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John Atkinson Posted: Mar 19, 2006 0 comments
Stereophile's senior contributing editor, Michael Fremer, and the magazine's editor at large, Art Dudley, are both giving presentations this spring at Cornell University in Ithaca, NY. Michael appears on Tuesday, March 28, followed two weeks later, on April 11, by Art Dudley.
John Atkinson Posted: Feb 25, 2006 Published: Nov 25, 1990 0 comments
As much as I'm tempted by the impressive sweep and scale with which some of the large, full-range loudspeakers endow music, for some reason I find myself more at home with more compact examples of the breed. This is not through lack of familiarity with large speakers, a pair of B&W Matrix 801s occupying pride of place in our living room (which also serves as my wife's listening room). Yet I find myself hankering after that ultimate soundstage precision that only minimonitors seem capable of producing: the loudspeakers totally disappearing, vocal and instrumental images hanging in space, truly solid—the prefix "stereo-" is derived from the Greek word stereos, which means solid—so that a rectangular, totally transparent window into the concert hall opens at the rear of your room. In addition, the necessarily limited low-frequency extension offered by small speakers makes it much easier to get the optimum integration with the room acoustics below 100Hz.
John Atkinson Posted: Feb 12, 2006 0 comments
Genesis Advanced Technologies was formed in 1991 to manufacture loudspeakers designed by industry veteran Arnie Nudell, who was responsible, with Cary Christie, for some of high-end audio's highest-performing models when both were at Infinity Systems. The company was acquired a few years back by Gary Leonard Koh and some of his friends, but Nudell remains with the company as Chief Scientist and the company has offices and a production facility in Seattle.
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John Atkinson Posted: Feb 12, 2006 2180 comments
"BRIDGE WILL BE RAISED AT 1:45 PM," said the road sign. I looked at my watch. 1:35. I sighed and let my right foot become even more leaden.
John Atkinson Posted: Jan 14, 2006 1 comments
Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.
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John Atkinson Posted: Jan 11, 2006 1 comments
A line of speakers that impressed me when I auditioned them at the 2004 London Show was the Vivids, from South Africa. Designed by Laurence "Dick" Dickie, the engineer primarily responsible for B&W's groundbreaking original Nautilus design back in the mid-1990s, the Vivid speakers use proprietary metal-diaphragm drivers in enclosures formed from composite materials rather than wood. Seen here in one of the Audiophile Systems rooms, with VTL amplification and dCS's new P8i SACD player (review forthcoming), the Vivid B1s produced a clean, open sound. It was announced at CES that Vivid is being distributed in the US by Musical Surroundings.
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John Atkinson Posted: Jan 08, 2006 0 comments
We reported a couple of weeks back about the management buyout at English digital specialist dCS. CES saw the first public showing of the new products we wrote about, including the Verdi Encore SACD transport, which upsamples CDs to a DSD stream to feed a dCS DAC, such as the Elgar Plus seen here beneath the transport with both clocked by the dCS Verona that I reviewed a year ago. The rest of the dem system was a pair of Verity Parsifal speakers driven by a VTL S-400 amplifier and VTL's new TL-6.5 line preamp: the sound on a cut from the new Jackson Browne CD that Robert Baird writes about in the January 2006 Stereophile was effortlessly smooth, analog-like in the ease of musical communication. And on the top of the Encore is the award we presented to dCS at CES for the original LaScala transport being one of our two Joint Digital Products of 2005.
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John Atkinson Posted: Jan 08, 2006 0 comments
Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.
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John Atkinson Posted: Jan 08, 2006 1 comments
Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.

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