John Atkinson

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Sam Tellig John Atkinson Posted: Feb 14, 2014 Published: Dec 01, 2013 6 comments
Am I the only one who values content and convenience over sound quality?

There. I've said it. I am not an audiophile; ie, someone who's in love with recorded sound for its own sake. The search for ideal sound can leave a person burned out and broke.

John Atkinson Posted: Feb 12, 2014 Published: Jul 01, 2005 8 comments
If there's one article in Stereophile that generated more reader response than any other, it was Peter Breuninger's review of the classic Fisher 500-C tubed receiver in June 2005. Peter reviewed another classic component from the 1960s, the Bozak B-410 Concert Grand loudspeaker; my involvement in the review, in the October 2005 issue, brought home to me with a vengeance how much the science of speaker design has evolved in the 40 years since this armoire-sized model was introduced.
John Atkinson Posted: Feb 04, 2014 0 comments
Erick Lichte's review of Benchmark's DAC2 HGC D/A converter in this issue gave me an ideal opportunity to spill some ink on the company's ADC1 USB A/D converter. The ADC1 is housed in the same small case as the DAC (one rack unit high, half the rack unit width), and is offered with a black front panel with rack ears, or a silver aluminum panel without ears, either for $1795.
John Atkinson Posted: Jan 31, 2014 Published: Feb 01, 2014 11 comments
I was alerted to the new VEGA D/A processor from Chinese manufacturer AURALiC by Michael Lavorgna's rave review for our sister site AudioStream.com in April 2013: "Everything I played through the Auralic Vega was equally wow-inducing. Everything. . . . Music I've heard hundreds of times was presented with a crisp, clean, and delicate clarity that was simply uncanny and made things old, new again. . . . Its ability to turn music reproduction into an engaging and thrilling musical experience is simply stunning."
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John Atkinson Posted: Jan 19, 2014 5 comments
No, the Model 7 is not new. In fact, the pair Richard Vandersteen was demming at the 2014 CES were the same pair Michael Fremer reviewed for this magazine in March 2010. And the amplification wasn’t new: the M7-HPA monoblocks were shown in prototype form at the 2013 CES and the only news was that they are now in production at the same price as the speakers, $52,000/pair including proprietary DBS solid-silver cables, to give a system price of $104,000. But with an LP of Diana Krall singing Joni Mitchell’s “A Case of You,” the hairs on the back of my neck stood up, so powerfully physical was the presence of the singer in the room.
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John Atkinson Posted: Jan 19, 2014 9 comments
Though English manufacturer Naim Audio has had some very affordable products in their line, like the original Nait integrated amplifier from the mid-1980s, their reputation for sound quality was established with relatively expensive models. But nothing in the company’s history prepared me for the Naim Statement six-piece preamplifier/twin monoblock system (center in photo) that made its debut at CES. To be available in July, the Statement, which comprises the NAC S1 line preamplifier and two NAP S1 power amplifiers, will be priced at $200,000 and is specified as delivering one horsepower (740W) into 8 ohms! Its weight matches its power: the preamp weighs 135 lbs and the power amplifiers each weigh 222 lbs.
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John Atkinson Posted: Jan 19, 2014 Published: Dec 31, 1969 0 comments
I can’t believe it was five years ago that I first heard the Wilson Sasha W/P speaker at a CES. Funnily enough, it was in the same suite at the Mirage so when I first entered this year I didn’t notice anything new. But then I realized that the speaker on the right in my photo was the same size as the Sasha—okay, it’s ½” taller than the original Sasha, shown on the left—but now resembles the larger Alexia that I reviewed in December, though the tweeter is now mounted in the same enclosure as the midrange unit. The Mk.2 Sasha costs $29,900/pair compared with the Mk.1's $27,900/pair.
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John Atkinson Posted: Jan 19, 2014 0 comments
Laurence “Dic” Dickie (above) showed me his new G4 speaker design in the On A Higher Note suite at the Mirage, which will enter production in April. To be priced at $33,000/pair, the G4 features the same absorptive lines behind the tweeters and midrange drivers and the hybrid vented transmission line loading for the twin woofers first seen in the Giya G1. The upper and lower aluminum-dome HF units are the same as in all the Giya models, but because of the G4’s narrower width compared with the others, Dic had to design a new midrange unit. This again uses an aluminum cone and the same-sized radial magnet, but now there is an oversized dustcap to provide stiffening of the diaphragm midway between voice-coil and surround.
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John Atkinson Posted: Jan 19, 2014 0 comments
“A kiss back to Sony,” was how Nelson Pass described the debut of a unique pair of Pass Labs monoblocks driving Sony’s SS-AR1 speakers in the Sony room at Venetian. And it was an affectionate kiss indeed—the sound in this room, with a Pass Labs XP-20 preamplifier and Sony’s HA-P1ZES media player, I thought one of the best of the 2014 CES. Yes, it had superb clarity and dynamics, with an impossibly low noisefloor on the 24/176.4k Reference Recordings file of Stravinsky’s Firebird, but these qualities were even apparent on a Red Book file of a Rossini opera excerpt. There was something just right about the sound.
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John Atkinson Posted: Jan 19, 2014 0 comments
Daft Punk's "Within" was playing when I entered Magico's suite at the Venetian. The sound produced by the pair of the new S3s ($22,600/pair) was large and dynamic, with rich low frequencies. A solo version of "God Bless the Child" followed, and Gregory Porter's baritone was uncolored, with a well-defined, palpable image hanging between the loudspeakers. Finally, the bass drum on Copland's Fanfare for the Common Man pressurized the large room with low frequencies, all this from a a pair of speakers, each with two 8" woofers in a sealed enclosure powered by 100Wpc of amplification, with source an Aurender server feeding data to a dCS Vivaldi DAC and a Vitus preamp.

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