Have you converted your two-channel system to surround sound?
With multichannel DVD-Audio and SACD promised and the increasing pressure to add high-quality 5.1 audio to video systems, has the number of channels in your listening room increased?
With multichannel DVD-Audio and SACD promised and the increasing pressure to add high-quality 5.1 audio to video systems, has the number of channels in your listening room increased?
In an "increasingly complicated and competitive media environment," public broadcasting intends to be there. So declared the <A HREF="http://www.cpb.org/">Corporation for Public Broadcasting</A> on March 30, when it announced an almost $2 million investment in projects for <A HREF="http://www.npr.org/">National Public Radio</A> and Public Interactive. CPB has long held the intellectual high ground in broadcasting, and its new investments are intended to continue that tradition. The goal of the program is to create "new content and services which will broaden the public square of ideas and civic discourse," according to a corporate press release.
Last week, <A HREF="http://www.jbl.com/">JBL Consumer Products</A> (a unit of the <A HREF="www.harman.com">Harman Consumer Systems Group</A>) and Korea's L.G. Electronics (manufacturers of Gold Star and L.G. Electronics brand products) announced that they have entered into a strategic alliance to jointly develop and market a "broad range of new consumer electronics products." The companies say that the partnership "builds upon the respective strengths of both manufacturers" and will enable both companies to expand their offerings into areas outside their traditional product categories.
Thirty-five years after their heyday, the Beatles remain one of the preeminent phenomena of the modern age. More than 400 books have been written about them, both as a group and as individuals.
Audiophiles and classical music lovers often risk falling into a repertorial rut. The classical standards are constantly being rerecorded—often to the point of needless repetition. How many versions of Mendelssohn's "Italian" Symphony or Ravel's <I>Bolero</I> do you really need? Rather than fill up your shelves with recordings of the same tired compositions, I suggest you look into some of these more obscure pieces—all of them perfect for playing on the first day of April. Below, a list of fresh "basics" that any good audiophile should own:
Next to join the online ATRAC parade, <A HREF="http://www.music.warnerbros.com/">Warner Music Group</A> announced last week that it has agreed to license the ATRAC3 audio compression technology from <A HREF="http://www.sony.co.jp/">Sony</A>, for use in the electronic distribution of music. Warner says it expects to launch its electronic distribution business during the second half of 2000, using ATRAC3 on a non-exclusive basis.
For <A HREF="http://www.stereophile.com//finetunes/214/">"Fine Tunes" #17</A>, Jonathan Scull presents readers with the ultimate bachelor-pad mod for speaker stands: shiny black trash bags. More important, Scull investigates why we even try these things in the first place.
I wasn't raised a McIntosh lad. My dad used Fisher, Bogen, Leak, and Ampex tubed electronics—and, at one time, even home-built speakers—to keep the house filled with a steady, enriching flow of Mozart. He never owned a Mac component, and, when going upmarket, reached for B&O, alas. So while I knew that many audiophiles hold tubed McIntosh gear—especially the early designs—in very high regard, I was somehow never bitten or smitten. But let's face it—for lo these many years, McIntosh has been for many <I>the</I> name in quality American audio. Take my friend Dan, to whom I've referred several times in the pages of <I>Stereophile</I>. He runs a tubed Conrad-Johnson 9 preamplifier, but wouldn't <I>dream</I> of giving up his 270Wpc solid-state McIntosh MC7270. He's goldurn proud of it!
This question is an attempt to quickly take the pulse of audiophile music tastes this month: What music have you just bought?
The legal molasses in which <A HREF="http://www.mp3.com/">MP3.com</A> is mired got thicker and deeper in mid-March, when MPL Communications launched a lawsuit against the Internet music company. MPL, ex-Beatle Paul McCartney's publishing house, joined the attack begun months ago by the <A HREF="http://www.riaa.com/">Recording Industries Association of America</A>. McCartney's firm filed suit in a New York US District Court against the San Diego–based startup over copyrights on intellectual properties owned by MPL, whose catalog includes McCartney's solo work, as well as the works of Buddy Holly, Hoagy Carmichael, Sammy Cahn, and other songwriters and performers. MPL was joined in the suit by Peer International, which owns the work of the late Latina star Selena.