John Atkinson

Sort By: Post Date | Title | Publish Date
Filed under
John Atkinson Posted: Jan 04, 2006 Published: Jan 05, 2006 0 comments
The CES's "Innovations" exhibit at the Sands Convention Center is intended to honor the most technologically advanced and ground-breaking consumer electronic products at the Show. Most of the display cases were still waiting to be populated on set-up day (though we spotted B&W's cute cylindrical subwoofer as well as Krell's Dean Roumanis wheeling in some big boxes). But some of the choices for an award raised our eyebrows, as with this robot intended to train boxers in the comfort of their own homes. Stereophile's Stephen Mejias strikes a suitably pugilistic pose.
Filed under
John Atkinson Posted: Jan 04, 2006 Published: Jan 05, 2006 0 comments
As a reader pointed out, missing from Wes Phillips' coverage of Wednesday's Thiel CS3.7 press conference was a picture of the new speaker. Here it is, pictured with Jim Thiel waxing lyrical about his new midrange diaphragm.
Filed under
John Atkinson Posted: Jan 03, 2006 0 comments
As more than 100,000 visitors fly in to Las Vegas for the 2006 Consumer Electronics Show, I thought I'd post this shot of an empty Alexis Park Hotel, home of the high-end audio exhibits, on the last day of the 2005 Show. Tomorrow, this joint will be jumping!
Filed under
John Atkinson Posted: Jan 01, 2006 0 comments
In his January "Sam's Space" column, while writing about the system he used with Sutherland's Director line stage (p.32), Sam Tellig wrote "For the most part, I used now-discontinued XLO interconnects and speaker cables. XLO itself has been discontinued, alas. I do miss its founder, Roger Skoff."
Filed under
John Atkinson Posted: Dec 25, 2005 0 comments
English digital audio company dCS has announced a major change in its management and ownership structure. David Steven, marketing manager for the last four years, has purchased the majority shareholding in the company. Derek Fuller, who was the business manager, has left the company, while Mike Story, dCS's founder, will continue as chief digital designer. A dCS press release says that the change should result in "products and programs that have a much more customer-centric focus."
Filed under
John Atkinson Posted: Nov 13, 2005 0 comments
Michael Fremer's review of the AudioPhysic Caldera III loudspeaker in this issue (p.81) reminded me of a subject I have written about many times in the past: what happens when a manufacturer submits a faulty sample for review. I formalized Stereophile's policy on this matter in late 1988, following both an unfortunate series of reviews in which the samples either arrived broken or broke during the auditioning, and my learning about how much went on behind closed doors at other audio magazines, where reviewers and editors too often appeared to collude with manufacturers.1 I wrote back then that:
Filed under
John Atkinson Posted: Nov 13, 2005 Published: May 13, 1990 0 comments
"The large peak at 16kHz reported by Stereophile...was nowhere in evidence...The most probable explanation of this discrepancy is that the [Waveform supertweeter's] very light ribbon depends on the air load for damping, and that load is much smaller in the thin air up there at 7000' in Santa Fe than at altitudes where less lightheaded and scientifically more accountable reviewers dwell." Thus spake Peter Aczel (footnote 1), erstwhile loudspeaker designer and Editor/Publisher of the reincarnated The Audio Critic, a publication that advertises itself as having "unusual credibility among the top professionals in audio."
Filed under
John Atkinson Posted: Nov 06, 2005 0 comments
The 2006 edition of the Stereophile Buyer's Guide is out now. Listing the specifications of more than 5000 audio components within its 212 large-format pages, the Buyer's Guide is exclusively concerned with products for music reproduction, as opposed to the bangs, bonks, and battle noises typical of movie soundtracks.
John Atkinson Posted: Oct 23, 2005 Published: Nov 23, 2005 0 comments
"I can't make out the words."
John Atkinson Posted: Oct 09, 2005 Published: Sep 09, 1996 0 comments
Loudspeaker manufacturer Boston Acoustics made its name—and its fortune—building high-performance but low-cost speakers. Indeed, I recently set up a modest system for my mother-in-law that was based on Boston's classic A-40—a two-way design that sold for just $160/pair back in 1986—and was very pleasantly surprised at the quality these little speakers offered. Back in the early '90s, however, the Massachusetts-based company announced that they were taking a step into the High End with a new loudspeaker line, the Lynnfields (see Thomas J. Norton's interview with Boston's Andy Kotsatos elsewhere in this issue). These were designed by expatriate British engineer Phil Jones, previously responsible for the impressive Acoustic Energy speakers.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading