Larry Greenhill

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Larry Greenhill Posted: Jun 08, 2009 Published: Mar 08, 1996 0 comments
The Type A has served as Snell Acoustics' flagship loudspeaker since 1974. The Type A Reference System reviewed here is the sixth update of the late Peter Snell's original three-way floorstanding design, and is the most radical departure from Snell's original. Gone is the pair of "upright bricks of polished wood and stretched cloth" (footnote 1) that delighted decorators because they functioned best against a wall. Today's Type A Reference $18,999 price tag (footnote 2) purchases two tall midrange-tweeter towers, two huge subwoofers, two short but heavy enclosures housing the outboard passive crossover networks, and a small electronic crossover.
Larry Greenhill Posted: May 08, 2009 Published: Jan 08, 1996 0 comments
The No.331 is the latest iteration in a series of Mark Levinson 100Wpc, solid-state, stereo power amplifiers. Extensive cosmetic alterations, internal structural changes, and new circuit designs make it quite different from the No.27 and No.27.5 models that preceded it. These design refinements emanate from Madrigal Audio Laboratories' latest flagship amplifier, the $32,000/pair, 300W RMS Mark Levinson No.33 Reference.
Larry Greenhill Posted: Feb 12, 2009 0 comments
Bryston's first CD player, the $2695 BCD-1, is a drawer-loading player with a front panel of polished aluminum. The slim disc drawer, engraved with the Bryston logo, sits in the panel's center. To the drawer's left are an infrared sensor and Open/Close button, then a two-line, 16-character alphanumeric display. To the drawer's right are the usual transport controls and a power On/Off button. All of these functions are also accessible via the BCD-1's remote control, as well as two more: Back and Forward. Hold down either and the player moves through the selected track at several times normal speed until the button is released.
Larry Greenhill Posted: Jan 25, 2009 0 comments
It's always fun to visit the Burmester Audio suite at the annual Consumer Electronic Show. Founder Dieter Burmester and CEO Udo Besser are upbeat, fun-loving personalities who enjoy demonstrating their latest home audio gear—that is, when they're not working on the latest updates to their sound system for the $2.1 million Bugatti Veyron 16.4 supercar. This past year they introduced their new B25 loudspeaker, an 88-lb floorstander. This "baby" Burmester's suggested retail price of $12,000/pair is only one-sixth that of Burmester's flagship speaker, the B100, only one-fourth its weight, and half its height. The design goals for the B25 were a less expensive, lighter speaker that was easier to set up, while retaining Burmester products' high-quality sound and good looks. Playing my own CDs through the B25s at the 2008 CES, I found them notably smooth and detailed; they also imaged well, and were particularly good at reproducing male voices.
Larry Greenhill Posted: Dec 19, 2008 0 comments
"How do you make an object common as a box iconic?" asked Bob Graffy, Snell's vice president/brand manager. He and Joseph D'Appolito, Snell's chief design engineer, were sitting in my listening room, discussing cabinet designs. Graffy noted that KEF had sought the same in their distinctive, silvery, cylindrical Muon loudspeaker ($150,000/pair). For the flagship model in their Illusion series, Snell commissioned Gerd Schmieta, former designer for Ideo, to integrate D'Appolito's wish list for an ideal enclosure: a narrow, rounded upper baffle for the midrange and tweeter, wider at the base for the woofers, holding a constant cross-sectional area while maximizing cabinet volume, and compliance with a 15° tip test.
Larry Greenhill Posted: Dec 03, 2008 Published: Mar 03, 2000 0 comments
In his 20,000 Leagues Under the Sea, Jules Verne presents the enigmatic Captain Nemo, commander of the great submarine Nautilus, as powerful, charismatic, and mysterious. On first meeting Nemo, the narrator, M. Aronnax, notes, "I made out his prevailing qualities directly: self-confidence—because his head was well set on his shoulders, and his black eyes looked around with cold assurance; calmness—for his skin, rather pale, showed his coolness of blood; energy—evinced by the rapid contraction of his lofty brows; and courage—because his deep breathing denoted great power of lungs." All in all, "this man was certainly the most admirable specimen I had ever met."
Larry Greenhill Posted: Dec 03, 2008 Published: Mar 03, 2001 0 comments
The roadster's throbbing rumble became a roar as the tachometer soared above 4 grand. Like a giant hand, its thrust jammed me back into the seat. Racing along low to the ground, feeling every curve and bump, I began to understand: the automotive virtues of smoothness and insulation had been swapped for firm road grip and the ability to transmit to the driver each jolt and curve in the surface below. Long before I'd climbed into the driver's seat of Porsche's Boxster S, I had known about its low-end snort and speed—the main reasons I was considering a lease—but I had not known about its ability to join sensation and purpose in such an intense bond.
Larry Greenhill Posted: Sep 28, 2008 Published: Mar 28, 1998 0 comments
I first auditioned a pair of Chario Academy One minimonitors five years ago, but the review was aborted when the Italian Chario company lost its US distribution. When I reheard the Chario Academy Ones at the 1997 WCES, I found their elegant cabinetwork appealing and their sound listenable and involving. I therefore requested a pair for review from the new US importers.
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Larry Greenhill Posted: Aug 20, 2008 0 comments
With the popularity of home-theater systems, subwoofers have proliferated. Because multichannel AV receivers are designed to provide a properly filtered, line-level subwoofer, or low-frequency effects (LFE) signal, many subs no longer come with built-in high- and low-pass filters for insertion into two-channel audio systems. However, the PB13-Ultra subwoofer from SV Sound does include these, which is what piqued my interest in it. After Ed Mullen, SV Sound's director of sales, assured me that the PB13-Ultra was capable of reproducing solid 20Hz organ-pedal notes in my listening room, I asked for one to review.
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Larry Greenhill Posted: Jul 02, 2008 Published: Jun 02, 2008 0 comments
Determined to find out more about Revel's Ultima Salon2, I tracked down designer Kevin Voecks late on the second day of the 2008 Consumer Electronic Show. I persuaded him to step outside the demonstration suite of Harman International Industries, Revel's owner, high atop the Las Vegas Hilton. We spent an hour chatting about Voecks's design goals for Revel's new flagship. I asked Kevin what had led his team at Revel to develop a new Ultima Salon loudspeaker after 10 years?

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