J. Gordon Holt

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J. Gordon Holt Posted: Jan 12, 1985 0 comments
A number of recent letters have accused us of snobbishness and elitism because we devote so much space to reports about components that "common folk" can't afford. We are "snobbish" because we seem to look down on anything less perfect than a Wilson WAMM speaker system or an Audio Research SP-10 preamplifier. And we are "elitist" because we seem to show little interest in any components which fall short of state of the art. Far from being chastened by these letters, I am proud, to declare that they are right on target.
J. Gordon Holt Posted: May 04, 1982 Published: Jul 04, 1982 0 comments
This issue contains a report on a truly ingenious little device called the ABX Comparator, which takes the fraud out of subjective testing. It does this by making its own selection of source A or source B for each listening trial, without telling you which was selected. Only after all the tests will it reveal what you were listening to each time. "Score" sheets are provided so you can list your guesses, compare them with the cold, uncompromising truth, and file the results for posterity. Or better still, for the first hard evidence that has ever been presented that a lot of people can hear differences that cannot as yet be measured.
J. Gordon Holt Posted: Jan 04, 1982 Published: Mar 04, 1982 0 comments
The sound, of course, but here's a checklist of 16 specifics to consider when evaluating your own or somebody else's live-recording efforts.
J. Gordon Holt Posted: Apr 17, 1979 0 comments
101 years ago, the tinfoil cylinder started it all. Within 22 years, its heyday was done, and public support swung to favor the then-new wax-mastered disc. 1948 saw the switch to a slower speed and a finer groove, but the flat disc, traced by a stylus, has held sway for almost 80 years now. Even today, people with multi-speed turntables and a couple of arms (or plug-in cartridges) can reproduce from a single phono unit the earliest or the latest discs merely by the flip of two switches (for speed change and cartridge change). All that is about to come to an end.
J. Gordon Holt Posted: Oct 01, 1978 4 comments
666Spendor_BC1.jpgThis smallish loudspeaker system has been getting high ratings in the English audio magazines for some years but was not available to US consumers until recently, when the small firm (literally a Mom'n'Pop enterprise, footnote 1) arranged for US distribution through Audio International.

The Spendor BC-1 is about as unimpressive-looking as any other smallish three-way loudspeaker, of which there are countless hundreds of models being made in the US at present. In fact, we were so ho-hummed by the mundane appearance of this speaker that we found it hard to connect the pair up and give them a listen.

J. Gordon Holt Posted: Apr 29, 1978 0 comments
In 1960 the high-fidelity field was in a period of stasis. The hi-fi boom was starting to crest out, and there were three magazines for audiophiles: High Fidelity, Stereo Review and Audio. The first two were (and still are) little more than vehicles for their advertising, more dedicated to promoting their advertisers' wares than in advancing the state of the art. Audio was more into equipment testing than either of the mass-hi-fi magazines, but it too was contributing to the stagnation by listening to its test results rather than to the components.
J. Gordon Holt Various Posted: Mar 17, 1977 0 comments
These diminutive little sleepers have been available in the US for quite some time but have attracted little attention because (1) they have never really been promoted and (2) they are just too small to look as if they could be worth $430 a pair.
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J. Gordon Holt Posted: Jun 01, 1973 0 comments
Hey, kids, here's the Big News. We've been deluding ourselves all along, worrying about piddling little bits of distortion that we can't hear at all. How's your preamp distortion? 1% at 1 volt out? You have a perfect preamp—a veritable straight wire with gain! That ear-shattering shrillness is all in your mind, because it has now been demonstrated that the human ear cannot perceive distortion levels of less than 6–12% on "normally complex music." If you think you can hear 0.1%, you are deluding yourself.
J. Gordon Holt Posted: Dec 04, 1971 0 comments
"As We See It" in the Stereophile issue dated Summer 1968 (actually published in 1970) noted the idealistic, glowing claims about how four-channel sound could put you right in the concert hail, but urged readers to wait before buying, to see whether quadrisound would indeed bring higher fidelity. We predicted it wouldn't—that whatever the potential of quadrisound (footnote 1), it would not be used to increase fidelity, but rather to play ring-around-the-rosy with music.
J. Gordon Holt Posted: Nov 30, 1971 0 comments
After much searching of soul and of bank account, we have reached an earth-shattering decision. The Stereophile is going to start taking ads.

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