Robert Baird

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Robert Baird Posted: Jan 19, 2001 0 comments
Geminiani: Concerti Grossi
Concerto 1 in D, Concerto 2 in B-flat, Concerto 3 in C, Concerto 4 in F, eight others.
Andrew Manze, Academy of Ancient Music; Alison McGillivray, cello; Richard Egarr, harpsichord.
Harmonia Mundi HMU 907261.62 (2 CDs). 2000. Robina G. Young, prod.; Geoff Miles, Mike Clements, engs. AAD? TT: 2:24:19
Performance ****?
Sonics ****?
Robert Baird Posted: Nov 02, 2000 0 comments
ROBERT WALTER'S 20TH CONGRESS: Money Shot
Fog City FCCD 004 (CD). 2000. Dan Prothero, prod., eng.; Kevin Ink, asst. eng. AAD? TT: 59:24
Performance ****?
Sonics ****?
Robert Baird Posted: Oct 09, 2000 0 comments
EMMYLOU HARRIS: Red Dirt Girl
Nonesuch 79616-2 (CD). 2000. Malcolm Burn, prod., eng. AAD? TT: 55:58
Performance ****?
Sonics ****
Robert Baird Posted: May 28, 2000 0 comments
DR. JOHN: Duke Elegant
Blue Note 5 23220 2 (CD). 2000. Mac Rebennack, prod.; Suz Dyer, eng.; Steve Revitte, Tovi Rodriguez, asst. engs. AAD? TT: 66:40
Performance ****?
Sonics ****?
Robert Baird Posted: May 05, 2000 0 comments
"Here's somebody who just loves to sing." Over the telephone, Peter Guralnick sounds sad, incredulous. "But he's unable at the end of his life to force himself into the recording studio—the fear of completion, fear of exposing your untrammeled idea to execution. What a terrible thing to lose that ability, that faith in yourself."
Robert Baird Posted: May 05, 2000 0 comments
No artist in the history of sound recordings has a more confused recorded legacy than Elvis Presley. Thanks to several generations' worth of ruthless avarice by his label, the constant machinations and eventual fire sale by his manager, Col. Tom Parker, and his own pathetic sloth, due in part by a 20-year addiction to prescription drugs, Elvis's recorded catalog is an absolute disaster: cut and pasted, issued and reissued as both budget and full-priced collections, exploited beyond all recognition. Keeping track of Elvis's catalog is one of, if not the most, labyrinthine discography in rock 'n' roll history. When all the foreign issues and reissues of his work are taken into account, it is, (speaking from recent experience) an endeavor which severely tasks the human capacity for tedium.
Robert Baird Posted: Mar 18, 2000 0 comments
GUY CLARK: Cold Dog Soup
Sugar Hill Sug-CD-1063 (CD). 1999. Chris Latham, prod., eng.; Guy Clark, Verlon Thompson, Darrell Scott, prods. AAD. TT: 40:44
Performance *****
Sonics ****?
Robert Baird Posted: Oct 10, 1999 0 comments
As January 1, 2000 approaches, and the MP3 whirlpool continues to swirl, one simple fact has made me feel as if I'm stuck at the starting line of the entire download controversy: The sound quality of MP3 has yet to improve above that of the average radio broadcast. Until that changes, I'm merely curious—as opposed to being in the I-want-to-know-it-all-now frenzy that is my usual m.o. when to comes to anything that promises music you can't get anywhere else.
Robert Baird Posted: Sep 05, 1999 0 comments
GEORGE JONES: Cold Hard Truth
Asylum 62368-2 (CD). 1999. Keith Stegall, prod.; John Kelton, eng.; Mark Nevers, Brady Barnett, Steven Crowder, John Stolpe, asst. engs. AAD? TT: 34:16
Performance ****?
Sonics ****?
Robert Baird Posted: Aug 20, 1999 0 comments
DUKE ELLINGTON: The Centennial Edition: The Complete RCA Victor Recordings
Duke Ellington, piano; and his bands, 1927-73
RCA Victor 63386-2 (24 CDs). 1999. Orrin Keepnews, coordinating prod.; Keepnews, Steven Lasker, reissue prods.; Steve Backer, exec. prod.; Lasker, Dennis Ferrante, digital transfer engs.; Lasker, Paul Brizzi, CEDAR restoration engs. AAD? TT: 27:33:35
Performance *****
Sonics ****

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