John Atkinson
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Think Pieces
John Atkinson Aug 16, 2013 Published: Aug 01, 2006 28 comments
You could sense the frustration in Keith Pray's e-mail. "We are on the same team. I have always respected your wishes and will continue to do so," he had written me. At the request of a possible advertiser, Stereophile's publisher had asked me a question about something appearing in the issue of Stereophile we were preparing. I had responded that not only would I not give him an answer, I felt it inappropriate for him to ask.
Think Pieces
John Atkinson Aug 08, 2013 Published: Mar 01, 2005 9 comments
"Nothing is too wonderful to be true, if it be consistent with the laws of nature . . ."—Michael Faraday

"When a true genius appears in the world you may know him by this sign: that all the dunces are in confederacy against him."—Jonathan Swift

John Atkinson Aug 01, 2013 1 comments
Boston Acoustics made its name in the early 1980s with the A40, an inexpensive two-way bookshelf design that became one of that decade's best-selling speakers. Stephen Mejias was impressed by the A40's spiritual descendant, the Boston Acoustics A25 bookshelf speaker ($299.98/pair), when he reviewed it in November 2011, and I was similarly impressed when I had the speaker on the test bench for measurement. So when, in the fall of 2012, Boston's soon-to-be-departing PR representative Sara Trujillo let me know that the company was introducing a range of more expensive speakers, I asked to review the top-of-the-line, floorstanding M350.
John Atkinson Jul 25, 2013 Published: Aug 01, 2013 11 comments
Apple's iPod came of age in the fall of 2003, when, with the release of iTunes 4.5, the player was no longer restricted to lossy compressed MP3 or AAC files. Instead, it could play uncompressed or losslessly compressed files with true "CD quality"; users no longer had to compromise sound quality to benefit from the iPod's convenience.

Enter Astell&Kern. At the beginning of 2013, this brand from iRiver, a Korean portable media company, introduced its AK100, a portable player costing a dollar short of $700 and capable of handling 24-bit files with sample rates of up to 192kHz.

Think Pieces
John Atkinson Jul 16, 2013 Published: Jul 01, 2006 0 comments
"At last!" I rushed to open the UPS package with the familiar Amazon logo. "It's arrived!"

"What's arrived?" My 13-year-old daughter Emily showed some uncharacteristic curiosity.

"The new Pink Floyd two-DVD set, P.U.L.S.E, which I've had on order for what seems like forever. It contains four hours of music!"

"What's that, like three Pink Floyd songs?"

Think Pieces
John Atkinson Jul 16, 2013 Published: Aug 01, 2005 2 comments
"It's not just it doesn't work as well, it doesn't sound as good!"

Veteran audio reviewer Martin Colloms and I were taking a preprandial walk across London's Hampstead Heath, following Cream's reunion concerts at the Royal Albert Hall last May. Martin was getting animated:

"And don't ask about the whiskers!"

Of course, I had to ask about the whiskers.

Think Pieces
John Atkinson Jul 09, 2013 Published: May 01, 2006 1 comments
I'm still using a Mac mini as a music server, using iTunes on this host server to stream music to my listening-room system via the Apple Airport Express WiFi hub. However, as the Airport Express is limited to CD-quality music, I tend to use them for nonserious listening, when I am involved in some other activity. One of those activities this past week or so was reading a new book from erstwhile Stereophile record reviewer Allen St. John: Clapton's Guitar: Watching Wayne Henderson Build the Perfect Instrument (hardcover, 288pp; Free Press, New York, $25).
John Atkinson Jun 25, 2013 Published: Jul 01, 2013 48 comments
The advertisements run by Colorado manufacturer YG Acoustics in 2008, when it launched its flagship loudspeaker model, the Anat Reference II Professional, unequivocally claimed it to be "The best loudspeaker on Earth. Period." They caused a stir. The YGA speaker cost $107,000/pair at the time of Wes Phillips's review in the March 2009 issue. Wes didn't disagree with the claim, concluding that, "Like my pappy used to say, it ain't braggin' if you can actually do it."
As We See It
John Atkinson Jun 24, 2013 Published: Jul 01, 2013 9 comments
In the wrap-up of his coverage of the 2013 Salon Son & Image show in Montreal, which took place at the end of March, Robert Deutsch asked if there were too many audio shows. The Chicago AXPONA show was held two weeks before SSI, the second New York Audio Show followed less than three weeks later. In May, there was the humongous High End 2013, in Munich, followed two weeks later by the third T.H.E. Show Newport Beach, followed by: the Capital AudioFest, in Washington, DC (July 26–28); the fourth California Audio Show, in the Bay Area (August 8–11); the tenth Rocky Mountain Audio Fest (October 11–13); and TAVES in Toronto (November 1–3).

While this is no more shows than took place in 2011 or 2012, many exhibitors, manufacturers and distributors alike, to whom I talked at the spring events felt that the high-end audio industry is suffering from an overload of audio shows.

John Atkinson Jun 17, 2013 0 comments
For the past few years, one of Stereophile's go-to recommendations for affordable high-performance D/A processors has been the M1DAC from British company Musical Fidelity. The M1DAC was enthusiastically reviewed by Sam Tellig in March 2011, and I wrote about the most recent version in January 2013. "Purity of tone was exceptional," decided Mr. T., which I found to be accompanied by superb measured performance, all at a very reasonable price: $749.
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