Wilson Benesch, distributed in the US by The Sound Organisation, is a Sheffield, UK-based engineering firm that made its début in the audio world by making a tonearm from carbon fiber. (See Jonathan Scull's report on his visit to the WB factory in December 1996, Vol.19 No.12).
TEMPLES OF SOUND: Inside the Great Recording Studios
by Jim Cogan and William Clark; Foreword by Quincy Jones San Francisco: Chronicle Books, 2003. Softcover, 7.5" by 10", 224 pp. $24.95. ISBN 0-8118-3394-1.
The other night I heard The Tallis Scholars—the world's foremost exponents of Renaissance polyphony—sing in the Chorus of Westerly's performance hall, in Rhode Island: an 1886-vintage former Roman Catholic church with nearly all of its original horsehair plaster intact (footnote 1). Even sitting back in the cheap seats, the sound was glorious. I have never heard a vocal ensemble sing with more finesse, pitch security, or blend of tone.
I have always had a soft spot in my heart for Jeff Rowland's products. Going back to the Model 7 monoblock power amplifier and the Model 5 stereo amplifier of nearly 20 years ago, Rowland's designs always sounded essentially musical to me, and quite forgiving and non-fatiguing.
Quad: The Closest Approach
by Ken Kessler. Cambridge, England, UK: International Audio Group Ltd., 2003. Hardcover, 12" square, 215 pp. ISBN 0 954 57420 6.
Available from: Quad dealers or IAG America, 15 Walpole Park South, Walpole, MA 02801. Tel: (508) 850-3950.
To the great surprise of not that many people at all, at Home Entertainment 2003, as at the two immediately previous shows, the room featuring loudspeakers by Joseph Audio was voted by showgoer ballot "Best Sound of Show" (see September 2003, p.62). I'm not going to pick a fight over that. Not only was the sound very, very good; the entire vibe was confidently relaxed, while at the same time being purposeful in a manner businesslike yet friendly.
Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)