J. Gordon Holt

Sort By: Post Date | Title | Publish Date
Anthony H. Cordesman J. Gordon Holt Posted: Sep 03, 2006 Published: Apr 03, 1985 0 comments
I'll say one thing right off about the Infinity RS-1B: It sure looks as if you're getting your money's worth.
J. Gordon Holt Posted: Jun 11, 2006 1 comments
In the last issue we published a rather enthusiastic "Quickie" report on a small, $190/pair speaker system from a new company—the FMI Model 80. It was virtually devoid of low end, even as a stereo pair (pairing effectively doubles bass output), and slightly rough as well as a shade soft at the high end, but it had a quality of "aliveness" to it that almost defied belief. Was it a breakthrough in design? A new transducing principle? No, it was neither. In fact, the Model 80 looks like any one of those hundreds of little bookshelf systems that clutter, the pages of Stereo Review's "Hi-Fi Directory" in tedious profusion.
J. Gordon Holt Larry Greenhill Thomas J. Norton Posted: Apr 30, 2006 0 comments
One of the less-glamorous speaker systems around today, these have more to offer the critical listener in terms of satisfaction than do most of the more-exotic designs.
J. Gordon Holt Posted: Apr 02, 2006 0 comments
Editor's Note: Those of us who cut our engineering teeth on tubes still remember the advent of the solid-state amplifier with mixed feelings. Yes, they were lighter and cheaper per watt than the thermionic hulks we loved so much, but they broke all the time (thanks to the germanium transistor) and sounded like—well, let J. Gordon Holt tell us what they sounded like in an "As We See It" article from Vol.1 No.10, first published in May 1965. We also develop the theme with a JGH review of an early transistorized amp, as well as a selection of readers' letters from the early days of Stereophile. Enjoy.John Atkinson
J. Gordon Holt Posted: Mar 05, 2006 0 comments
Editor's Note: Although this product has been available for several years, it is being reviewed in considerable detail because it is a strong contender for the title of "Best Available Loudspeaker System, Regardless of Cost," and because we plan to review some of the other contenders for the same title within the next few issues. We feel that since all of these systems represent a considerable outlay of money, prospective buyers should have a thorough understanding of the merits and demerits of each system, so they will know what to expect from them in the way of performyince capabilities and operational requirements.
J. Gordon Holt Posted: Feb 25, 2006 Published: Aug 25, 1988 0 comments
For a subjective equipment reviewer, whose writings are based as much on impressions as on observations, it is very important to approach a product without personal bias. Of course, all of us lay claim to this ideal, and some of us even manage to maintain the appearance of impartiality most of the time. But just under the reviewer's veneer of urbane professionalism and deliberative restraint lies a darker force—a leering hobgoblin of anarchy and mischief which scoops usually forbidden adjectives from a well of calumny and offers them for the writer's consideration as the perfect word to describe what he is trying to express. It's an ever-present temptation to accept the suggestion, because every critic harbors a secret urge to be another Dorothy Parker, trashing mankind's most earnest endeavors with devastating bon mots that will endure long after the writer has ceased to. Most of the time, the reviewer is able to resist the temptation to broadside a product, but some products, and the people they represent, make this very difficult. In fact, sometimes it is impossible.
J. Gordon Holt Posted: Jan 09, 2006 0 comments
The Magnep1anar Tympani I that is the subject of this report is already an obsolete model, having been superseded by the Tympanis IA, II, and III that were unveiled at the CE Show in Chicago this past June. Since many of our readers already own Tympani Is, and dealer stocks of them are being sold at a substantial price reduction, the report should still be of interest. We will publish follow-up reports on the newer models as soon as they become available for testing.
Larry Archibald J. Gordon Holt Posted: Dec 31, 2005 Published: Oct 01, 1988 2 comments
In 1966, two avid audiophile/music lovers—a nuclear physicist named Arnold Nudell and an airline pilot named Cary Christie—labored over weekends and evenings for 18 months in Nudell's garage to put together the world's first hybrid electrostatic/dynamic loudspeaker system. It cost them $5000 for materials, launched a company (New Technology Enterprises), and helped contribute to the popular myth that all of the really important audiophile manufacturers got started in somebody's basement or garage (footnote 1). The system was marketed as the Servo-Statik I, for the princely sum of $1795. (At the time, the most expensive loudspeaker listed in Stereo Review's "Stereo/Hi-Fi Directory" was JBL's "Metregon," at $1230.)
J. Gordon Holt Posted: Dec 04, 2005 Published: Oct 04, 1985 0 comments
As you may have noticed, Stereophile's approach to equipment testing is quite different from that of "mainstream" audio publications. Instead of throwing a bunch of measurements at you, and telling you how we think components ought to sound because of those measurements, we test them as you would: by listening. But we have an extra problem: we have to convey to someone else—you—a feeling for what we hear from that component. It ain't always easy.
J. Gordon Holt Posted: Nov 06, 2005 Published: Oct 06, 1983 0 comments
First I should clear up what may be an ambiguity in the driver-lineup spec for these speakers. In each system, three 8" cone units serve as woofers. Two of these crossover from the midrange drivers at 100Hz. Crossover to the third 8-incher, the subwoofer, is at 40Hz. Thus, two woofers are active from 100Hz down to 40Hz, and all three are active below 40. In other words, the third woofer does not come into play until the frequency drops to the point where the radiating area of two 8-inchers starts to become inadequate for moving air, at which point the additional area of the third speaker is thrown in. Below 40Hz, all three are working together.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading