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Wes Phillips Posted: Sep 16, 1998 0 comments
The HI-FI Show 98, the sixteenth put on by UK audio magazine Hi-Fi News & Record Review, sedately opened its trade days this morning in the Renaissance and Excelsior hotels on Bath Road near London's Heathrow International Airport. No, that's not a change in venue, it's yet another name change for the hotel that first hosted the "Penta Show" and, more recently, the "Ramada Show." However, this year's show will be the last at the site, as the new owners do not seem interested in hosting large-scale events at all. Next year the show will be moving---to a destination that nobody's revealing in advance of Friday's official announcement.
Wes Phillips Posted: Jul 21, 1998 0 comments
I was watching Mr. Holland's Opus on the tube the other day and was surprised to find myself teary-eyed, even though the film lost me by subjecting me to Michael Kamen's atrocious "symphony" in the finale. Why had I become all choked up? Because I had a Mr. Holland of my own.
Wes Phillips Posted: Jul 09, 1998 0 comments
"Them which is of other naturs thinks different," said Martin Chuzzlewit's Mrs. Gamp. If that is true, then Naim's Julian Vereker must be of a very different nature indeed. Vereker—and, by extension, Naim—has never done things the conventional way. Take, for example, power regulation and stiffening power supplies. Long before the rest of the world was taking them seriously, Naim offered upgrades to their components not by changing the audio circuitry, but by adding stiffer and stiffer outboard power regulation.
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Wes Phillips Posted: Jun 12, 1998 0 comments
Audiophiles with budget restrictions (most of us, I imagine) could be forgiven for feeling we're afterthoughts to most manufacturers. Even though we probably keep many companies in business by buying their "entry-" or mid-level products, we're always hearing about products designed "without compromise." Waiter, could you bring the reality check, please?
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Wes Phillips Posted: Jun 05, 1998 0 comments
Audiophiles with budget restrictions (most of us, I imagine) could be forgiven for feeling we're afterthoughts to most manufacturers. Even though we probably keep most companies in business by buying their "entry-" or mid-level products, we're always hearing about products designed "without compromise." Waiter, could you bring the reality check, please?
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Wes Phillips Posted: May 15, 1998 0 comments
Almost two years ago, Conrad-Johnson's Lew Johnson came to Santa Fe while visiting his western dealers. We were chatting about acquaintances in the industry as I showed him the new house I'd barely moved into when he spread a blueprint across a stack of record boxes and showed me a design for a new product.
Wes Phillips Posted: May 02, 1998 0 comments
My wife's cousin Steve used to sell antiques. Whenever he would display in his shop's window an impeccable (and expensive) item such as a Colonial pie safe, someone would inevitably walk into the shop and demand to know its price. He'd quote a staggering figure, and the browser would get excited. "Why, I have a piece at home exactly the same as that one! Do you think I could get that sort of money for it?" Steve, having learned his lesson the hard way, would be noncommittal.
Wes Phillips Posted: Apr 01, 1998 Published: Apr 02, 1998 0 comments
A few nights ago, John Atkinson and I played host to a speaker designer and a turntable manufacturer. We were all chewing over the 1998 Consumer Electronics Show, talking about different systems we'd heard there and speculating as to which designs would be around for the long haul. The speaker designer said he'd heard no truly bad sound at the Show. Nods all around the table—none of us had. The turntable manufacturer asked if any of us could recall hearing any spectacularly bad products recently. We all shook our heads.
Wes Phillips Posted: Mar 29, 1998 0 comments
Stereophile is, in one sense, like a family—us younguns have to make do sometimes because the house is straining at the seams. When I first arrived in Santa Fe, for instance, I was told not to come to the office for a few days—the good news, John Atkinson informed me, was that I had a desk; the bad news was that nobody had a clue where to put it. The dilemma was solved in Solomon-like fashion by shoehorning my desk into the "listening room," which was already serving double-duty as audition space and speaker-measurement lab. If manufacturers visited, we'd sweep up all the acoustic damping from the floor and stash it in JA's office; and if JA needed to take measurements, I would be asked to work at home. It was a manifestly fair solution: inconvenient for everyone involved.

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