Larry Greenhill

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Larry Greenhill Posted: Oct 26, 2004 Published: Oct 01, 2004 1 comments
Makers of powered subwoofers fall into two camps: those that fit a high-powered amplifier and a single, large woofer into a relatively small, unobtrusive enclosure; and those that build two or more 10" woofers and an amp of moderate power into a larger, heavier enclosure.
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Larry Greenhill Posted: Sep 21, 2004 Published: Sep 01, 2004 0 comments
Harry Partch (1901-1974), composer and inventor of musical instruments, delighted in generating deep bass. Finding most standard orchestral instruments wanting in that department, he built the huge Marimba Eroica, which he described on his A Glimpse into the World of Harry Partch: 27 Unique Instruments (LP, Columbia MS-20576):
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Larry Greenhill Posted: Aug 22, 2004 Published: Aug 01, 2004 1 comments
"You certainly love weird music!" my wife yelled from the kitchen. This just reconfirmed my suspicion that reviewing subwoofers is a lonely job that brings no respect. What's so weird about the droning of Tibetan temple horns accompanied by the chants of Tibetan Gyuto monks, all framed by a powerful synthesizer in Philip Glass's soundtrack to Kundun (CD, Nonesuch 79460-2)? What's so strange about the karate-like cries of the drummers in the Kromata Percussion ensemble as they smash away at their timpani and gongs in Yoshihisa Taira's Hierophonie V (CD, BIS CD-232)? What's so odd about the shuddering majesty of 25Hz notes played by Harry Partch's one-of-a-kind Eroica Marimba, heard on his Delusion of the Fury (LP, Columbia M2 30576)? Why would any spouse object to the primitive, driving synthesizer growls and screams from Morton Subotnick's The Wild Bull (LP, Nonesuch H-71208)?
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Larry Greenhill Posted: Jun 19, 2004 Published: Jun 01, 2004 0 comments
It's common to read ads for new audio hardware that crow about "revolutionary" breakthroughs in sound performance, and that's how Velodyne crowed about their new Digital Drive DD-18, servo-controlled, powered 18" subwoofer. The ads suggested that the DD-18 can be digitally equalized to one's room with a resultant in-room frequency response of 20-200Hz, ±3dB.
Larry Greenhill Posted: Apr 18, 2004 Published: Apr 01, 2004 0 comments
Unless you've been on active duty in the Middle East, you're aware that Mobile Fidelity Sound Lab is back in business. During Stereophile's Home Entertainment 2003 show in San Francisco last June, Kal Rubinson and I played hookey to visit MoFi mastering engineer Paul Stubblebine's recording studio, at 1340 Mission Street. As we sat spellbound, Paul played the original four-track, ½", 1-mil master tape of Stanislaw Skrowaczewski and the Minnesota Orchestra's legendary 1974 recording of Ravel's Boléro and Daphnis et Chloé (footnote 1). Stubblebine fed the four discrete channels from the specially modified ReVox reel-to-reel deck to a modern surround system. The master tape produced the cleanest, purest sound I had heard in a long time.
Larry Greenhill Posted: Jan 18, 2004 Published: Jan 01, 2004 0 comments
John Atkinson's track-by-track written evaluation in the July 2003 issue of his new Editor's Choice: Sampler & Test CD (Stereophile STPH016-2) drew me like a magnet. Here was a reviewer-editor putting into words his musical perceptions, gathered while he served as the engineer for the various recordings sampled on this compilation. JA's dual roles of writer and engineer merge complementary perspectives, yielding what should be useful descriptions of the sonic values of some of my favorite reference CDs. As I was about to start my review of Piega's new hybrid loudspeaker when I read this article, it was only natural to test whether this Swiss full-range speaker could deliver "what you should hear."
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Larry Greenhill Posted: Nov 10, 2003 Published: Aug 01, 1999 0 comments
Émile Durkheim (1858-1917) once wrote, "The less limited one feels, the more intolerable all limitation appears" (footnote 1). Although directed at the paradoxical observation that suicide rates are higher in newly prosperous countries than in those mired in poverty, his comment applies equally well to subwoofers.
Larry Greenhill Posted: Aug 24, 2003 0 comments
All high-end audio companies turn over their product lines periodically. Even those amplifiers I have depended on as references go out of production. Although my reference amplifier can remain a part of the reviewing sequence, readers won't be able to purchase a discontinued model and get the results I describe. Thus I am compelled to get a review sample of a new amplifier or speaker, and hope for the best.
Larry Greenhill Posted: Apr 20, 2003 0 comments
I was trading e-mails with Roger Sanders, manufacturer of the Eros Mk.III electrostatic (ESL) loudspeakers, when it occurred to me to ask him about his name. I was struck that he had the same last name as Gayle Sanders, president of another American electrostatic speaker company, MartinLogan. Were they related? "No," replied Roger Sanders, "it's simply a coincidence that we have similar names. I've never even met him.
Larry Greenhill Posted: Dec 22, 2002 0 comments
Recording artists can reinvent themselves by crossing over into another style of music. Gloria Estefan, who started with Latin music, crossed over into mainstream pop with great success. Doug Sax, who reinvented the direct-to-vinyl disc and produced outstanding LPs for Sheffield Lab, eventually transferred all of his music to compact discs. Ivor Tiefenbrun, designer of the Linn Sondek turntable, now makes CD players.

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