LATEST ADDITIONS

Can it get better than the mbl and Magico/VAC/Audio Research/Auraliti etc. etc. rooms? Skipping until Saturday the Wilson Alexandria/VTL/etc. room, which took an enormous amount of self-control, believe me, I headed to the large suite shared by Cookie Marenco's Blue Coast Records/OTR Studios and Sony. Blue Coast Records was preparing for their 2pm panel, "DSD: Join the Cutting Edge." Pictured, left to right, are Dr. Andrew Demery, Super Audio Center DSD consultant; Marenco; and Sugiara. (Andres Koch of Playback Designs, also on the panel, arrived too late for inclusion in the photo.)

"Hello. This is the Suzanne at the Cable Company in New Hope. How can I direct your call?" How many years have I heard that familiar voice, over and over? At last, like a very thirsty pilgrim happening upon an oasis in the desert, CAS 2012 presented my first opportunity to hug the real Suzanne Cleary.

It's the morning of Friday August 3, and I've arrived 30 minutes before dagogo's third annual California Audio Show begins in Burlingame's Crowne Plaza Hotel. In the lobby, the website's founder and show organizer, Constantine Soo, just has time to pose before a map of exhibit rooms on the hotel's first floor.

A recent (unpublished) letter to the editor argued that the reference for audio perfection is the sound of real instruments in a real space. The writer claimed that, since the art and/or science of audio is advancing, and because it is a "scientific truth" that the closer you get to perfection, the less divergence there is components, that therefore there should be less difference in sound among the components listed in Class A of Stereophile's "Recommended Components" than among those in Class B, much less Class C. This should be true of loudspeakers, he said, but even more true of top-rated amplifiers, since "they inherently have less divergence."

This month I am writing about five vintage loudspeakers you should hear before you die.

Why vintage? Because the best vintage gear offers an abundance of musically agreeable qualities that are missing from even the best contemporary gear.

Congrats to Josh Ray and Urban Fidelity for reaching their Kickstarter goal. With the funding necessary to get off and running, Urban Fidelity seems poised to make a big debut at this year’s Rocky Mountain Audiofest. In pictures, they're gorgeous, but I can’t wait to find out how these speakers really look and sound.

But at just $399/pair ($299/pair, if purchased before August 8), they seem like a bargain: floorstanding loudspeakers, made in the US, featuring several unique designs by independent artists.

I’d love to hear your thoughts on this.

In my August column, page 43, just before I have a blast with the $400/pair Definitive Technology StudioMonitor 45 loudspeakers, I discuss a few letters I’ve recently received from readers, asking if I’m satisfied with reviewing “lower-end” gear.

Am I satisfied?