Like many perpetually adolescent, emotionally-stunted hipsters, I had a radio show at the campus station back in the day. Crafting a show that had flow was an arcane artone that is virtually impossible to experience on commercial radio stations with limited play lists. Therefore, it was an art that, once mastered, would be of almost no practical use. It certainly wasn't going to get you a good paying job.
Strange collection, but that's the point. How do you categorize that which is beyond category? Of course, Wittgenstein said, " Whereof one cannot speak, thereon one must remain silent." I say, "Eff off, Ludwig."
Interesting article on subharmonics. There are links to recorded examples, which are certainly interesting, but for me, the money quote is: "She demonstrated her ability to top scientists in the US, but they gave up trying tofind out howthe effect happens."
As we reported almost a year ago, US District Court Judge Michael Davis awarded record labels $220,000 in damages for Jammie Thomas' having posted digital files to the KaZaa peer-to-peer site. To date, that has been the RIAA's sole victory in its prosecution of file sharers and it hinged upon an instruction Judge Davis gave the jury, specifically Jury Instruction 15, which said that Capitol Records did not have to prove anybody downloaded the songs, only that Thomas had posted them. This is known as the "making available" argument and was vigorously opposed by Thomas' lawyer.
Any difference that is at all audible must be treated as though it is huge!" John Atkinson declaimed, as Tom Norton and I rolled on the floor laughing. It was a slow day around the Stereophile offices, and the startlingly huge differences that our colleague was describing did strike us as rather piddlingso John began stentorophonically reciting rules from a mythical Guidebook for Audio Reviewers to gales of laughter all around.
Audiophiles probably know Steve Guttenberg for his writing about hi-fi and home theater in numerous publications, as well as his blog The Audiophiliac. What only a handful of folks know, however, is that Steve is a talented graphic artist, manipulating photographic images to express the world as he (sort of) sees it.
On August 14, Logitech International announced that it intended to acquire privately held Ultimate Ears for $34 million in cash. "Ultimate Ears is a perfect fit for Logitech and our audio business," said Gerald P. Quindlen, Logitech's president and CEO. "Since its inception, Ultimate Ears has been driven by innovation, close ties to its customers, and the desire to enable an immersive audio experience. Logitech's success has been built on using a deep understanding of our customers to create products that let people immerse themselves in their pursuits."
Let's do the It's a Wonderful Life exercise, shall we? Imagine what popular music would sound like today without Jerry Wexler. Aretha Franklin would have never returned to her gospel roots, Ray Charles would have continued imitating Charles Brown and Nat Cole, Stax would have been a tiny regional record label, and denatured white covers of R&B songs would dominate the charts. In fact, the music we know today as rhythm and blues would still be called "race music"Wexler having coined R&B while working at Billboard in 1949.
John Atkinson and I were in a Manhattan loft apartment that could have stood in for every sophisticated NYC loft you've ever seen in films. We were surrounded by fabulous contemporary art. Asian and South American antiquities were discreetly displayed. The furniture was sparse but choice. And, over in one corner, facing a conversation grouping of paintings, two sleek metal tower loudspeakers were making extremely convincing music. We managed to delay examination of this urban paradise long enough to drink adult beverages and inhale some music.
In July, I received an invitation from Bentley to participate in a "driving event" involving the 2009 model Continental Flying Spur and Continental Flying Spur Speed. How come? Because the 2009 Bentleys have the Naim For Bentley music system and, in addition to debuting it for the automotive press, Bentley wanted some hi-fi writers along for the, umm, ride.