John Atkinson

PC Audio @ RMAF
RMAF 2009
John Atkinson  |  Oct 07, 2009  |  5 comments
There was full program of seminars and workshops at RMAF, as well as my own "Squeezing the Music Till the Bits Squeak," the session featuring Harry Pearson, and Michael Fremer on "Turntable Setup," I moderated a panel session, "How to Get the Most Out of Computer-Based Audio," on Saturday afternoon. The A-List panel—(from left to right) Gus Skinas (SACD Center), John Stronczer (Bel Canto Design), J. Gordon Rankin (Wavelength Audio), Charlie Hansen (Ayre Acoustics), record producer Joe Harley, and Chris Connaker (www.computeraudiophile.com)—discussed the best way to use a computer as a legimate source component in a high-end audio system. All concerned felt this was the way forward for the high-end audio industry, particularly with the increasing availability of hi-rez downloads, and it was a shame that the session was limited to an hour.
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Robert O'Neill Pays Tribute
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  1 comments
Bob O'Neill sold advertising for Stereophile in the early 1980s and also contributed record reviews to the magazine. He became a firm friend of J. Gordon Holt's and gave a moving eulogy honoring Gordon's memory at RMAF.
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Chip Off the Old Block
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  3 comments
When I last met Charles Holt in 1991, he was a teenager. But I had no problem recognizing him at RMAF—he looks just like his Dad. And, as you can see in Jason Serinus' photograph, in which Charles is flanked by his girlfriend Melissa and me, Charles is wearing the infamous "finger button," which was Gordon's favorite image of himself.
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Cheers, Gordon
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  1 comments
Tube amp designer Roger Modjeski (Music Reference) toasts Gordon Holt with a Martini.
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Celebrating JGH with the Real Thing
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  0 comments
Bea Lam's Martini party in honor of J. Gordon Holt—that's Bea at the right of the photo— concluded with a solo violin recital to remind partygoers what high-end audio is all about.
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Get Better Sound
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  0 comments
Restocking the magazines on the Stereophile booth, I saw a familiar face on the booth next door. Audio industry veteran Jim Smith was selling (and autographing) copies of his book Get Better Sound, which is, as the name suggests, about how to get better sound from your system.
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Axpona in 2010
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  0 comments
Since the demise of of its own Show, Stereophile has been supporting North American audio Shows, which was why you can find us at RMAF in Denver and SSI in Montreal. Next March, we are partnering with the Axpona Show in Florida, which had a booth at RMAF. The booth was manned, er, personed by two beautiful girls but, of course, when I went back with my camera, they had left for the day.
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German Physiks & Vitus
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  3 comments
"This wasn't our choice of music," whispered German Physiks' Robert Kelly when I entered the room they were sharing with Danish electronics manufacturer Vitus Audio. "No problem," I whispered back, " I love Howard Shore's symphonic score to the movie trilogy Lord of the Rings," which a visitor had asked to be played.
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Small Speaker—Big Bass
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  0 comments
Listening to a Toni Braxton cut on the LSA1 Statement speakers ($2599/pair), driven by an Exemplar-modded Denon 2910 DVD player and LSA's hybrid integrated amplifier (reviewed by Stereophile when it was called the DK Designs VS.1 Reference Mk.III), I was struck by how much low-frequency information was coming from this nicely finished two-way stand-mount.
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April's One-Box Solution
RMAF 2009
John Atkinson  |  Oct 06, 2009  |  0 comments
My attention was caught by the USB flash drive sticking out of the side of the Aura Premier CD player/receiver/headphone amplifier ($2595) in one of the April Music/May Audio rooms. And so it should have caught my attention, because it was styled by noted English industrial designer Kenneth Grange, responsible for some of ther classic B&W designs on the 1970s and '80s. The Premier will play MP3, WMA, and Ogg Vorbbis files from its USB-B input and it also has a USB-A port that will accept data sampled at up to 48kHz with 16-bit resolution.
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