Jadis I-35 integrated amplifier

Last summer, in an uncharacteristic fit of wanderlust, I took an American Airlines flight to London. Two days later, I rode the Eurostar train to Paris in the company of my daughter and my wife, a travel agent, who had secured first-class train accommodations on her professional discount. Our ride was brisk, but the upgrade would have been a waste at any price: The Eurostar food was vile.

That would be my last bad meal for a long time: The food in Paris, from the humblest baguette to the loftiest saumon en croûte, was brilliant, the French apparently having determined long ago that life is too short for bad food. My family and I were inspired. Since that time, we have brought to bear on our day-to-day lives as much as possible of their culinary thinking.

My story could end there, except for one thing: Not long after my return to upstate New York, I received from their North American distributor an integrated amplifier made by Jadis, the family-owned company that has, since 1983, built tube electronics in the Languedoc-Roussillon region of southern France. The I-35 amplifier looks beautiful and—forgive the spoiler—made music in a manner that would seem to guarantee it a place among a hallowed few. Apparently, there are those among the French who believe that life is too short for bad hi-fi gear, as well.

The Jadis I-35 ($7995) is a true integrated amplifier, inasmuch as it incorporates both a stereo power amplifier and an active stereo preamplifier—the latter instead of a mere passive line stage. The distinction may seem unimportant to some, but to those of us who tend to regard passive preamps as somewhat lacking in musical drive and momentum, it is anything but. Like the vast majority of today's perfectionist-quality integrated amplifiers, the I-35 does not include a phono section.

The I-35 uses five small-signal tubes, the centermost of which—a 12AU7 dual-triode—provides line-level gain for both channels of the active preamp stage. Two other 12AU7s function as left- and right-channel phase inverters for the push-pull power section, while a pair of 12AX7s drive the power tubes.

The output section is built around the recently introduced KT120 tube, a descendent of the original MO Valve Compnay KT88 "kinkless tetrode." Billed elsewhere as the most powerful beam-power tube available, the KT120 has, in the Jadis I-35, been given a somewhat more refined role, with one pair per channel biased for class-A operation, offering a crazy-high 30Wpc. The KT120s are run in autobias mode—which, one presumes, will maximize tube life—and operate in an Ultralinear circuit, with plates and screen grids for each channel tied to the split-coil primaries of transformers designed and made in-house.

The Jadis I-35's power supply also uses Jadis's own iron: a mains transformer of considerable heft plus a moderately sized choke, the latter electrically sandwiched between two banks of reservoir capacitors, forming a pi filter of the usual sort. Rectification is all solid-state, implemented with individual semiconductor diodes for the rail. Regulation seems to be especially generous for the hefty filament supply, incorporating as it does a top-mounted TO3 regulator with its own heatsink. Indeed, during my time with the I-35 I heard not the slightest bit of hum or noise.

The I-35's construction quality is well above average. The generous size of the chassis—made necessary, I suppose, by the considerable weight of the thickly potted transformers—has been put to good use. Input connections for the hefty rotary selector switch are made using a printed-circuit board, and my review sample had a small logic board for its remote control's IR receiver; all other wiring is done by hand, point to point, with distinctly clean, logical routing and dressing of wires. Solder joins were consistently clean and well done: The I-35 looks nearly as good inside as outside.

Speaking of cosmetics: Although a few other companies have aped, in the years since their debut, the signature Jadis combination of chromed steel chassis and brass-colored knobs and faceplate, none have captured quite the same look: Somehow, the Jadis I-35 comes out looking lighter, smaller, and more delicate than it really is (aided in this effect by the lovely script logo, I think)—a welcome distinction in a hobby overburdened with bulk and little-boy-ishness.

Installation and setup
As one might expect of any amplifier that, at 55 lbs, weighs more than a large microwave oven, the single most difficult part of installing the Jadis I-35 was lifting it free from its good if somewhat travel-worn carton and packing materials. For that reason, and because the rather wide amp had trouble sharing the top of my rack with my rather wide turntable (the lower shelves offered too little clearance), the I-35 spent the bulk of its time here on my hardwood floor. For their part, the amp's nine tubes were safely contained in their own subcarton, and were lettered and numbered for installation—which, after I'd determined how to remove the black-mesh tube cage, went smoothly enough.


The only other challenge came when I set about connecting the I-35 to my loudspeakers. There are two complete sets of binding posts on the rear panel, but—apart from red rings on the top row of connectors and black rings on the bottom—there are no markings at all. Beyond suggesting that "the load impedance is pre-adjusted in the factory for loudspeakers from 4 to 16 ohms," the owner's manual offers no clues; my confusion was made worse by a graphic atop both of the output-transformer covers, suggesting the existence of individual secondary windings for loads of 4 and 8 ohms. Ultimately I learned, from the FAQ section of the Jadis website, that the two sets of output connectors are in parallel with each other (I later saw that Jadis accomplishes this by mounting pairs of connectors together on uninsulated copper plates), and I learned from experience that the left-channel connectors are the ones closest to the left side of the amplifier when viewed from the front, and so on.

Jadis S.A.R.L.
US distributor: Bluebird Music Ltd.
40 Sonwil Drive
Buffalo, NY 14225
(416) 638-8207

tmsorosk's picture

Glad to see the Jadis brand gracing the pages of Stereophile again .

popluhv's picture

It is nice to see a Jadis review, now if we could only gat another Air Tight!

Also, how'd it compare to the Kondo a month or two back?

JLV's picture

Dear Mr Dudley,

I love to read your chronicles so I decided to register to be abble to post a comment to tell you that a frenchman lost in the south of France enjoy very much reading stereophile.

As I am reading about the Jadis I35 and the "petit salé aux lentilles", I am listening to the LP's "JS Bach 6 Suites for Cello solo, Anner Bijlsma, RCA (RL 30369) on a Barroco Cello (von Mattio Goffriller Venezia 1669) and I think that I never heard such a beautiful cello sound.

My amp is a brand new integrated Jadis DA88S with a double push pull of KT120 working in pure class A.

The source is a "full" LP12 (Ekos SE and Urika, Keel, Radikal) mounted with a Lyra Argo i. The speakers are BW 802 nautilus. (cables 80%pure silver-20%OFC-Teflon PTFE)

Before this box set I listened to the Glen Gould Silver Jubilee Album (CBS 76983) and it was a pure joy.

Thanks so much for your devotion to audiophily!

PS: If by any chance you would be passing by the south of France (Languedoc Roussillon, it would be my pleasure to teach you how to prepare some regional dishes like the "Gardianne de Taureau" (Bull stew cooked in red wine with carrots and black olives and served with rice)

Sincerely yours,


Art Dudley's picture

Dear Jean-Luc,

Thank you for your comments and your kind invitation; Gardianne de Taureau sounds like it would be right up my alley! I don't know when I'll be able to return to France, but when the time comes, as I'm certain it will, I will look you up on the forum. Alternatively, please look me up on Facebook.

In any event, I imagine your Jadis-powered system sounds wonderful, and I wish you many good years of musical exploration with it.

Popluhv, thanks also for reading the Jadis review. Tonally, the two products are not dissimilar, the Kondo having just a shade more reach at the bottom end. The Kondo is also a little more musically clear -- which is to say, it is freer from those distortions of perceived pitch and pitch realtionships that can sometimes make music playback sound less "right" than the real thing. But given its own level of acomplishment, one would have to praise the Jadis for its wildly superior level of value.

popluhv's picture

Thanks for the reply Art!

apropos your last post, I passed that black victorian Sharon Springs last summer; found myself turning up the road to have another look!