Sure, it’s warm here at a time when the northeast is still chilly. Added to that, you can willingly drown yourself in music. Over five days and nights, somewhere north of 2200 bands, solos and everything in between take their shots. And of course it’s always good see friends and colleagues in what is left of both the music and publishing businesses.
Sasha Matson: Cooperstown: Jazz Opera in Nine Innings
Julie Adams (Lilly Young), soprano; Carin Gilfry (Jan Green), mezzo-soprano; Daniel Favela (Marvin Wilder), Daniel Montenegro (Angel Corazon), tenors; Rod Gilfry (Dutch Schulhaus), baritone; Jason Rigby, saxophones; Russ Johnson, trumpets; Sean Wayland, keyboards; Rich Mollin, double bass; Gernot Bernroider, drums; Sasha Matson, conductor
Albany TROY1553/54A (2 CDs). 2015. John Atkinson, prod., mastering; Mike Marciano, eng., mix; Bill Schnee, Kenton Fukuda, engs. DDD TT: 101:63
A jazz opera about baseball? Uh-huh. Sung in colloquial English? A recording produced by the editor of this magazine? Sounds like the kind of situation where I should have nodded politely and just said No. What about ethicsall the folks who already think that review-based outlets like Stereophile are bought and paid for? Pony up and we'll write you a rave, right? Well, no. Absolutely not. ButRecording of the Month?
Maybe it’s the sound. Or the way it looks slung around your neck. Or its mystical appeal to females, but the appeal of the electric guitar has been there literally from its invention in the early 1930s.
Estrella Morente: Amar en Paz
Estrella Morente, voice; Niño Josele, guitar
Calle 54/Sony Music 88875011922 (CD). 2014. Fernando Trueba, prod., exec. prod.; Nat Chediak, exec. prod.; Jose Luis Crespo, eng.; Jim Anderson, mix; Alan Silverman, mastering. DDD? TT: 66:29
What makes a great singer great is a magical combination of virtuosic physical skills with mental and emotional powers of interpretation that allow you to hear and feel a lyric's subtext: the emotions the songwriter hoped to evoke by a turn in the melody.