Art Dudley

No one can say precisely how or when the ancient 300B triode tube made its cross-kingdom leap to the modern world of consumer audio, but we've got the where pretty much nailed down: It all began in Asia, where the best of the West is sometimes held in reverence rather than left to drown in consumerism's wake. Asia is the final resting place for the great Western Electric cinema systems of the 1940s—and that's where the 300B earned its un-American second act. By the mid-1990s, the tube had captured the hearts of hobbyists who, consciously or not, sensed that the audio refineries of the day had lost the plot, not to mention the body.

Asked how to make a guitar, the celebrated luthier Wayne Henderson offered a straight-up answer: "Just get a pile of really nice wood and a whittling knife. Then you just carve away everything that isn't a guitar." (footnote 1)

The making of a preamplifier seems more or less the opposite. You start with a simple volume control and a couple of jacks, then add whatever you think constitutes a preamplifier. Choices might include electronic source switching, line-level gain, phono-level gain and equalization, tone controls, tone-defeat switches, a balance control, a headphone jack, an iPod input, and maybe even a digital-to-analog converter with a USB receiver. The sky is pretty much the limit.

Avatar Acoustics' Darren Censullo brought to Montreal a variety of new iFi products, including a rack system that can hold up to four of the company's Micro-series products. Two versions are available: one without cables ($99) and the one shown here ($149), which includes two short cables and one long, wrap-around cable. In the foreground is another new iFi accessory: their in-line USB iPurifier ($99), which is said to be effective on DC power and digital signal alike.

Experience says that one must wait in line to hear the MBL system at any hi-fi show, and SSI 2014 was no exception. Similarly unsurprising was the realistically vivid sound on tap, with levels of color and texture that, in a strange way, stood in contrast to the resolutely smooth, monochromatic appearance of their gear. (Maybe that's intentional?) This year I was entertained by a variety of musical excerpts, including a snippet of Beethoven's Piano Concerto 2, through MBL's C31 D/A converter/CD player ($9200), C11 stereo preamp ($8800), C21 stereo amp (9200), and 116 F loudspeakers ($29,000/pair), with Siltech cables and a generous sprinkling of Shun Mook Mpingo discs.