Despite its unfortunate physical resemblance to an electric shoe-shine machine, the Leedh E loudspeaker sounded open and airy during my visit to the room sponsored by Conceptas Sound and Engineering. I was prevented, by the language barrier, from learning anything about the E or its companion Lua brand electronics, including prices; one of two people running the room handed me some information sheets, but the other person snatched them away. I requested and was given more, but my moment of triumph was dashed when I saw that all of the literature was in French. All I have deciphered from it so far is that the Leedh E weighs less than “a dozen kilos” (I think), and one of its drivers is 17cm in diameter.
Montreal retailer Audio Club presented a simple, effective all-Linn system, comprising the Ethernet-friendly Linn Akurate DSM preamplifier/digital player ($9300) and Akurate 2200 power amplifier ($6300), seen above, and a pair of Linn Majik Isobarik loudspeakers ($6300/pair). An outboard file-storage device, of indeterminate make and model, was tucked away underneath the credenza. Unfortunate room dimensions were surely responsible for the trace of bass boominess I heard, yet the Linn system was compelling and listenable, nonetheless.
I thought the Raidho D-1 loudspeaker ($28,000/pair, including stands), was among the most interesting and musically impressive new products at SSI. Raidho, a Danish company known for their work with ultra-lightweight ceramics, has developed a process for bonding to their speaker diaphragms a thin coat of industrial diamond, conferring even greater stiffness and freedom from unwanted resonances. Paired with a Jeff Rowland Aeris D/A converter and Jeff Rowland 625 power amplifier, the Raidhos were impressive on a variety of material. We’ve all heard demonstrations where we came away saying, “I can’t believe they got so much bass out of such little loudspeakers,” but in terms of the sheer quality and scale of that bass, the Raidho/Rowland combination was on another plane altogether.
Lars Kristensen of Denmark’s Raidho Acoustics, who has yet to overcome his shyness, presented the Raidho/Rowland system with all of the good cheer and powers of persuasion for which he is known and admired in our industry.
AudioShop, the Canadian distributor for Cabasse loudspeakers, demonstrated the interesting combination of Cabasse loudspeakers with McIntosh electronics, focusing in particular on the latter company’s model 601 monoblock power amplifiers ($11,500/pair), driven directly by the MCD 1100 CD player ($10,000). The loudspeakers seen here (which, I’m told, sold for $16,000 per pair in passive form) sounded impressively punchy, but, with all due respect, this system was being played at a volume level I considered both uncomfortable and unrealistically loud, so I didn’t linger long.
In one of several rooms sponsored by Montreal’s Coup de Foudre, A href="http://www.stereophile.com/content/gift-flower-garden">Philip O’ Hanlon demonstrated a system comprising a Luxman PD-171 turntable/tonearm ($6400) with Brinkmann P1 phono cartridge ($2700), Luxman DA-06 DSD D/A converter ($6000), Luxman L550AX integrated amplifier ($5400), and Vivid B1 loudspeakers ($15,000/pair), with Cardas cables throughout. (The computer-audio source was an old MacBook running Audirvana playback software.) Not to take away from the goodness of the other gear, but I was once again mightily impressed by the manner in which the Vivid loudspeakers, in spite of looking like surprised Cyclopian aliens, delivered music with such human warmth and touch. (Lou Donaldson’s organ on “Alligator Boogaloo” sounded especially fine.)
Another Coup de Foudre room offered a system built around the curiously named but thoroughly engaging Twenty 23 loudspeakers ($4389/pair) from PMCwhich, I’m told, stands for professional monitor company. The amplifier in use was the less inscrutably named Integrated Amplifier from Brinkmann ($7499), while the source was the Unico CD Primo CD player ($1900). On a vocal number by Andrea Bocelli, percussion instruments sounded a bit compressedthat might be the fault of the recording, for all I knowbut I heard a great deal of realistic texture and color from this detailed but not at all light-sounding system.
In yet another Coup de Foudre room, a Clearaudio record player acted as source for a Unico Nuovo integrated amplifier ($2400, with phono section), itself driving a pair of ASW 404 loudspeakers ($2000/pair). This relatively affordable system loaded the room nicely, and sounded hypnotically good on “Autumn Leaves” from the Cannonball Adderley album Somethin’ Else.
Here’s Philip O’Hanlon of the California-based distribution company On a Higher Note, looking like he just stepped out of a Donovan album. His system he demonstrated for Montreal retailer Coup de Foudre, which I’ll describe in another post, comprised Luxman source components and electronics and Vivid loudspeakers, wired with Cardas cablesand it sounded great, especially considering that Philip’s gear had just arrived the night before!