My friend Ed (not necessarily his name) used to be an audiophile. Ed had a great-sounding pair of floorstanding Joseph speakers, optimally placed so as to create a magic soundstage when he sat in the sweet spot. His component rack featured such famous high-end names as Mark Levinson, Meridian, and Z-Systems. But then Ed went DSL and discovered MP3s. Pretty soon, he was hanging as many hard drives on his PC as he could manage. His Josephs and his Levinson CD player gathered dust. Ed was enjoying his music sitting in front of his high-end Dell, with an active NHT Pro mini on either side of the monitor.
It was an unusually fine day for a New York September. The W train crept from the subway tunnel into the sunlight of the Manhattan Bridge—"My God, the World Trade Center's on fire!" came the voice of the woman driving the train. I vividly remember what I did the rest of that day—the day the world terribly changed.
Nestled south of the North Downs in England's southeast, the Kentish dormitory town of Sevenoaks is about as sleepy a place as you can imagine. Yet 20 years ago, in the unlikely circumstances of the back room of a Sevenoaks pub, I witnessed the world of consumer loudspeakers changing. Meridian's Steve Hopkins was showing a pair of the company's active M2 loudspeakers connected directly to a 101 preamplifier.
Sad news this week: We heard from Ken Kessler of the passing of legendary UK engineer Stanley Kelly, who died in his sleep on November 13, after suffering a stroke the previous week. Stan would have been 89 next month. While he was, of course, the "Kelly" of the classic Kelly Ribbon Tweeter, he was also one of the founders of Hi-Fi News and was the only person to have been listed on the English magazine's masthead since Vol.1 No.1, the June 1956 issue. In recent years, Stan had developed a series of high-sensitivity speakers for UK manufacturer Musical Fidelity.
It is with great sadness that I report that Howard Mandel, the main man of manufacturer Altis Audio, passed away on September 27 after a long battle with, I believe, leukemia. No age was given in his obituary in the Danbury News Times (CT), but I believe Howard was in his early 50s.
Breaking news at the 2001 CEDIA Expo, held this past weekend in Indianapolis, IN, was that Harry Pearson, founder and editor of bimonthly high-end audio magazine The Absolute Sound, has apparently been moved to one side. According to TAS publisher Mark Fisher, with whom I spoke briefly Sunday morning on the Show floor, the day-to-day editing of the magazine will become the responsibility of erstwhile Stereophile consulting technical editor Robert Harley.
My dogs were killing me. It was the end of the second day of the 1985 Summer Consumer Electronics Show, which I was visiting on behalf of English magazine Hi-Fi News & Record Review. I had been dutifully tramping the capacious corridors of Chicago's McCormick Center and the rooms of the (now demolished) McCormick Inn, looking for signs of musical life amid the huge promotion for the 8mm tape format, which was being heavily touted at CES as the future of both video and audio (!) reproduction. Even trade-paper headlines shouting "Audio: Not Just Video Peripheral!" failed to lift my spirits as I took the shuttle bus over to the Americana Congress hotel on South Michigan, where most of the high-end audio companies were hanging out.
The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's—the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their SCD-1 Super Audio CD player. I was glad I'd made the trek along the Strip: As I reported in the May 1999 Stereophile, the sound of a DMP recording—of unaccompanied choral music recorded and mixed in DSD by Tom Jung—was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.