Art Dudley

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Art Dudley Posted: Apr 05, 2013 1 comments
The challenge is biblical in character, if not in scope: A half year after railing, in these pages, against our industry's overabundance of products that cost more than $20,000, fate has given me such a thing to review.
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Art Dudley Posted: Mar 26, 2013 0 comments
Audio Note has long been a believer in high-torque turntables, having brought to market a number of belt-drive designs that use multiple motors (à la the original Voyd). One of the less expensive such models in their line, the twin-motor TT Two ($3500), has now been upgraded, with a plinth made from the same veneered Russian-birch plywood as the company's well-regarded loudspeakers. (The sample here is in Rosewood.) And external power supply ($2400) is also available, either at the time of initial purchase or as a subsequent upgrade, providing greater electronic stability and easy speed selection. Seen with the TT Two are the Arm Three V2 captured-unipivot tonearm ($2000) and an Audio Note Io-I moving-coil cartridge ($4100)—which, for SSI, drove an S4L silver-wired transformer ($6200).
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Art Dudley Posted: Mar 26, 2013 0 comments
I finally got to hear a mono system at SSI, but not in the manner that I or the exhibitor might have wanted. Halfway through the show, Audio Note's Dave Cope suffered the loss of one Empress Silver monoblock amplifier ($10,000/pair), apparently owing to an AC power surge. The Empress Silver, seen here alongside the outlet of infamy—and a coil of Audio Note's new Isis LX 168 copper-Litz speaker cable—is a new single-ended mono design with a 5U4G rectifier tube, a 6SN7 input tube, and parallel 2A3 triodes, for a total of 8Wpc. This was a disappointingly bad break for a company that has, in the past, won more than its share of Most Enjoyable System of the Show awards—although I must say that a mono recording of Count Basie's "88 Basie Street" was nonetheless fine when played through the surviving channel.
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Art Dudley Posted: Mar 26, 2013 1 comments
Recalling my very positive experience with the same company's AS-400 digital playback source/integrated amplifier, I found myelf attracted to the Micromega MyDAC ($399), a recently introduced asynchronous USB converter offering 24/192 performance and a color choice of black or, as seen above, Apple white.
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Art Dudley Posted: Mar 26, 2013 0 comments
Bluebird Music, the North American distributor for Chord electronics (and other lines), along with Totem Acoustics and the Montreal retailer Audioville, put together this superbly clear and punchy yet unfailingly smooth system: a Chord Red Reference Mk.III CD player ($25,000), Chord CPA 5000 preamp ($20,000), Chord SPM 5000 Mk.II amplifier ($25,000), and Totem Element Metal loudspeakers ($13,000/pair). Neil Young's "Look Out for My Love," a song I've only recently come to appreciate (its mildly goofy arrangement put me off for the longest time), sounded especially great—no more so than during the entrance of the backing singers, when the sound of this Chord-anchored system seemed to double. Also in this system but not auditioned during my visit was the brand new Chord Music Streamer ($13,000), a CAT 5-happy player with BNC digital inputs that also contains the full Chord QBD76 D/A processor.
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Art Dudley Posted: Mar 26, 2013 0 comments
At SSI I had the opportunity to hear the slightly more comfortable cousin of the Definitive StudioMonitor 45 loudspeaker that recently impressed Stephen Mejias: the same company's StudioMonitor 65 ($1000/pair). Partnered with a 150Wpc Acurus 2002 integrated amplifier and Bel Canto CD player, the 65s were exceptionally well balanced and pleasantly explicit on Diana Krall's "Boulevard of Broken Dreams." I added it, on the spot, to my cumulative mental list of good-quality affordable loudspeakers.
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Art Dudley Posted: Mar 26, 2013 1 comments
Like a Studebaker Avanti—or perhaps even the Concorde—the shape of an Elipson loudspeaker from 60 years ago is jarring, albeit impressively so, in its anacronicity: The French design and manufacturing firm has been ahead of the curve for that long. At SSI they had a number of fetching designs on static display, including the Planet L seen here, a two-way coaxial design that's now manufactured in China. For 2013 a pair of Planet Ls can be bundled with a similarly stylish (round, of course) amplifier/CD player for $2500, with stands adding another $300.
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Art Dudley Posted: Mar 26, 2013 1 comments
Glimpsed at SSI's Canadian Pavilion (see earlier stories): The 88dB, 6 ohm Dulcet loudspeaker ($1695/pair) from Reference 3A, a brand that began life in Europe, moved to Canada, and always specialized in SET-friendly speakers.
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Art Dudley Posted: Mar 26, 2013 1 comments
Seen on static display in the Canadian Pavilion at SSI: the 2A3-S single-ended amplifier from Triode Lab ($3288: an exceptionally good buy, assuming this nicely built amp sounds as good as it looks).
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Art Dudley Posted: Mar 26, 2013 1 comments
MBL finished the job that Oracle Audio began with Anne Bisson (below): They spoiled me not only with live music, but with music by a world-class cellist, Montreal's Vincent Bélanger. Jeremy Bryan, the CEO of MBL North America, took the added step of inviting Bélanger to come by early and record, on ¼" analog tape (15 ips), extra cello parts for various pieces in his repertoire; thus when M. Bélanger set about to perform for a handful of fortunate show attendees, he did so alongside his recorded self, the latter portrayed with what can only be described as surprising realism—dynamically, timbrally, and spatially—by MBL's largest hybrid loudspeaker, the MBL 111 ($42,000/pair), which uses, from 600Hz and up, the same driver complement as even their most expensive loudspeakers.

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