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Wes Phillips Posted: Jun 22, 2000 0 comments
The Emerson String Quartet defies conventional wisdom. They like to take risks, and they use the adrenaline that creates to hone their music-making to a fine edge.
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Wes Phillips Posted: Sep 19, 1999 0 comments
Troy Kosovich, Dynaudio's director of marketing, died Tuesday, September 14 in a single-car accident near Bozeman, Montana. According to a newspaper report, he apparently lost control of his Isuzu Rodeo while returning to his hotel after an evening with a client. Troy was 37 years old and is survived by his wife, Angel, and his three-year-old son, Killian.
Wes Phillips Posted: May 11, 1999 0 comments
Who knows not Circe,
The daughter of the Sun, whose charmed cup
Whoever tasted, lost his upright shape,
And downward fell into a groveling swine?

—John Milton, Comus
Wes Phillips Posted: Mar 15, 1999 1 comments
Adcom is one of those companies that's just too consistent for its own good. Year after year, they put out well-engineered, fairly priced gear, while we audiophiles become jaded and almost forget they're there... You want a good-sounding CD player that doesn't cost an arm and a leg? [Yawn.] Well, you could try Adcom. Need a power amplifier with some sock that won't make your tweeters crawl down your ear? There's always Adcom.
Jerome Harris Wes Phillips Posted: Mar 12, 1999 0 comments
The genesis of this project goes back nearly 17 years, when my wife, Joan, and I moved into a brownstone floorthrough in Brooklyn. As we were about to sign the lease, our soon-to-be landlord said, "Oh, one more thing: your upstairs neighbor is a musician." This did not exactly discourage us from signing the lease, however, and soon I began to see a steady stream of musicians trudging up the stairs outside our apartment: Oliver Lake, Sonny Rollins, Pheeroan akLaff, Bob Moses, Marty Ehrlich, and a whole bunch of other people I was reading about in the jazz press. Just who was this guy?
Wes Phillips Posted: Feb 07, 1999 0 comments
A funny thing happened to Linn Product's Brian Morris when he attempted to bring Linn's new Sondek CD12 through Customs as hand-luggage:
Wes Phillips Posted: Jan 24, 1999 0 comments
SANTIAGO DE MURCIA: ¡Jácaras!
Paul O'Dette, Pat O'Brien, Steve Player, baroque guitars; Andrew Lawrence-King, harp, psaltery; Pedro Estevan, percussion
Harmonia Mundi 907212 (CD). 1998. Robina G. Young, exec. prod.; John Hadden, prod., eng. DDD. TT: 78:21
Performance *****
Sonics *****
Wes Phillips Posted: Jan 05, 1999 1 comments
If, as some would have it, Audiophilia nervosa is like the dark night of reason, then certain audio epiphanies must necessarily stand out from a distance, like a grove of trees 20 miles away thrown into stark relief by prairie lightning. And make no mistake that Audiophilia is a disease---I treasure the memory of the first time my wife and I heard Quad ESLs with tubes far more than the memory of my first kiss (although not more, I hasten to add in case Joan is reading this review, than the memory of our first kiss). I know men who stare into their flickering fireplaces on long winter nights and remember all the women they've known. Myself, I'm more likely to reminisce about my first tube preamp, or list the great-sounding systems I've owned.
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Wes Phillips Posted: Sep 20, 1998 0 comments
It's cheating to say that the best sound I've heard at the English Show was at Martin Colloms' house on Saturday night---cheating the same way it is when someone asks that question and I (or some other reviewer) piously responds that some live music event ranks above any exhibitor. Martin, of course, has an advantage over anyone at the Show. He set up his own listening room and had all the time he needed to boot. Even so, his system, consisting of a Krell KRS-25 and FPB 650Ms and Wilson Audio WITT IIs, was astoundingly fast, rhythmic, and dynamic.
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Wes Phillips Posted: Sep 19, 1998 0 comments
Are there differences between an American hi-fi show and the British variety? A few---the biggest is the extent to which all the real business takes place at the bar. This is true for the audio press (okay, not all that different from an American show), but it's true for manufacturers as well. After Show hours, the boozer is jammed with everybody in the business sharing a few pints, smoking, and talking shop. It's not unusual to see business rivals chatting amiably about the state of the industry---and even discussing distribution in some detail.

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