John Atkinson

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John Atkinson Posted: Jun 17, 2007 Published: Jun 17, 1990 0 comments
The French have a phrase for it: plus ça change, plus la même chose, which can be roughly translated as "the more things change, the more they stay the same." I was reminded of this when recently reading through the December 1980 issue of The Absolute Sound. There on p.368 was the statement that "Dave Wilson (Virgo) has joined the staff...to construct a testing program that will allow us to determine if some of the peculiarities and anomalies we hear in evaluating equipment can indeed be numerically measured."
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John Atkinson Posted: Jun 17, 2007 0 comments
When Fred Kaplan made his Stereophile debut with his review of the Rogue Audio Atlas power amplifier last March, our scheme was also to publish his writings on the music that fuels his soul, jazz. Starting this past weekend, you can find Fred's thoughts on recordings, concerts, musicians, and the music at http://blog.stereophile.com/fredkaplan.
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John Atkinson Posted: Jun 09, 2007 Published: Mar 09, 1990 0 comments
Stuck out here in the desert depths of the Southwest, we look forward to visits from out-of-towners. So when David Wilson, one-time audio reviewer but now full-time high-end manufacturer, called to say he was going to be in Santa Fe, there was a flurry of activity. David had agreed to an interview, so I started going through back issues of The Absolute Sound and Stereophile for background. Vol.6 No.2 of Stereophile from 1983, with its front-cover photograph of David and Sheryl Lee Wilson with their WAMM speaker system, seemed a good place to start—except that nothing inside the magazine corresponded to the cover picture. It was the next issue that had featured Larry Archibald's write-up on the WAMM, and once I opened its pages, I got trapped into reading the entire issue.
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John Atkinson Posted: May 27, 2007 Published: Nov 27, 1996 0 comments
You would have thought the hardware companies who trumpeted at the January 2006 Consumer Electronics Show that their video DVD players would be in US retailers' showrooms by September 1996 would have learned an important lesson from the bungled DAT launch almost 10 years ago: Without first getting complete agreement of the software industry on substantive issues, it's foolish to announce a firm launch date for a new medium. September came and went without DVD discs or players being available in US stores. In fact, all that happened was that the bottom fell out of sales of 12" laserdiscs and laserdisc players.
John Atkinson Posted: May 19, 2007 1 comments
When audiophiles speak of the "Golden Age" of audio components, they almost always are talking about amplifiers and preamplifiers, not loudspeakers. While a very few speaker models have stood the test of time—among them the BBC LS3/5a, the Vandersteen 2, the original Quad electrostatic and the Quad ESL-63, some of the Magnepans, and the Klipschorn—almost no one would disagree that, taken en masse, the speakers of today outperform not just those of the 1960s and 1970s but even those of the 1980s and 1990s. The advent of low-cost, computerized test equipment, high-quality, inexpensive measuring microphones, and persuasive research into what measured parameters matter most to listeners who are listening for a neutral-sounding, uncolored loudspeaker (footnote 1), has led to an almost across-the-board improvement in speaker sound quality (footnote 2).
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John Atkinson Posted: May 16, 2007 9 comments
Other Stereophile writers, like Wes Phillips and Stephen Mejias, had mentioned how impressed they had been with the sound in the Sjöfn room, but what I had not appreciated until I visited the Swedish manufacturer's room towards the end of the Show was: a) how small these speakers were; b) how good the stereo imaging was despite the speakers being right up against the wall behind them; and c) how much thunderous bass was being produced by just two reflex-loaded 4" woofers! Of course, the Guru speaker ($1800/pair), photographed here by Larry Greenhill, is designed to take advantage of the low-frequency boundary reinforcement afforded by the close-to-the-corner positioning, but even so, I was surprised by the result. The speakers also sung on soprano vocals; Sjöfn is a company to watch out for, especially as the fact that the speakers must not be used out in the room makes them very spouse-friendly.
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John Atkinson Posted: May 16, 2007 0 comments
Stereophile columnist John Marks brought an encyclopedic knowledge of music and musicians to the magazine when he started his "Fifth Element" column in March 2001. At HE2007, he played some of his favorite recordings in as many rooms as he could, including his own recording of the Herbert Howells organ piece Larry Greenhill mentioned in another posting (Master Tallis's Lament, a personal favorite of mine) and an extraordinary choral recording, When David Heard, from the young composer Eric Whitacre. As you can see from this photo taken in the Egglestonworks, Rogue, and Echobusters room, Showgoers very much appreciated John's efforts.
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John Atkinson Posted: May 16, 2007 2 comments
As Robert Deutsch mentioned in his report from the 2007 Montreal Show, Ofra (left) and Eli (right) Gershman of Gershman Acoustics have been exhibitors at just about every audio/home theater show the past few years. As in Montreal, the Gershmans were demming their new Sonogram speaker at HE2007. More conventional in appearance than their flagship Black Swan, the Sonogram, photographed here by Larry Greenhill, is priced at a very competitive $2500/pair.
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John Atkinson Posted: May 16, 2007 0 comments
An enduring aspect of Audio Shows is the meeting up of old friends, colleagues, and acquaintances, who all share a sense of belonging to a single community. Shown here in a chance meeting at the Grand Hyatt's entrance are (l–r): veteran speaker designer Richard Vandersteen, tube amp manufacturer Mark O'Brien of Rogue Audio, and Stereophile's associate publisher Keith Pray.
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John Atkinson Posted: May 15, 2007 0 comments
Stereophile's traditional "Ask the Editors" session took place Saturday afternoon. A room packed with audiophiles hurled questions at the panel, who included (from left to right in Jonathan Scull’s photo): Ken Kessler, Michael Fremer, Bob Deutsch, Larry Greenhill, Wes Phillips (at rear), and Sam Tellig. (Not shown in photo but still very vocal were Bob Reina, Kal Rubinson, John Marks, and Art Dudley.) I dodged the bullet by moderating but I was well pleased by the insightful nature of the questions asked.

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