I first met Jacques Mahul (the JM in JMlab/Focal) when my wife Kathleen and I traveled to Paris to cover HiFi (Hee-Fee) '96. The sound produced by the JMlab Grand Utopias—on a collection of many-chassis'd YBA electronics—got my enthusiastic vote for best of show (footnote 1). JMlab's large demo room was always packed to the rafters with avid listeners. (As a group, melomanes, as audiophiles are called in France, exactly mirror their stateside brethren in appearance and general demeanor. Yes, they're a raucous and demanding bunch!)
One memorable afternoon during HI-FI '97, Kathleen and my pudgy little self were hustling down the crowded corridors of San Francisco's venerable St. Francis Hotel, trying to make the Nagra press event. The Nagra suite was crowded with buzzing journalists, their anticipation palpable—the new Nagra PL-P preamplifier was about to enjoy its official debut. Suddenly the door to the demo room flew open. The vacuum created by the stampeding hordes nearly sucked the hors d'oeuvres off the table.
Some of the most innovative thinking on hybrid circuit design these days seems to come from Russian designers. As a group, they are technically very well educated, pragmatic, and unfettered by American high-end didacticism.
Fantasy review time. I first heard about the C.E.C. TL 0 in the May '94 Stereophile (Vol.17 No.5), in Audio Mogul Richard Schram's Manufacturer's Comment to my review of the C.E.C. TL 1. I wasn't sure if he was kidding when he threatened the world with a cost-no-object $17,500 CD transport. Just what we all need!
Editor's note: When Jonathan Scull reviewed the Shun Mook devices back in 1994, he unleashed a hailstorm of controversy that continues to this day. Below is his original report along with some of the follow-up articles and fallout.