Robert J. Reina

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Robert J. Reina Posted: Jun 13, 2004 Published: Jun 01, 2004 0 comments
I love dealing with the colorful characters of high-end audio. One such individual is Victor (Veekh-tor) Goldstein, who has distributed high-quality European audio gear from his New York City headquarters, Fanfare International, for 23 years. A nuclear engineer by training, Goldstein transitioned into audio when the Three Mile Island incident reduced the demand for his services. (I guess he felt his skills were transferable to single-ended triode amplifiers.) Most of all, Goldstein is a passionate lover of music with a vinyl collection that numbers well into five figures, and a fixture at many of the significant classical performances at New York's major concert halls.
Robert J. Reina Posted: May 16, 2004 Published: May 01, 2004 0 comments
I love attending Stereophile's Home Entertainment shows. I get to check out the latest gear, hobnob with manufacturers and writer colleagues, hear some live music, and play a little jazz with John Atkinson, Zan Stewart, and Immedia's Allen Perkins. Unfortunately, work commitments at my day job meant I couldn't attend HE2003, in San Francisco, so I directed my team of Stereophile scouts to find me some hot new budget speakers. Robert Deutsch was quickest to respond, the week following the show: "Bob, you've got to check out these new speakers from Usher Audio in Taiwan! They have a number of models within your budget." One phone call later, and a $1000/pair of Compass X-719 bookshelf speakers was on its way to me.
Robert J. Reina Posted: May 02, 2004 Published: Aug 01, 1999 0 comments
The story of New Acoustic Dimensions, aka NAD, begins in the late 1970s. The company was founded as a dealer distribution collective to design and market reasonably priced serious high-end gear to cost-constrained audiophiles. By eliminating needless features and focusing manufacturing in low-cost production facilities, NAD has successfully delivered audiophile-quality gear for 20 years at prices little more expensive than mass-market department-store schlock.
Robert J. Reina Posted: Apr 18, 2004 Published: Apr 01, 2004 0 comments
It was 20 years ago that I began audio reviewing as a second career. It was also 20 years ago that I made my first very expensive audio purchase: a pair of Infinity RS-1b speakers. The RS-1b was a landmark speaker in its day, and very costly for the time at $5500/pair. (I think my dentist has just spent more than that on a TV.) In retrospect, the RS-1b was an extraordinary value. With four large towers, more than 30 drivers, and a servo network and a passive crossover, the Infinity RS-1b resolved a significant amount of detail, was capable of large dynamic swings, had pinpoint image specificity on a wide, deep soundstage, and was capable of reproducing a convincing bottom octave in the right room when paired with the right associated equipment. Its main weaknesses were a relative lack of coherence due to its use of three different types of drivers to cover the various frequency ranges, and both the midrange/tweeter towers and woofer columns were picky about amplifier matching.
Robert J. Reina Michael Fremer Posted: Jan 30, 2004 Published: Jan 30, 2005 0 comments
I don't know Gram Slee from Gram Parsons, or which House he was in at Harry Potter's Hogwarts School, but let me tell you: If you'd just been listening to a bunch of budget phono preamps, as I had, then came upon the GSP Audio Era Gold Mk.V, you'd think someone had switched out not just the phono preamp but your entire system. You might think you were listening to a different pressing or a different cartridge. How can this be?
Robert J. Reina Posted: Jan 18, 2004 Published: Jan 01, 2004 0 comments
Roy Hall, of Music Hall, US distributor of the Creek and Epos brands, called me one day a few years back. He was hawking review samples of Epos speakers.
Robert J. Reina Posted: Dec 28, 2003 Published: Dec 01, 2003 0 comments
Since 1991, Acarian Systems' Carl Marchisotto has brought home the bacon by focusing most of his efforts on conventional dynamic, three-way, floorstanding designs in the $2000-$7000/pair range—28 different loudspeaker designs in 12 years, 13 of them still in production. That's why Home Entertainment 2001 showgoers who were familiar with previous Alón efforts were taken aback when Marchisotto unveiled a new flagship for his Alón speaker line: the Exotica Grand Reference, a $120,000 line-source ribbon/dynamic hybrid system comprising five 7' towers. For those attracted to cost-no-object designs, the debut of the Exotica Grand Reference was quite a spectacle.
Robert J. Reina Posted: Apr 13, 2003 0 comments
It was 20 years ago today that Sgt. Michaelson taught the band to play. I was living in London when Antony Michaelson launched Musical Fidelity in an attempt to make a major statement in the area of affordable, high-quality, high-value electronics. Other Brits at the time were doing the same—companies such as Creek, A&R Cambridge (now Arcam), and DNM began to compete for the destitute audiophile's dollar.
Robert J. Reina Posted: Mar 16, 2003 0 comments
In my review of Polk Audio's RT25i loudspeaker (September 2001, Vol.24 No.9), I was mightily impressed with Matthew Polk's execution of this $320/pair design. Although it has since been replaced by the RT27i, with slightly modified cosmetics and a different tweeter, the RT25i remains my favorite loudspeaker costing less than $500/pair.
Robert J. Reina Posted: Dec 22, 2002 0 comments
There is no better time than now to invest in audiophile-quality vinyl playback gear. I'll bet even Mikey Fremer would be surprised at the amount of new vinyl releases and reissues and used vinyl available to music-lovers today. And the choices available to audiophiles seeking turntables, tonearms, phono cartridges, and phono preamps is greater than it's been in a decade.

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