Robert Baird

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Robert Baird Posted: Jan 24, 2008 1 comments
The great Eliane Elias put on a quite a show last night in NYC. Touring in support of her new album, Something For You, Eliane Elias Sings and Plays Bill Evans, the pianist, singer and longtime Evans admirer lit up Dizzy's at Jazz at Lincoln Center, which is easily one of the best–sounding rooms for live music that I've ever been in. The food in there is fairly tasty and not wildly overpriced, a total rarity on the New York jazz club scene. And that behind the stage, floor to ceiling glass that adds a Central Park West backdrops to every performance is genuinely divine. Say what you want about Wynton, but the man did make the three JALC venues happen.
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Robert Baird Posted: Jan 18, 2008 0 comments
Blues movies, movies about the blues, continue to be a treacherous swamp for filmmakers; For some bizarre reason, they just can’t get it right.
Robert Baird Posted: Jan 16, 2008 0 comments
NEIL YOUNG: Chrome Dreams II
Reprise 311932-2 (CD). 2007. Neil Young, prod.; Niko Bolas, prod., eng.; John Hausmann, Rob Clark, Brent Walton, Tim McColm, Colin Suzuki, asst. engs. AAD? TT: 66:17
Performance ****
Sonics ****
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Robert Baird Posted: Jan 03, 2008 1 comments
I was saddened today to read about the December 22 passing of Ruth Wallis, a singer from the 40's through 60's who specialized in creative naughtiness. Born in Brooklyn (where else?), she sang with Benny Goodman and owned her own record label, but it was her risque tunes like, "The Dinghy Song" ("He had the cutest little dinghy in the Navy") that brought her the most fame and which became the basis for an unlikely 2003 Broadway hit, Boobs! The Musical: The World According to Ruth Wallis. Here are a few classic couplets from the Wallis-penned title tune: "You've gotta be filled Two fried eggs will never grab him like grapefruits will (And they're both breakfast foods) But listen girls, don't try to fool your lover Remember, he can go to Good Year if he wants rubber" "Just think if all us girls had boobies with fluorination We could take the cavities out of the whole damn nation A nibble a day keeps the dentist away" "Some push 'em up Some stick 'em out And some keep 'em flappin' in the breeze Some tie then down because if they don't They would hang down to their knees Just you tease"
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Robert Baird Posted: Dec 28, 2007 1 comments
Now that Christmas has come and gone, and my need to hear Bobby Helms' "Jingle Bells Rock" has subsided — I'm not sure but I think it has something to do with those electric guitar flourishes—, it's seems an appropriate time to say something about the continuing and astonishing turmoil in the record business which according to most sources experienced a nearly 20 percent decline in sales of physical product compared with last Christmas.
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Robert Baird Posted: Dec 11, 2007 1 comments
"Cavalcade of merciless repetition," is how Jimmy Page described touring in the Sunday Times last week. I still say they're gonna tour but give them credit: they're being coy about being dragged into accepting all that cash.
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Robert Baird Posted: Dec 10, 2007 0 comments
Needless to say, I'm not in London waiting in line at O2 arena but that doesn't mean my thoughts, like those of about every other music fan on the planet, aren't turned to what's going to happen this evening when Led Zeppelin ends two decades of silence and lets it rip in what's being billed as a one-off show for charity.
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Robert Baird Posted: Nov 29, 2007 3 comments
"For decades the pursuit of high–-quality sound on high-end systems drove the recording industry, especially the classical music branch."
Robert Baird Posted: Nov 10, 2007 0 comments
BOB MARLEY: Exodus: 30th Anniversary Edition
Island 314 586 408-2 (CD). 2007. Bob Marley & the Wailers, prods.; Karl Pitterson, eng.; Guy Bidmead, Terry Barham, asst. engs.; Chris Blackwell, Aston Barrett, Karl Pitterson, mix. AAD? TT: 37:18
Performance *****
Sonics *****
Robert Baird Posted: Nov 02, 2007 Published: May 02, 2006 0 comments
Before I even turn on the recorder, Willie Nile is telling me his theory of how the granite under Manhattan Island conducts electricity, which accounts for the perceptible charge that many people feel makes New York City so special. It's also what draws artists like flies, none more passionate than singer-songwriter Nile, who's personally contributed a few volts during his years in NYC.

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