John Atkinson

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John Atkinson Posted: Oct 16, 2013 0 comments
Mytek Digital's Michal Jurewicz (facing camera) was busy all weekend, demonstrating both his company's new Stereo 192-DSD DAC FireWire D/A converter (see "Music in the Round," July 2013) and his 8-channel DSD A/D converter. The latter was being used with an Ampex open-reel recorder just out of shot.
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John Atkinson Posted: Oct 16, 2013 0 comments
The Marriott's lobby area was packed with booths, with exhibitors actively engaged with showgoers all weekend. Shown here is the booth shared by The Cable Company and sister company Ultra Systems, which was opposite the Nordost Sort Füt booth Jason Serinus wrote about below. Ethan Wood is helping an audiophile through the process of using his computer as a high-end audio source while Robert Stein looks on.
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John Atkinson Posted: Oct 12, 2013 21 comments
"What is this music?" asked Jason Serinus (above).

We were sitting in the VTL room, where a pair of Wilson Alexia speakers ($48,500/pair) were being driven by VTL's S-400 stereo amplifier ($33,500), TL-7.5 Series III preamp ($20,000), and TP-6.5 phono preamplifier ($10,500 with transformer).

"It's 'Lose Yourself to Dance,' my favorite track from Daft Punk's Random Access Memories LP," I whispered...

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John Atkinson Posted: Sep 26, 2013 5 comments
In March, to celebrate Marantz's 60th anniversary, the company launched the subject of this review, the Reference NA-11S1 network player ($3499), which Ken Ishiwata described to me as "a new start, a new era" for Marantz. Michael Fremer attended the European press conference announcing the NA-11S1, and I subsequently talked to Ishiwata via Skype.
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John Atkinson Posted: Sep 12, 2013 3 comments
Photo: Dolby Laboratories

We are saddened to learn of the passing of inventor and audio entrepreneur Ray Dolby. Other sites have published full obituaries; I'd like simply to offer my memory of interviewing Ray back in the spring of 1977 for the English magazine Hi-Fi News, when Dolby Laboratories were trying to get the BBC interested in using Dolby noise reduction in FM broadcasting. Despite my being a neophyte audio writer, I was treated with courtesy and respect by a man who had forgotten more about audio engineering than I knew.

John Atkinson Posted: Sep 06, 2013 0 comments
The door to a professional reviewer's listening room is one that revolves: As one product leaves, another enters. After a while, it becomes difficult to remember exactly when you auditioned any specific component. But some products stick in your memory—you fondly remember the time you spent with them, and wish they hadn't departed quite so quickly. With loudspeakers, I recall a few such: Revel's Ultima Salon2 ($22,000, footnote 1), MBL's 111B ($17,000), Dynaudio's Confidence C4 ($16,000), Sonus Faber's Amati Futura ($36,000), Vivid's B1 ($14,990), TAD's Compact Reference CR1 ($40,600 with stands), and even the much less expensive Harbeth P3ESR ($2195–$2395) and KEF LS50 ($1500). Among the most recently reviewed of those fondly remembered speakers is Sony's SS-AR2ES ($20,000).
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John Atkinson Posted: Sep 05, 2013 36 comments
It was like old times. A major consumer electronics company was presenting a press conference in a high-rent venue to introduce its new audio products. These events used to be commonplace; now they are rare. But on September 4, in Manhattan's Jazz at Lincoln Center, to an audience that included record company executives from Universal, Warner, and Sony Music, HDTracks' Norman and David Chesky, Chad Kassem and Marc Sheforgen from Acoustic Sounds, whose new DSD download store was last week's big news, musician Herbie Hancock, and veteran mastering engineer Mark Wilder, Phil Molyneux, President and Chief Operating Officer of Sony Electronics since September 2010, announced that the company saw high-resolution audio as the future of recorded music playback.
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John Atkinson Posted: Aug 22, 2013 Published: Apr 01, 2005 1 comments
"Without content, television is nothing more than lights in a box."—Edward R. Murrow, 1958

"When it comes to video, most audiophiles are insufferable snobs."—J. Gordon Holt, 1984

Those who have followed the arguments between audiophiles and home-theater enthusiasts in the pages of Stereophile—I lifted the Murrow quote from a 1996 battle between Steve Guttenberg (representing the former community) and Joel Silver (representing the latter)—will have no doubt over which side of the argument I am on.

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John Atkinson Posted: Aug 16, 2013 Published: Aug 01, 2006 28 comments
You could sense the frustration in Keith Pray's e-mail. "We are on the same team. I have always respected your wishes and will continue to do so," he had written me. At the request of a possible advertiser, Stereophile's publisher had asked me a question about something appearing in the issue of Stereophile we were preparing. I had responded that not only would I not give him an answer, I felt it inappropriate for him to ask.
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John Atkinson Posted: Aug 08, 2013 Published: Mar 01, 2005 9 comments
"Nothing is too wonderful to be true, if it be consistent with the laws of nature . . ."—Michael Faraday

"When a true genius appears in the world you may know him by this sign: that all the dunces are in confederacy against him."—Jonathan Swift

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