Paul Messenger

Paul Messenger  |  Sep 24, 2006  |  31 comments
Apogee fans will be delighted to hear that the legendary full-range ribbon is back—only it's now manufactured in Queensland, Australia by English immigrant Graeme Keet. Universally known as Graz, he's been in Oz for 18 years, and started offering a repair service for Apogee owners when the company went out of business. He then introduced the Perigee hybrid ribbon models, has now worked out a way of mechanising ribbon production and is putting the Synergy model (shown here at the Roy Bird Show) into production, with a UK pricetag of £13,000/pair ($24,500). The sound in the undamped dem room did seem rather bright, but Graz claims to have achieved dramatic improvements in efficiency over the original Apogees. He can also make replicas of the original models if requested.
Paul Messenger  |  Sep 17, 2005  |  0 comments
Wood is not an engineering material. It might look pretty, but it's inconsistent and therefore unpredictable. So we smash cheap wood into sawdust and then glue it all together again to create something that can be machined. This is called medium-density fiberboard, or MDF. We then thinly slice some classy hardwood—hopefully harvested from sustainable sources—and use it to cover the ugly MDF. This might have made sense back when Chippendale was making furniture, but it seems strangely old-fashioned in our age of plastics and composites. I haven't seen wood trim on a TV set for more than a decade. Why is it still the norm for loudspeakers?
Paul Messenger  |  May 11, 2005  |  0 comments
Let us pause for a moment to reflect on the passing of one of hi-fi’s most venerable components. For 30 years, Rega’s Planar 2—recently, simply known as the P2—has provided countless hi-fi enthusiasts with their first taste of the potential that the vinyl disc has to offer. Now Rega has decided to stop making it.
Paul Messenger  |  Mar 20, 2005  |  0 comments
I don't know whether Sam Tellig or I first discovered the delights of some slightly idiosyncratic loudspeakers made by Triangle—Tree-ON-gle, if you add the relevant accent—in the northeastern corner of France. I do recall feeling quite relieved to find that I wasn't the only hi-fi writer who liked and wrote about them.
Paul Messenger  |  Jan 17, 2005  |  0 comments
Angus McKenzie was a wholly remarkable individual. One of British hi-fi’s legends, he was the country's leading equipment reviewer for more than a decade, but that was only one of several careers and passions he pursued with repeated and conspicuous success, despite losing his sight completely at the age of 26.
Paul Messenger  |  Mar 31, 2004  |  0 comments
Rumors have been circulating for some weeks now that the Chinese-owned, UK-based International Audio Group (IAG), which owns and operates the Quad and Wharfedale brands, was in talks with TAG McLaren, with the intention of taking over the latter's Audio division.
Paul Messenger  |  Jan 04, 2004  |  First Published: Mar 01, 2000  |  0 comments
Ten years ago, I'd probably have got pretty good odds from industry insiders on a bet that Stereophile would still be reviewing phono cartridges into the new millennium. Linn's Arkiv B may not be a brand-new design—I heard my first sample in mid-1997—but phono-cartridge technology is about as stable as anything in hi-fi today. This Stereophile review is long overdue.
Paul Messenger  |  Nov 03, 2003  |  0 comments
It's rare to find people praising a competitor in this hi-fi business, but I first met John Michell soon after one of his biggest rivals had described him as an "engineer's engineer." Memorably, he'd be the first port of call for anyone in the UK who wanted something done properly and without compromise. Another competitor described him as quite the nicest person he'd worked with, and a naturally gifted practical engineer.
Paul Messenger  |  Nov 03, 2003  |  First Published: Jul 01, 1999  |  0 comments
Loudspeakers are all about balancing conflicting variables: accepting that you can't have electrostatic transparency and horn dynamics; finding something to suit the size of your room and credit rating; and picking the best all-around compromise to suit your particular taste. Goldilocks had the right attitude for loudspeaker reviewing. All that too-soft/too-hard, too-hot/too-cold merely sets the scene; "just right" goes straight to the heart of the matter.
Paul Messenger  |  Sep 14, 2003  |  0 comments
I reviewed JMlab's Mezzo Utopia loudspeaker in the July 1999 Stereophile (Vol.22 No.7). By chance, the Mezzos had followed a pair of B&W Nautilus 801s into my listening room, and the substitution had proved rather interesting. For all their many fine qualities, the 801, with its 15" bass driver, was distinctly bass-heavy in my room, whereas the 11" drivers of the Mezzos seemed just right in this regard.

Pages

X