Kalman Rubinson
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Kalman Rubinson, John Atkinson May 22, 2005 0 comments
This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with Quad ESL-63s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.
Kalman Rubinson May 01, 2005 Published: Oct 01, 2001 0 comments
I used to be an audio cheapskate even worse than Sam Tellig. Anytime I saw an interesting device for sale, I immediately began to figure out how I might build it for myself for a fraction of the cost.
Music in the Round
Kalman Rubinson Mar 27, 2005 0 comments
When I was a young amateur photographer, I subscribed to all the major photo magazines and avidly read all the articles. However, I was bugged when I realized there was a cycle of repetition—that I was reading about the basics of Ansel Adams' Zone System for the third time.
Music in the Round
Kalman Rubinson Feb 13, 2005 Published: Jan 13, 2005 0 comments
Along with speakers and their placement, the greatest influence on the sound of a music system are the acoustics of the room itself. With two-channel stereo, some reflections and reverberations are necessary in order to maintain the perception that one is listening in a real space. So, while many experts recommend having a "dead" end behind and near the speakers that absorbs most sound, few suggest such treatment for the rest of the room. With too few sonic reflections, the stereo image would narrow; without the aid of "room gain" to enrich the bass, the sounds of instruments and voices would be thin. Listening in an anechoic chamber is interesting and informative, but far from pleasurable.
Kalman Rubinson Jan 18, 2005 0 comments
The modification of disc players is a hot topic on the various audio newsgroups, where the discussion includes do-it-yourself options and the recommendations of commercial modifiers. These range from tweak guys to such serious engineering firms as EMM Labs and everything in between. Not surprisingly, the objects of these endeavors are usually players made by one of the electronic behemoths: Sony, Philips, Technics, Toshiba, etc. In fact, it was just such a discussion that precipitated John Atkinson's purchase of and recent comments on a stock Toshiba 3950 player, a popular target of modifiers.
Music in the Round
Kalman Rubinson Jan 02, 2005 Published: Dec 02, 2004 0 comments
With the new power and furniture arrangements in my multichannel room, I've begun to reexamine all the other things that affect system performance, including power conditioning and signal cables. However, I could not get my wife to accept the presence in that room of an ASC Sub Trap, which lifted my Paradigm Servo-15 subwoofer to eye level. Not that I protested the Trap's departure all that much—at that height, Trap and sub partly blocked direct radiation from my rear left speaker. But I felt its absence immediately, as my system returned to the usual somewhat boomy, overly punchy bass. The ASC left me with the determination to deal with room problems, particularly in the bass.
Kalman Rubinson Jan 02, 2005 Published: Jul 02, 2000 0 comments
HistoriCAL Introduction
California Audio Labs is a child of the digital age. Originally, they made a noise by offering modified CD players with tube output stages, a practice for which I found no intellectual justification. On the other hand, the results were successful, even if (probably) due to the CAL units' softening of the harshness of early digital sound.
Kalman Rubinson Dec 19, 2004 0 comments
I am biased in favor of Paradigm loudspeakers. I've used them for 10 years; they offer good sound and good value, properties they share with a number of other Canadian makes who have taken advantage of Canada's National Research Council facilities in Ottawa. In fact, the first components I bought specifically for what is now my multichannel system were Paradigm Esprit/BP speakers, which had impressed me at a Stereophile show. When I took the step into multichannel and found that there wasn't a matching center-channel speaker for the Esprits, I replaced them with Paradigm's Reference Studio/60 v.2s. But while the smaller Reference Studio/20, and the larger Studio/100 have both been reviewed in Stereophile, the Studio/60 had not. The release of the v.2's successor, the Reference Studio/60 v.3 ($1699/pair), was an opportunity to fill that gap.
Kalman Rubinson Nov 29, 2004 Published: Nov 27, 2004 0 comments
For months now, I've been beating the drum for full-range center-channel speakers, to reproduce recordings with a true center-channel signal. There are many reasons for this.
News
Kalman Rubinson Nov 22, 2004 0 comments
At nearly simultaneous press receptions in London and New York on November 17, B&W unveiled its new 800 series loudspeakers, the first complete redesign of this respected and venerable line in more than six years. Wisely, the presentation began with cocktails and a surprisingly entertaining technical description of the innovations. The latter offered many reassurances that, although all aspects of the 800 line were examined, no changes were made simply for the sake of change, and the basic design principles withstood this re-examination. Thus, when we were, at last, treated to the displayed speakers themselves, we were not surprised that they greatly resembled their predecessors, and we focused, instead, on the new features.
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