With so many lookalike, workalike remote handsets littering the ring-stained table of our hobby, new ones seldom stand outor work better than the old ones. Pioneer has finally produced a breakthrough: Anyone who buys a new Pioneer VSX-1020 receiver (expected to go on sale in America in June, for approximately $800) will have the opportunity to download a virtual handset from the Apple apps site, for use with his or her iPod Touch or iPhone. The finished product looksand worksexactly like the knobs and switches on the amp's front panel. Here's one remote control that will probably never get lost under the couch or dropped in the toilet. (Don't ask.)
As a Quad ESL enthusiast, I know how difficult it is to blend subwoofers with very good, very fast loudspeakers. Consequently, I was impressed with the new A225-M powered subwoofer from the Swiss company PSI, on demonstration at the Simplifi Audio room. Used with the Gradient Helsinki loudspeaker, of which I also have some experience, a pair of PSI subs ($4500 each) provided lots of deep, impactful bass with no apparent change in the Gradients' timbral character: very impressive. The subwoofer was housed within one of the the same IKEA units as Simplifi's Tim Ryan was using for component stands, to show that high-quality sound can still be domestically acceptable.
As last year, Totem Acoustics had by far the show's most aesthetically sophisticated exhibit: a trippy mix of shapes and textures both organic and industrial, in which lights, flowers, textiles, and scents shared senses with the sound. The latter, also in typical Totem form, was exceptionally involvingespecially the Beatles' "Within You, Without You," Insane Clown Posse's "Ain't Yo Bidness," and "lua" by Dudu (no relation) Salinas. At SSI Totem also introduced a product that's still in concept stage, called Totem Skin: a removable sock-style cover that transformed cabinetry into artliterally. Among the company's goals for this show, according to the Totem rep with whom I spoke, was to gauge consumer response to the Skins, and the reaction so far is positive.
Maybe I don't know everything after all. In all candor, Legacy loudspeakers had never struck me as the sorts of things I might like. But here at FSI, driven by an attractive Ayon Triton integrated amplifier ($8500), itself fed by an Ayon CD-5 CD player ($9450), I very much enjoyed the big Legacy Whisper XD speakers ($20,000/pair). I wasn't surprised by the punchy, wide-range presentation, but there was a lot more realistic texture and timbral color than I ever expected. And the very nice young couple who ran the suite were patient with my seemingly limitless supply of inane questions. A fine experience.
I got to see and to hear the legendary Platine Verdier turntable in the Excel Stereo suite, and though language differences and crowd noise confounded my efforts to learn either its current price or the name of the curious birdsong-and-fiddle record being played, I was delighted to see it in use with a proper (12") tonearm and Ortofon SPU pickup head. Seems I didn't leave civilization behind after all!
The Multi Electronique suite was home to a tasteful, sedate display of Focal loudspeakers and Simaudio electronics, fed by an iMac computer running iTunes: just like home, except these guys had WAV files instead of the AIFFs that I prefer. The music selection was superb, and included the young jazz singer Melody Gardot, whom I hadn't heard before today, and the always interesting Dee Dee Bridgewater. Even without the luxury of an "audiophile" setupwhich is to say, these musical furnishings were arranged in the manner of a normal person's homethe sound of the Focal Chorus 826W ($3795/pair), Moon 3.3 DPX D/A converter ($4000), and Moon 3.3 amplifier ($4000) was utterly charming, and I left my comfy red seat with only the greatest reluctance.
On a number of occasions I've heard the CD-77 CD player from Abbingdon Music Research sound wonderful: organic, textured, and altogether analogish. Today was no exception, as proven by the latest 77.1 version of the AMR player ($9995), distributed in the US by Avatar Acoustics. (Avatar also distributes the unique tuning accessories made by Franck Tchang of Acoustic Systems International.) Other components on dem were a beautiful tube preamp and power amp from Japan's Mactone (price to be determined) and Teo Audio's interesting new Runa loudspeaker (projected to sell for $12,000/pair), all wired together with the latest interconnects and cables from the Teo-distributed Liquid Cable. The system was invitingly detailed without a trace of tizz, and while I'm not the sort who obsesses over imaging, I admit that I was charmed by the Teo speakers' very inviting spatial qualities. Also on display but in use during my visit was the Feickert Blackbird turntable (approximately $7500), for which the word "interesting" seems a cruel understatement.
Coming soon to a salon near you: a 45Wpc integrated amp that even a schoolteacher can afford. Advanced Acoustics, whose products are designed in France and manufactured in China, showed a prototype of their forthcoming MAP-101, which sounded decent driving a nondescript pair of tiny tabletop speakers. And if that sounds like darning with faint praise, consider that Advanced's MAP-101 is intended to sell for only $649. Alors!
I started my day the right way: listening to a good LP of acoustic music. In one of three Coup de Foudre rooms I listened to Skip James's final album on a system comprising the new Brinkmann DD turntable (price TBD) with an EMT TSD 15 fineline phono cartridge ($1800), Auditorium 23 step-up transformer ($995), Leben RS30 EQ moving-magnet phono preamp ($2595), Leben CS300 XS integrated amplifier ($3495), and DeVore Fidelity 3XL loudspeakers ($3700/pair without stands), the latter of which were capable of allowing the music to sound surprisingly, delightfully big. Cables were all by Auditorium 23, and the source and amplification components were supported by a typically beautiful Sapele rack from the Box Furniture company.