J. Gordon Holt

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J. Gordon Holt Posted: Jan 30, 2012 Published: Apr 01, 1988 0 comments
Beethoven: Sonata No.32, Op.111; Sonata No.21, Op.53 ("Waldstein")
Tibor Szasz, piano
Bainbridge BCD-6275 (CD). Leo de Gar Kulka, eng. & prod. DDD. TT: 58:03

Mozart: Piano Concerto No.13, K.415; Overture to Lucio Silla, K.135
Jeremy Menuhin, piano; George Cleve, 1987 Midsummer Mozart Festival Orchestra
Bainbridge BCD-6273 (CD). Leo de Gar Kulka, eng. & prod. DDD. TT: 36:58

Prokofiev: Alexander Nevsky, Lieutenant Kije
Andre Previn, Los Angeles Philharmonic
Telarc CD-80143 (CD). Jack Renner, eng.; Robert Woods, prod. DDD. TT: 63:37

Rachmaninov: Sonata for Cello and Piano, Op.19
Steven Kates, Montagnana cello; Carolyn Pope Kobler, Bösendorfer piano
Bainbridge BCD-6272 (CD). Leo de Gar Kulka, eng. & prod. DDD. TT: 40:42

The Sounds of Trains, Vols.1 & 2*
Bainbridge BCD-6270, -6271* (CDs). Brad Miller, eng. & prod. DDD. TTs: 60:45, 50:14*

If you read my article in these pages about recording the Cumbres and Toltec Scenic Railway steam trains (January 1987, Vol.10 No.1), you may recall the mention of Colossus. Colossus is the name of a new digital recording system which designer Lou Dorren claims to be different from every other digital system in several ways, none of which has ever been disclosed to us. I had a chance to listen to some tapes made on it shortly after writing the C&TSRR article, but since they were made with a completely unfamiliar microphone (Mobile Fidelity Productions of Nevada's own design) and featured mainly the sounds of trains, airplanes, and other sources of potential ear damage, I couldn't really tell anything about the recording system, except that it had the kind of low end I expect from any respectable digital audio. A sonic evaluation had to wait until I heard Colossus on more familiar terms—that is, with music recordings. Now, that time has come.

J. Gordon Holt Posted: Feb 01, 2011 Published: Apr 01, 1989 1 comments
It is often said that anyone with a recorder and a couple of microphones can record an orchestra. It's true, assuming you can get permission to do it (another story entirely). But that statement fails to address an important question: "How well?"

The rudiments of any skill can be learned from books. Practice can develop a fair level of competence. Beyond competence, however, the student is governed by his genes and/or family environment, depending on which theory of human potential you subscribe to. Whatever the reason, some practitioners of both disciplines never seem able to transcend mere competence, while others go on to become legends in their own times. John Eargle, chief recording engineer for Delos Records and producer of this fascinating recording, may or may not qualify as a legend, but he is obviously 'way past "a fair level of competence."

J. Gordon Holt Posted: Aug 30, 2010 Published: Sep 30, 1989 1 comments
Denon Anechoic Orchestral Recordings
Music and Test Signals for Evaluation of Room Acoustics
Mashahiko Enkoji, Osaka Philharmonic Orchestra
Denon CD PG-6006 (CD only). Katsuhiro Tsubonou, Yoshiharu Kawaguchi, dirs.; Norio Okada, Katsuhiro Miura, engs. DDD. TT: 58:42
J. Gordon Holt Posted: Jul 30, 2010 Published: Dec 30, 1980 1 comments
A very popular myth among the audio unwashed—and one still perpetuated by the pop hi-fi writers—is that nothing is to be gained by paying more than $1000 for a stereo system (footnote 1). Members of the general public, including masses of people who enjoy live, unamplified music, have the impression that more money simply buys one wider and wider frequency range, and defend their $500 "compact" systems with the lame excuse that their ears aren't all that good, and who needs to hear what bats hear anyway? This is no doubt a soothing emollient for one's disinclination to invest more money in audio gear, but it is a supreme self-deception.
J. Gordon Holt Posted: Jul 19, 2010 Published: May 19, 1985 0 comments
Klyne Audio Arts is such a low-profile outfit that I marvel at its continued existence. It is reliably absent from the Audio and Stereo Review annual equipment directories, and if Stan Klyne has ever run an advertisement for any of his products anywhere, I haven't seen it, Yet Klyne Audio Arts always manages to have an exhibit at CES, where they display some of the most beautiful preamps and head-amps we see there, only to go underground again for another six months.
J. Gordon Holt Posted: Jul 02, 2010 Published: May 02, 1985 0 comments
Although the idea of a $1000 moving-coil cartridge no longer shocks audiophiles, it is still not exactly what I'd call "Mainstream Hi-Fi." Audio magazine's 1984 Equipment Directory—the most complete such compendium published in the US—lists only 10 models in this price range, not counting the Kiseki Lapis Lazuli at a whopping three-and-a-half grand! I have not tested most of these, nor have I tried any of the current models from the Japanese Koetsu firm, which was first with the gall to put a $1000 price tag on a cartridge. But I have tested a couple of one-granders during the past few years, and was sufficiently unimpressed to be hesitant about testing any more samples of what were beginning to look like nothing more than monumental ripoffs. So when Ortofon sent us the MC-2000, I was naturally less than enthusiastic about trying it.
J. Gordon Holt Posted: May 28, 2010 Published: Dec 28, 1989 0 comments
Sonic Booms
Steam Locomotives, Jet Fighter Aircraft, Military Exercise (with live ammunition), WWII Aircraft, Comic Relief I & II, West Mountain Inn, Diesel Train, Steam Train with Rain & Thunder
Bainbridge BCD6276 (CD only). Produced & mixed by Brad S. Miller. DDD. TT: 58:00
J. Gordon Holt Posted: May 08, 2010 Published: Mar 08, 1984 0 comments
The American computer industry was a little shaken up to learn recently that the Japanese micro manufacturers had gotten together and standardized their component interconnections so that any Japanese computer will (supposedly) plug into any Japanese printer, modem, or competing computer, and work right off the bat. Anybody who has tried to fire up an Apple computer with a Diablo (Xerox) printer will appreciate what the Japanese move means in terms of compatibility. It means "For no-hassle interconnections, buy Japanese."
J. Gordon Holt Posted: May 07, 2010 Published: Sep 07, 1982 0 comments
Now that audio technology seems to be on the verge of being able to do anything asked of it, it seems only fitting to wonder about what we should be asking it to do. We probably all agree that high fidelity should yield a felicitous reproduction of music, but felicitous to what? Should a system give an accurate replica of what is on the disc, or of the original musical sounds?
J. Gordon Holt Posted: May 07, 2010 Published: Nov 07, 1984 0 comments
I had an experience at last summer's CES in Chicago that bordered on the religious. I heard the legendary $42,000 Wilson WAMM system.

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