LATEST ADDITIONS

Back in 1997, DVD-Audio was still miles away&mdash;and it may still be! But, as John Atkinson writes, "After a decade of stability, with slow but steady improvement in the quality of 16-bit/44.1kHz audio, the cry among audio engineers is now '24/96!'&mdash;meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard." The <A HREF="http://www.stereophile.com//digitalsourcereviews/259/">dCS Elgar D/A processor</A> was one of the first consumer units able to decode 24/96, and still stands as a benchmark product. JA gives the details.

E<I>ditor's Note: There is a large contingent of </I>Stereophile<I> readers who design and build their own equipment&mdash;the DIY (do it yourself) crowd. Herv&#233; Del&#233;traz from Switzerland has been e-mailing us photos and stories over the last year about his own ambitious DIY amplifier design, so we asked him if he'd be willing to share a chronicle of his progress, starting from the beginning. This is the first in a six-part series written by Mr. Del&#233;traz.</I>

Late August news bites: <A HREF="http://www.ti.com/">Texas Instruments</A> announced August 25 the completion of its acquisition of chipmaker <A HREF="http://www.burr-brown.com/">Burr-Brown Corporation</A> in a stock swap. Burr-Brown is highly regarded in the audio industry for its low-noise, high-speed digital/analog converters and digital signal-processing (DSP) ICs. The company also makes ultra-high-quality analog components, a segment of the semiconductor industry expected to grow by 25% in the coming year, according to industry analyst Dataquest.

One of the most enduring advertisments for an audio product is Maxell's image of the seated listener with his hair blowing back in the wind created by the tape's alleged sound quality. Have any other marketing campaigns stuck with you?

The <A HREF="http://www.sdmi.org/">Secure Digital Music Initiative</A> (SDMI) will soon move into Phase II of its evaluation of digital audio watermarking, following listening tests conducted in early July at Sony's Whitfield Street Studios in London and administered by Sony VP of engineering Malcolm Davidson. A soon-to-be-published report from Paul Jessop of the <A HREF="http://www.ifpi.org/">International Federation of Phonograph Industries</A> reveals that the participants in the tests&mdash;almost all of them audio-industry professionals or journalists&mdash;averaged just slightly better than 50% in their abilities to detect the watermarks.

Chicago's Maxwell Street district is considered by many to be the birthplace of Chicago blues. But the old neighborhood is in danger of permanently losing some of its historic buildings, thanks to expansion plans by the <A HREF="http://www.uic.edu/">University of Illinois at Chicago</A>. The potential loss of the neighborhood has sparked protests by a coalition of blues musicians, including a hunger strike by 69-year-old <A HREF="http://www.acousticsounds.com/">APO Records</A> artist Jimmie Lee Robinson.

Audiophiles aren't taking to the streets just yet, but John Atkinson is more than a little riled about the proposed watermarking of SACD and DVD-Audio recordings. In this month's "As We See It," "<A HREF="http://www.stereophile.com//asweseeit/257/">Watermarking: the Devil's Work!</A>," JA exhorts the audiophile masses to rise up in protest.