Art Dudley

Waiting for an opportunity to photograph recordist Todd Garfinkle, of M•A Recordings, was no small task: Just one hour into the New York show on Friday, his exhibit was jammed with eager music buyers, and I had to wait several (enjoyable) minutes before the crowd thinned enough that he could take a break.

Robin Wyatt of Robyatt Audio did something that hadn't been done at a major audio show in decades: He demonstrated with a pair of Quad ESL loudspeakers—creating, in the process, the sort of sound that led my weak and easily led brain to conclude that I was hearing the best sound of the show within my first hour of attendance. The ESLs, which had been restored by Quad expert Wayne Picquet (also in "Listening" columns passim), were driven by a pair of Miyajima OTL 2010 amplifiers ($10,000 each), which provide 22Wpc when used as monoblocks with their defeatable feedback circuits enabled. Wiring was by Tel Wire. The preamp was a one-off custom unit by fellow upstate New Yorker Charles King, and the sound, apart from the fact that the Quads made a little too much bass (!) for the squarish room, was glorious.

The record player used in the Robyatt suite was the Anatase (price available upon request) from Oswalds Mill Audio: an original Lenco motor unit updated with a custom-made bearing and idler wheel assembly, and wedded to a massive slate plinth. The primary arm was the excellent Thomas Schick Tonearm ($1675), used with various Miyajima cartridges.

Robert Stein of Ultra Systems (and of the innovative retail outlet The Cable Company) introduced an accessory called the WA Quantum Chip. Available in different sizes, ranging in price from $7.50 to $65 each, the German-made WA Chip is a removable sticker that contains an impregnated film, which is reportedly subjected to a special treatment. Sized for everything from fuses to cell phones to speakers, WA Chips are claimed to increase component efficiency and current flow, for audibly enhanced performance.