile friends who have extras to give away. I traded in all of mine old cables recently to my local and online dealers and got a great deal across the board with new purchases. But one really needs to factor in sensible audio cables when they can. I would start with Audioquest, but let the best deal dictate where you start as a beginner. Don't get too finicky until you have a system that is up to the task of revealing more.

Given all of this, I would be able to get a (much) lower price at my dealer than even these sales listed. Loyalty, frequent purchases and smart buying can always get more off than the above prices.

Keep in mind, if I spent more than 15 minutes researching this strata of the market, we could come up with much more. There is SO much in the under $1000 range of components.

Ortofan's picture

... (as well as eliminating the networking feature) opens up some interesting possibilities.

For speakers, I'd go with the Klipsch Reference Premiere RP-600M II.
Crutchfield has them on sale for $449, and HR raved about them.
https://www.stereophile.com/content/klipsch-reference-premiere-rp-600m-loudspeaker-rp-600m-ii-august-2023

For the integrated amp, I'd still pick the Yamaha A-S301 at $350.
Like the NAD, it has a phono preamp stage - plus it includes a DAC.

With $700 left, one can afford a much better turntable, such as the new Pro-Ject Debut Evo 2. Compared to the T1, it has a damped aluminum platter, a carbon-fiber tonearm with a higher-grade bearing, and a 2M style Ortofon/Pro-Ject cartridge, along with a decent set of interconnects.
https://pro-jectusa.com/product/debut-evo-2-hi-fi-turntable/

Let this dealer add some entry-level Kimber or Audioquest speaker wires at no extra charge to seal the deal.

Stereophile should review a system such as this one.

bhkat's picture

Its nice to read about this. I wish them a great deal of success.

David Harper's picture

In 2024 there is actually no such thing as "midfi". The technology of home audio has advanced to the point at which most home audio components will sound audibly the same. The idea that price determines sound quality is a fallacy of "high-end" audiophiles who are living in a fantasy world of the past.Even the inexpensive Yamaha reciever mentioned in this comments thread will,when operated within it's specified parameters, sound exactly the same as the most obscenely expensive "high end" amp. Anyone who hears a difference is experiencing expectation bias.

Glotz's picture

Keep telling yourself that. I think there's an ostrich that wants to share your hole! lol..

Garfield's picture

I like the approach. Looks like the way to foster a new generation of music lovers and audiophiles.

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