LATEST ADDITIONS

While compiling the data for Recommended Components, I came across High Water Sound's new website. Stark, black backgrounds are broken by quiet images of strength and beauty, New York City's Brooklyn Bridge taken from so many lovely angles, presenting all of its long lines and promises. Brick walls, cold air, and hard work. 2-channel with attitude. It's always a nice surprise to find a good-looking audio website, so I congratulated High Water's Jeffrey Catalano on a job well-done.

I was desperately cruising the web looking for a final post for the day when Jon Iverson sent this tea partay.
<P ALIGN=CENTER
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/PTU2He2BIc0"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/PTU2He2BIc0&quot; type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object>

I enjoy reading science writer Carl Zimmer and browse his website <I>The Loom</I> frequently. The post I link to below is a great example why.

The first time I met PSB's Paul Barton, he mentioned that his love of music had been kindled by, among other things, his father building him a violin when he needed a better instrument in order to become a better player.

La Cieca at <I>Parterre.com</I> has posted a new podcast episode of "Unnatural Acts of Opera," wherein Elenore Steber performs at the Continental Baths in 1973. <I>The Village Voice</I>'s Arthur Bell described the performance as "an affair to rank with the coming of Christ, the death of Garland, the birth of the blues, and the freezing of spinach."

<I>Seeking Alpha</I> thinks so&mdash;and points to Amazon's bestseller list to prove why.

Mark Evanier's <A HREF="http://www.newsfromme.com/archives/2007_01_21.html#012795"><I>News From ME</I></A> points us to Wednesday's TCM broadcast of Billy Wilder's <I>The Big Carnival</I>. Why should you care? It's about as cynical a meditation on media manipulation as you're likely to see&mdash;and it is rarely shown. Paramount hated it (and its floppo status) so much that it deducted its <I>Big Carnival</I> losses from Wilder's <I>Stalag 17</I> profits.