Art Dudley

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Art Dudley Posted: Oct 17, 2008 0 comments
The best, most enduring audio products have in their favor more than great sound: They have some sense of history as well. Particularly good examples abound from the British companies Spendor, Rogers, and Harbeth, some of whose products were actually commissioned into being by the British Broadcasting Corporation. Better that, I suppose, than existing to fill a price point.
Art Dudley Posted: Oct 17, 2008 0 comments
Stereo Review, the world's most popular audio magazine during most of its time on Earth, was a common target of derision from the hobby's so-called high-end press, not least of all from me. We criticized its nerdy, boring prose, its uniformly positive reviews, and, most of all, its shameless pimping of the notions that measurements reveal all there is to know about a component, and that all competently engineered components sound equally fine.
Art Dudley Posted: Sep 22, 2008 0 comments
Janet watched the record spin wildly, mildly awestruck. She nodded its way—a gesture that took in all the other 78rpm discs piled nearby—and asked, "How long have you had those?"
Art Dudley Posted: Aug 20, 2008 0 comments
Snobbery is a disease of the imagination.—Peter Straub, "Little Red's Tango"
Art Dudley Posted: Jul 27, 2008 0 comments
I can't help wondering: how did the mainstream audio press, cheered Dynaco and Marantz and McIntosh and Quad for switching to transistors a couple of generations ago, greet the first tube-revival products from Audio Research and the like? What was the reaction when moving-coil cartridge technology, considered all but dead by the early 1970s, became the perfectionist hi-fi norm just a few years later? And what would the same people make of the fact that a high-mass, transcription-length pickup arm—with interchangeable pickup heads, no less—is one of the most recommendable phono products of 2008? The mind boggles.
Art Dudley Posted: Jul 18, 2008 3 comments
My home, which overlooks a dairy farm, is easy to see from a mile away, invisible from the end of its own driveway. Elevation: 1345'. Population: 3.
Art Dudley Posted: Jun 25, 2008 0 comments
Three years ago, the idea of a solid-state integrated amplifier that sold for only $1250 yet combined some of the best performance aspects of a Naim Nait and a Dynaco Stereo 70 seemed likely to resonate with consumers and critics alike. And it did: Introduced in early 2005, the British-built Exposure 2010S was an unequivocal hit on both sides of the Atlantic, and remains in Class A of Stereophile's "Recommended Components." Deservedly.
Art Dudley Posted: Jun 25, 2008 0 comments
The subject comes up every now and then: Audio reviewers don't write nearly enough negative reviews. One old attention-seeker on Audio Asylum went so far as to characterize Stereophile and our would-be competitors as "happy face" magazines—a joke in which he seemed to take tremendous pride—simply because we hand out a lot of As and Bs. By that logic, assuming that a certain percentage of underachievers is inevitable in any population, our schools aren't handing out nearly enough Fs. (I have a suggestion for where they can begin.)
Art Dudley Posted: May 31, 2008 0 comments
The Oakland fluker said, "You mean we should lug our Connie Companion layout all that way? It's too heavy and something might happen to it."
Art Dudley Posted: May 12, 2008 0 comments
An enduringly healthy phono-cartridge industry? After a quarter of a century of rushing right out to buy the latest digital music appliances? You bet.

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