Art Dudley

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Art Dudley Posted: Apr 16, 2012 0 comments
Seen outside one of Innovative Audio's demonstration rooms (L–): Luke Manley and Bea Lam of VTL, Peter McGrath of Wilson Audio, and Elliot Fishkin, proprietor of Innovative Audio.
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Art Dudley Posted: Apr 16, 2012 1 comments
A Legacy Audio Whisper XD loudspeaker ($20,500–$22,500/pair, depending on finish) stands next to a life-size picture of a Legacy Audio Whisper XD loudspeaker. One of these has eight drivers, dual 500-watt ICE subwoofer amplifiers, and a 24-bit room-correction processor. The other does not.
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Art Dudley Posted: Apr 15, 2012 1 comments
Furniture designer Robert Lighton used the New York Audio and AV show to debut his first audio product, the RL10 loudspeaker ($20,000/pair), offering a solid wood enclosure (even the rear-firing reflex port is turned from solid wood), 1” fabric-dome tweeter, 10” paper-cone woofer, and a sensitivity rating of 95dB. Selections from Lighton’s impressive collection of jazz LPs—one Roland Kirk number in particular—sounded tactile and convincing through his speakers and an 8Wpc Audio Note Meishu Silver Signature integrated amp with phono section ($18,850), Audio Note AN S8 phono transformer ($10,800), and Audio Note TT3.5 Reference three-motor turntable ($39,600), the latter using a Sogon-wired Audio Note tonearm ($13,156) and Yamamoto Y-03s cartridge ($1200).
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Art Dudley Posted: Apr 15, 2012 2 comments
The TAD CR1 (for Compact Reference) loudspeaker ($37,000/pair) was demonstrated with Viola amplification and a digital front end comprising the Weiss Man301 server ($9000) and Weiss Medea+ D-to-A converter ($19,000). The CR1, which has been on the market for a little over three years, has a rated sensitivity of 86dB and uses the same type of CST coincident driver as featured in the company's flagship Reference One loudspeaker. The TAD had satisfying bass extension for such a relatively small enclosure, but the system was being played way too loud for my comfort, so I can't offer a more nuanced appraisal. JA, however, was very impressed when he reviewed the CR1 last January.
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Art Dudley Posted: Apr 15, 2012 0 comments
The Viola electronics on display included their four-chassis, dual-mono Solo preamplifier ($45,000) and Bravo II stereo amp ($59,000). The latter is supplied in two chassis, and provides 700Wpc channel into 4 ohms: the nominal impedance of the TAD CR1s. DAC was the highly regarded Bricasti M1.
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Art Dudley Posted: Apr 15, 2012 0 comments
Well Rounded Sound, a US company that specializes in high quality desktop loudspeakers, exhibited a number of eye-catching models, including their new Corgi ($799/pair), which is scheduled to begin production in July.
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Art Dudley Posted: Apr 14, 2012 0 comments
Waiting for an opportunity to photograph recordist Todd Garfinkle, of M•A Recordings, was no small task: Just one hour into the New York show on Friday, his exhibit was jammed with eager music buyers, and I had to wait several (enjoyable) minutes before the crowd thinned enough that he could take a break.
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Art Dudley Posted: Apr 14, 2012 0 comments
My first attempt to enter the room at the NY Audio & AV Show where Liberty Trading was selling vinyl and CDs proved fruitless: There were simply too many people lined up to buy records (which included a number of recent Mobile Fidelity LP titles). Nabil Akhrass, seen here behind the counter, would surely question my use of the words too many.
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Art Dudley Posted: Apr 14, 2012 0 comments
Robin Wyatt of Robyatt Audio did something that hadn't been done at a major audio show in decades: He demonstrated with a pair of Quad ESL loudspeakers—creating, in the process, the sort of sound that led my weak and easily led brain to conclude that I was hearing the best sound of the show within my first hour of attendance. The ESLs, which had been restored by Quad expert Wayne Picquet (also in "Listening" columns passim), were driven by a pair of Miyajima OTL 2010 amplifiers ($10,000 each), which provide 22Wpc when used as monoblocks with their defeatable feedback circuits enabled. Wiring was by Tel Wire. The preamp was a one-off custom unit by fellow upstate New Yorker Charles King, and the sound, apart from the fact that the Quads made a little too much bass (!) for the squarish room, was glorious.
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Art Dudley Posted: Apr 14, 2012 2 comments
This beautiful Stellavox tape deck, restored by Charles King, was used in the Robyatt exhibit to play recordings provided by the Tape Project. It sounded wonderful.

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