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Ray gave me a demo on this same setup this year at CES. It was striking to say the least. If you get the chance tell him to cue up the race track recording. Some of his marching band tracks are also quite nice :)
An unidentifiable piano recording, for example, did not sound real; its highs were wiry, and the overall sound rather tinkly. On a recording of Mendelssohn’s Octet, the midrange was emphasized, and the highs lacked vibrancy. Nor, I must confess, was the surround experience, from either the first or second row, analogous to the real thing.
Ray gave me a demo on this same setup this year at CES. It was striking to say the least. If you get the chance tell him to cue up the race track recording. Some of his marching band tracks are also quite nice :)
Is Kimber still promoting IsoMike recording microphone technology, or has this fallen by the wayside?