I missed the Saturday night concert from six-time Grammy nominee Nnenna Freelon, but I did catch her afternoon soundcheck, where she rocked several songs with a quartet led by Reference Recordings keyboardist Mike Garson. It was a joy to hear the interplay between Freelon and Garson, the singer in total command of the music.
I have to hand it to Stereophile’s Michael Fremer (right), who also edits AnalogPlanet.com. The man has large attachments! I find cartridge set-up intimidating and I don’t even attempt it until I am in the “zone.” But Mikey does it in public with a video camera amplifying his every motion. At one point in one of his two packed 90-minute seminars at T.H.E. Show, he even picked up the VPI turntable he was working, provided by David Weinhart (left), founder/owner of Ambrosia Audio & Video and owner of Los Angeles retailer Weinhart Design, Inc., to rotate it with the stylus still resting in the groove so the video camera could get a better view! As I said, large attachments.
Your room is the most important part of your overall sound quality,” said Anthony Grimani of MSR Acoustics, who gave two well-attended lectures at T.H.E.Show showing how room acoustics problems can be tamed. “Come learn how to use absorption, diffusion, bass filters and traps to enhance your room’s acoustics and get the best from your system.”
Silicon Valleybased Velodyne was founded in 1983 to develop a range of subwoofers that used servo-control to reduce non-linear distortion to vanishingly small levels. They succeeded in this goal to the extent that Velodyne is now perhaps the best-known subwoofer company in the US, currently employing 65 people. At the 1994 Winter CES, Velodyne launched the subject of this review: the DF-661 ($1800$2600/pair), their first full-range loudspeaker (the "DF" stands for "Distortion-Free").
The three-way DF-661 was designed from the ground up to continue the Velodyne tradition of ultra-low distortion. "We had developed the technology and resources to attack distortion elsewhere in the audio chain," wrote company President David Hall, "and started with the premise that, by definition...distortion in loudspeakers is wrong." (His italics.) "We went to the laboratory for a solution, with the living room as the ultimate goal." Velodyne calls this attention to technological detail "The Silicon Valley approach to sound."
John Atkinson at the 2012 Rocky Mountain Audio Fest
Since I gave this presentation at the Rocky Mountain Audio Fest in October 2012, based on one of the topics in my Richard C. Heyser Memorial Lecture and mentioned in my March 2013 "As We See It," I have repeated it at Music Matters evenings at Definitive Audio in Seattle and Listen-Up in Denver, and at audiophile society meetings in Minneapolis, California's Central Coast, and Connecticut. I will be repeating the presentation at a Music Matters event at Georgia retailer Audio Alternative, Wednesday April 24, at 6pm, at T.H.E. Show Newport Beach, at 12 noon, May 31, and at The Audiophile Society in Brooklyn, NY on June 22.
As they had in 2012, Manhattan dealer Innovative Audio both participated in the Chester Group's NY Audio Show and held an open house at their 58th Street location after the show closed Friday and Saturday.
The first room I visited at the NY Audio Show was one of the best-sounding. The third of three rooms displaying brands sold by Manhattan retailer Sound by Singerclick here and here for our reports on the other twoit featured the world premier of Danish Manufacturer Raidho's D2 loudspeaker ($43,500/pair in black, $48,000/pair in gold walnut). The D2 combines the ribbon tweeter used in Raidho's well-regarded D1 minimonitor with two 4.5" woofers that use a diamond-coated cones.
Belgian manufacturer Venture, whose products are distributed in the US by Precision Audio & Video, was demming its new Vici 2.1 loudspeaker ($36,000/pair), driven by Venture V200A+ MOSGET monoblocks ($120,000/pair), a Venture VP100L preamp ($35,100), and reinforced below 60Hz by a pair of Venture AW500 active woofers ($12,000 each), which each use two 10" drivers. Front-end was the XX High End music player running on a Windows laptop feeding a Weiss Medea FireWire DAC ($21,799). Cables were all Grand Reference Diamond and Diamond Signature.
I am a big fan of the hi-rez audio files made available by Lessloss, so one of the first rooms I visited at the NY Audio Show was theirs. The system featured a pair of Kaiser Kawero Vivace floorstanding speakers from Germany, which combine a custom-made Mundorf AMT tweeter with ScanSpeak Illuminator midrange unit and rear-facing woofers. With the source Lessloss's new Laminar Streamer, which plays audio files from SD cards, and Pass Labs amplifiers, the sound in this room was delicate and full-bodied, though perhaps too sweet overall.
Robert Baird mentioned the seminar program presented at the New York Audio Show by The Sound Organisation. I applaud the Chester Group for featuring educational sessions like these at the Show. At the session I attended, renowned recording engineer Jim Anderson (above), past president of the Audio Engineering Society and Chair of the Clive Davis Department of Recorded Music at New York University's Tisch School for the Arts, compared the original and revised versions of Patricia Barber's Cafe Blue, as well as playing tracks from her new album Smash, which he mixed at Skywalker Sound. The system featured a pair of active MB2S-A monitors from English company PMC, with their distinctive dome midrange units, fed audio from a PrismSound Orpheus DAC and a MacBook Pro.