Columns Retired Columns & Blogs |
Jack Johnson: Sleep Through the Static.
Let's focus on sound for this week. (We'll zero-in on the music next week.) When you want to hear how good a recording can sound, what do you go for? Forget musical merit. What is the best-sounding disc you have in your collection?
Forget Compact Discs. I have an LP by Mother Earth called Living With The Animals from about 1968. On that album there is a close-miked track of Tracy Nelson singing "Down So Low." Not only can you hear Tracy taking in a breath before some of the verses, but occasionally you also can hear a small sound that I believe is her lips parting. When she sings that song, I am right there.
Are you mad? Why would I have any discs in my collection that lack musical merit? The possession of such recordings defines the difference between audiophile and audiophool as far as I'm concerned. Now ask us something sensible please.
My copy of Peter Epstein/Scott Colley/Peter Erskine: Old School on M*A Recordings. It's an elegant recording of the three playing in St. Peter's Episcopal Church in NYC, using only two mics and nothing else. Fortunately it is also one of the most musically breathtaking performances I've ever heard, regardless of its sonics.