Art Dudley

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Art Dudley Posted: Apr 14, 2012 0 comments
The phono-transformer speciality company Bob's Devices (see "Listening" columns passim) was also represented by Ultra Systems. Of the three models seen here, one had already been treated with the above-mentioned WA Quantum Chips.
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Art Dudley Posted: Apr 14, 2012 0 comments
Here's the Vinyl Cleaner ($3895), a new type of LP washing machine made in Germany by Audio Desk Systeme Glass (they make a popular CD edge-trimmer you've no doubt seen) and distributed in the US by Ultra Systems. Described by Robert Stein as "the only way you can really clean the bottom of a record groove," the Vinyl Cleaner uses ultrasonic waves to separate dirt and vinyl from one another, and dries the disc with a fan instead of a vacuum (the latter induces static, according to the designer). Watch for Michael Fremer's review in an upcoming episode of "Analog Corner."
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Art Dudley Posted: Apr 14, 2012 Published: Apr 17, 2012 1 comments
Bill Leebens, who serves as Vice President of the Chester Group—the organization that produced the New York Audio and AV Show—did a hell of a job getting this thing off the ground, alongside the Chester Group’s Roy Bird, Justin Bird, and Scott Humphrey, not to mention the enduringly beloved publicist Lucette Nicoll and T.H.E. Show's Richard Beers. Leebens, seen here in one of the Waldorf's intimate little rooms, is an audio industry stalwart whom I’ve known for years yet never actually met!
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Art Dudley Posted: Apr 13, 2012 0 comments
The New York Audio and AV show (wait a minute: Doesn’t the A in AV already stand for Audio?) takes place at the famed Waldorf=Astoria from 3:00pm to 8:00pm today, from 10:00am to 6:00pm Saturday, and from 10:00am to 5:00pm on Sunday). Yesterday I was weary from traveling (I arrived here by train from Philadelphia), so it wasn’t until this morning that I noticed the carpet pattern outside the door of my room: a William Morris-style bunny. I’m clearly in the right place.
Art Dudley Posted: Apr 10, 2012 2 comments
The sound of the Stenheim Alumine loudspeaker—its openness, transparency, and freedom from temporal distortions, not to mention its good bass extension for such a small enclosure—reminded me at once of my favorite small loudspeaker from the late 1980s, the Acoustic Energy AE1. On reflection, the comparison is extraordinary: The two products are as different as night and day, the AE1 being a wooden loudspeaker with a metal-cone woofer, the Alumine a metal loudspeaker with a pulp-cone woofer. I suppose one can skin a catfish by moving the knife or by moving the fish.
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Art Dudley Posted: Mar 29, 2012 5 comments
The late Bill Monroe may have been the father of bluegrass music, but it was the distinctive banjo playing of Earl Scruggs that most listeners came to recognize as the voice of an entire style. Scruggs, who died on March 28 at the age of 88, left an indelible imprint on American music, influencing virtually ever player of the five-string banjo to follow.
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Art Dudley Posted: Mar 26, 2012 4 comments
So another SSI has come and gone. On the downside, the trade-only day was slow, a surprising number of SSI stalwarts—Legacy, Luxman, Vivid, Reference 3a, Ocellia, AvantGarde, and Antique Sound Lab among them—were missing in action, and the blue-wig thing is getting kind of old. On the up side, there was good traffic on the consumer days, the food and drink were great—even on-site at the Hilton—and the Coup de Foudre party was a blast (thank you, Graeme, Jennifer, et al). I was genuinely impressed by several new products, especially the Michael Tang tonearm, AudioQuest Dragonfly USB DAC, LM Audio 211IA integrated amp, Audio Note DD 4.1x CD player, and Naim NDS two-box network player. And, best of all, it was good to see some old friends, many for the first time since SSI 2011. It was a busy, fun time, a sort of a four-day moment, and I congratulate organizers Michel Plante and Sarah Tremblay for succeeding once again.
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Art Dudley Posted: Mar 26, 2012 0 comments
This Devialet D-Premier D/A integrated amplifier seemed to be flashing its own price: $16.5k, for which the lucky owner gets 240Wpc, sleek styling, and a great deal of up-to-date technology, including 192/24 WiFi capability. I had hoped to learn more about the D-Premier (and the impressive Focal loudspeakers it was driving), but the pleasant young fellow who was running the booth couldn't make himself understood over the very loud playback levels—and the latter finally drove me from the room. John Atkinson will be reviewing the Devialet D-Premier, which he says combines a highly linear class-A amplifier with a class-D output stage in a topology somewhat similar to the late Peter Walker's "current dumping" circuit, in a summer issue of Stereophile.
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Art Dudley Posted: Mar 26, 2012 2 comments
A tonic for the homesick: I entered the Audio Note room and saw, in the far corners, a pair of their reliable AN-E Spe/HE loudspeakers ($9000/pair): the very speakers I own and love. (This pair was veneered in a strikingly grained raw rosewood, while mine are done up in glossy yew.) There, too, was the brand new Audio Note CD 4.1x CD player ($12,000), my review sample of which arrived at my home on the very day I left for Montreal (this according to my wife). The sound in this room was so extraordinarily good—with especially fine bass reach and drama—that I feel compelled to tweak, slightly, the positions of my own AN-Es when I get home.
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Art Dudley Posted: Mar 26, 2012 0 comments
Tim Ryan of SimpliFi Audio demonstrated the always-enjoyable Gradient Helsinki loudspeaker ($6000/pair) in tandem with Gradient's SWS dipole bass speakers (also $6000/pair, outboard crossover included), to excellent effect. Ryan says the SWS, to whose development the late Peter Walker contributed, also works a treat with the Harbeth P3 and other smallish speakers from that line. (That's exactly how he said it, too.)

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