Turntable Reviews

Luxman occupies an unusual place in the hi-fi world. While many of the brands chasing ultimate performance will battle it out in the bleeding-edge design stakes, Luxman makes what I like to call luxury equipment. Everything they produce is beautiful, not just to the ear, but also to the eye and hand. Their design aesthetic keeps one foot firmly planted in the style of classic audio equipment from decades past—for example, many of their amplifiers have tone controls and big power meters, features reminiscent of topflight gear from 40 years ago—while the other foot is up to date with the latest technology...

The PD-151 MkII record player ($5695) is an excellent example.

People tend to believe that things are what they appear to be. This turned out to be the case in 2016, when Panasonic introduced the limited-edition Technics SL-1200GAE turntable. It appeared almost identical to an SL-1200—arguably the best-selling and most loved record player series of all time, discontinued in 2010 after more than 30 years—but it cost a whopping $4000. The similar model designation didn't help stem the griping that Panasonic had made a "fancy" version of their legendary DJ turntable at six times the price of the original.

Maybe you've seen the widely circulated New Yorker cartoon: Two guys stand in front of a nicely drawn, tubed audio system, under which are shelves full of LPs. One guy says, "The two things that really drew me to vinyl were the expense and the inconvenience."

The Reed 3P tonearm, which I reviewed in my April 2016 column, was an impressive piece of imaginative engineering and manufacturing prowess. I asked Reed's importer, Axiss Audio, if I could hold on to the 3P—I was already planning to review Reed's Muse 3C turntable. I'm glad I did—the 3P ($5000) and 3C ($15,000) make an outstanding combination. (When the only complaint you have about a turntable is that the cable from its power jack to the power supply isn't long enough to reach the floor, you can be sure you're going to write a very positive review.)

Lublin, Poland, is about 130 miles from Lviv, Ukraine, a town that has been in the news lately. That's about the same distance as Hershey, Pennsylvania, is from my desk in northern New Jersey, where I'm writing this. They are close. Russian missiles struck Lviv on March 18, 2022, and as I write these words Lviv is preparing for more intense bombardment.

It was great fun having our editorial coordinator, Jana Dagdagan, shoot a video profile of me in my listening room. As I write this, it's had more than 88,000 views. While the ratio of thumbs up to thumbs down has remained consistently around 10:1, some of the negative comments, particularly about our industry and about this magazine, do enrage me.

What? Suddenly a new Japanese cartridge manufacturer? That's what I was thinking when Mockingbird Distribution's Phillip Holmes dropped three cartridges on me from DYLP Audio. Never heard of them—but then I'd not heard of MuTech either when Holmes sent me one of that company's $4500 RM-Kanda (now Hyabusa) moving coil cartridges, which I reviewed in the March 2019 issue's Analog Corner. If that cartridge is not on your moving coil radar, you ought to put it there.