The Pass SCPI phono section ("under $4000") was an awfully slick looking piece of kit. "Basically, we took everything we learned in the Aleph Ono and improved upon it," said Pass engineer Wayne Colburn. The SCPI accommodates multiple inputs and has improved circuit traces, capacitors, and toroidal power supply.
"You have got to check out Vitus," Jon Iverson enthused. When I did, I took his point. Vitus Audio is the love child of Hans-Ole Vitus, who takes a holistic approach to audio design. Vitus products are, he explains, the result of relationshipsnot just parts and circuits, but how they interact with one another. I suspect, from looking at the gear, Vitus is also concerned about beauty, too.
Tenor's promised Tenor Pre preamplifier ($40,000) is a hybrid, using tubes for the input stage and MOSFETs for the output. It should be available in two months. As a whole, the Tenor system (fleshed out with Hansen Emperors and Kubala-Sosna cables) was outstanding.
Lamm was driving the new Wilson Maxx series 3 with its 32Wpc ML3 Signature SE triode monoblocks ($139,290/pair). It was my first chance to hear either, so I can't tell you if it was the speakers or the amps that were making the magic happen, but happen it did.
Chord demonstrated the absolutely stunning Indigo Advanced D to A ($15,000). Yes, that's an iPod dock on top, but the Indigo isn't just another iPod dock. For one thing, you can only dock Chord modified iPods directly into it, allowing Chord to access the digital data in the iPod. The Indigo also has a A2DP radio "dongle" that can seamlessly stream digital radio ir music from anywhere in the room. Another dongle is supplied to stream analog output from unmodified iPods.
Nagra's new 60Wpc MSA stereo power amp ($8000) is loosely based on its older "pyramid" PSA amp. This MOSFET stereo amplifier (geddit?) sounds far better than the older one, IMHO. Verity's John Quick played some tracks from Manu Katches stunning Neighborhood and the new guy had better pacing and, more importantly, far better timbre. I heard deeper into the soundstage, especially hearing more of Katche's superlative stick work.