Fifty-four years after it was recorded, Hank Mobley's immortal Soul Station has become a tale of two LPs.
One, the original pressing (mono or stereo), is an artifact, an insanely valuable antique, the object of fevered jazz collectors the world over.
The other is a fresh vinyl reissue, cut from a high-resolution digital remastering of the original master tapes, that's meant to bring in younger listeners, or those interested enough in the music that they'll pay $19.95 for a new LP.
Do the singles in this boxed set which features a quality pressing job and nice if no frills packaging sound better than the CDs that both Rhino and the pair’s own label mentioned above have been releasing over the years?
For the musically literate it’s an old story but one that I never tire of telling. It was the scruffy, outlaw country singer warbling Irving Berlin, Duke Ellington and the Gershwins? He wasn’t singer enough to carry it, they all said. And even if by some miracle he did, his label was convinced it would never find an audience, it would never sell. When Booker T. Jones of Stax Records fame signed on as producer, heads were scratched, skeptical eyes rolled northward and virtually everyone had their doubts.
And then there was Pono! Or not. Despite prompt denials by the folks at Pono, it now seems likely that the still mythical, high resolution music player will not be delivered to customers, who to date have kicked in $13 million via Crowdfunder and Kickstarter, until early 2015.
He was a victim of his own success. From 1925 to 1929, when he was in his mid-20s, Louis Armstrong changed the world of jazz music forever with his Hot Five and Hot Seven recordings, and his solos in tunes like "Cornet Chop Suey," "Potato Head Blues," and "West End Blues." Almost immediately, however, he was faced with a question: Now what?
"It's not your average gal that drinks bourbon neat, walks around with a pocket atlas and drives a big white gear van. I thought she was charming and awfully funny."
Talent and humor has never been a problem for Amy LaVere. Not long after high school she led Last Minute, a Detroit punk band. When we next hear of her, she's in Nashville as part of a husband-and-wife folk/country duo, The Gabe and Amy Show, who released a single, "Blankets of Love," b/w Johnny Cash's "Big River."