John Atkinson at the 2012 Rocky Mountain Audio Fest
Since I gave this presentation at the Rocky Mountain Audio Fest in October 2012, based on one of the topics in my Richard C. Heyser Memorial Lecture and mentioned in my March 2013 "As We See It," I have repeated it at Music Matters evenings at Definitive Audio in Seattle and Listen-Up in Denver, and at audiophile society meetings in Minneapolis, California's Central Coast, and Connecticut. I will be repeating the presentation at a Music Matters event at Georgia retailer Audio Alternative, Wednesday April 24, at 6pm, at T.H.E. Show Newport Beach, at 12 noon, May 31, and at The Audiophile Society in Brooklyn, NY on June 22.
As they had in 2012, Manhattan dealer Innovative Audio both participated in the Chester Group's NY Audio Show and held an open house at their 58th Street location after the show closed Friday and Saturday.
The first room I visited at the NY Audio Show was one of the best-sounding. The third of three rooms displaying brands sold by Manhattan retailer Sound by Singerclick here and here for our reports on the other twoit featured the world premier of Danish Manufacturer Raidho's D2 loudspeaker ($43,500/pair in black, $48,000/pair in gold walnut). The D2 combines the ribbon tweeter used in Raidho's well-regarded D1 minimonitor with two 4.5" woofers that use a diamond-coated cones.
Belgian manufacturer Venture, whose products are distributed in the US by Precision Audio & Video, was demming its new Vici 2.1 loudspeaker ($36,000/pair), driven by Venture V200A+ MOSGET monoblocks ($120,000/pair), a Venture VP100L preamp ($35,100), and reinforced below 60Hz by a pair of Venture AW500 active woofers ($12,000 each), which each use two 10" drivers. Front-end was the XX High End music player running on a Windows laptop feeding a Weiss Medea FireWire DAC ($21,799). Cables were all Grand Reference Diamond and Diamond Signature.
I am a big fan of the hi-rez audio files made available by Lessloss, so one of the first rooms I visited at the NY Audio Show was theirs. The system featured a pair of Kaiser Kawero Vivace floorstanding speakers from Germany, which combine a custom-made Mundorf AMT tweeter with ScanSpeak Illuminator midrange unit and rear-facing woofers. With the source Lessloss's new Laminar Streamer, which plays audio files from SD cards, and Pass Labs amplifiers, the sound in this room was delicate and full-bodied, though perhaps too sweet overall.
Robert Baird mentioned the seminar program presented at the New York Audio Show by The Sound Organisation. I applaud the Chester Group for featuring educational sessions like these at the Show. At the session I attended, renowned recording engineer Jim Anderson (above), past president of the Audio Engineering Society and Chair of the Clive Davis Department of Recorded Music at New York University's Tisch School for the Arts, compared the original and revised versions of Patricia Barber's Cafe Blue, as well as playing tracks from her new album Smash, which he mixed at Skywalker Sound. The system featured a pair of active MB2S-A monitors from English company PMC, with their distinctive dome midrange units, fed audio from a PrismSound Orpheus DAC and a MacBook Pro.
I bought a Slim Devices Squeezebox network player in the spring of 2006 and my life changed. Having audio files on a server and being able to play them through my high-end rig via the Squeezebox's S/PDIF output liberated my music from the tyranny of a physical medium. As I wrote in my review, "physical discs seem so 20th century!" After Wes Phillips reviewed the Squeezebox's big brother, the Transporter, in February 2007, I bought the review sample and lived happily ever after in the world of bits rather than atomsat least until the summer of 2010, when Slim Devices' new owner, Logitech, brought out the Squeezebox Touch. The Touch did everything the Transporter did, with a full-color display, at one-eighth the price!
We are saddened to learn that Franco Serblin, founder of Italian loudspeaker manufacturer Sonus Faber, passed away on Easter Sunday, March 31, at 73. Larry Greenhill interviewed Franco Serblin in June 1992 for Stereophile. We will add more details as they become available.
It was announced Friday March 29 that guitar manufacturer Gibson was to buy a majority stake in Japanese company TEAC, which manufactures audio components sold under the TEAC, Tascam, and Esoteric brandnames. From the press release: "Gibson has entered into an agreement, signed today, with Phoenix Capital in which two investment funds operated by Phoenix Capital have agreed to sell to Gibson all the shares they own in TEAC Corporation, or 157,447,000 shares, (54.4% of the issued and outstanding shares), at a price agreed between the parties of 31 JPY per share. . ."
It was the strangest thing. In the fall of 2008 I was comparing Ayre Acoustics' then-new KX-R line preamplifier with no preamplifier at allI was feeding the power amplifier directly with the output of the Logitech Transporter D/A processor. (Levels were matched for the comparisons, of course, made possible by the fact that the Transporter has a digital-domain volume control.) Being a rational being, I knew that the active circuitry of a preamplifier, as well as the extra socketry and cables, would be less transparent to the audio signal than a single piece of wire. I wanted to determine by how much the Ayre preamp fell short of that standard.