For a manufacturer to squeeze money from the stone that is my CD-player budget, his products would have to be both exceptional and affordable. And as long as I'm reporting from Fantasyland, I'll ask that they also be obsolescence-proof.
Even at its humblest, a 300B is a fine thing. And at its best, this classic triode output tube can deliver some of the most intoxicating music playback imaginable. If tubes are liquor, the 300B is clearly absinthe. (The 2A3 is Cognac, the 45 is Armagnac, the F2a is Tequila, and the EL34 is vodkawhich is to say, you can make almost anything out of an EL34, from the repulsive to the sublime.)
In spite of having one end of my listening room devoted entirely to record shelving, there are now 15 cartons of LPs and 78rpm records scattered throughout my house, said bounty enduring as a source of distress for The Management. That prompted me to set about building a new record cabinet and equipment support to handle the spillover. That prompted me to take a fresh look at how my records are catalogued. And that prompted me to cull from my collection every mono record I own, thinking I would keep them separate from the rest.
Arthel "Doc" Watson, one of America's greatest musical treasures, has died in Winston-Salem, North Carolina at the age of 89. A seven-time Grammy Award winner, Watson was known for his rich, unaffected singing voice, his apparently limitless repertoire of Appalachian folk songs, and a flatpicking guitar style that influenced a great many of his peers and inspired countless others to take up the instrument.
Oswalds Mill Audio, the Pennsylvania-based company that designs, manufactures, imports, and sells a range of vintage-inspired and mostly bespoke domestic playback gear, has opened a showroom in New York City. OMA Dumbo, named for its historic neighborhood (Down Under the Manhattan Bridge Overpass), now occupies the entire top floor of an industrial building at 110 Bridge Street in Brooklyn, walkable from either the Brooklyn or Manhattan Bridge.
In last month's column we met May Belt, whose contributions to domestic audiomade alongside her husband, designer Peter W. Beltall have to do with reflexive perception: conditions under which a listener's comprehension of music can be altered, given the presence or absence of certain nonsonic stimuli.
Stop me if you've heard this: On January 10, at Avery Fisher Hall in New York's Lincoln Center, a performance of Mahler's Symphony 9, led by conductor Alan Gilbert, was stopped in its tracks by the ringing of an iPhone.
It wasn't just any part of the Mahler Ninth: It happened during the exceedingly quiet closing measures of the final movement.
It wasn't just any symphony orchestra: It was the New York Philharmonic, which Gustav Mahler directed during the last two years of his life.
In 1862, skepticism among the educated was exemplified by the medical establishment, which ridiculed Joseph Lister's notion of "animals in the air." By contrast, the professional skeptic of 2012yes, it's now possible to make a comfortable living in the fieldfinds himself inconvenienced by 150 years of discovery, and makes do with ridiculing Lister for his Quaker faith. I guess that passes for progress in some circles.
The big guns: Sonus Faber’s new flagship loudspeaker, the Aida, with electronics from Audio Research.
The early bird catches the worm, but the well-warmed playback system is another thing altogether: So it was when I visited New York’s Stereo Exchange on the morning of April 13, mere minutes after they opened their doors for the day. Nevertheless, the ever-genial David Wasserman and his staff hit the ground running, cheek-to-jowl with eager customers and representatives from 11 equipment suppliers, whose presence had at least something to do with the New York Audio and AV Show.
High Water Sound, the New York City-based retailer and distributor, created one of my favorite demonstrations at the show, as much for proprietor Jeffrey Catalano's choice of musicGabor Szabo's instrumental version of Donovan's "Three King Fishers" was playing when I came inas for the exotic and unassailably musical system on display: TW Acustic Raven Black Night turntable ($40,000) and 10.5 tonearm ($5500), Tron Seven GT line-level preamp and phono preamp ($18,000 each), Tron Telstar 211 SET amplifier ($40,000), and the striking Affascinate loudspeaker ($62,000) from Cessaro Horn Acoustics, the latter using an 11" woofer in a back-loaded horn, a proprietary compression driver for the spherical midrange horn, and a modified horn-loaded TAD beryllium tweeter. The sound was tactile, impactful, and thoroughly involving on every recording I heard.