Brian Damkroger

Brian Damkroger  |  Jan 24, 2008  |  0 comments
It's easy to be impressed by Simaudio's Moon Evolution Andromeda Reference CD player. Everything about it oozes quality and luxury, from its imposing two-chassis configuration to the multi-component disc clamp of machined aluminum. Even surrounded by my double-decker VTL amps, VPI HR-X turntable, and Ferrari Fly-yellow Wilson Audio Sophia 2 speakers, the Andromeda was usually the first thing guests asked about: "How much does that cost?" The answer is $12,500. The Andromeda should look impressive.
Brian Damkroger  |  Nov 15, 2007  |  0 comments
A friend once described my audio ethos as "records, tubes, big amplifiers, and really big speakers"—I always picked warmth and musicality over antiseptic neutrality, even if the former came with a few extra colors in the tonal palette. Had I listed my criteria for an audio component, transparency wouldn't have been near the top, and might not have been listed at all.
Brian Damkroger  |  Aug 05, 2007  |  First Published: Oct 05, 1998  |  0 comments
Think about it for a second: If you could buy a six-disc CD changer that sounded every bit as good and was built just as well as a similarly priced single-disc player, would you be interested?
Brian Damkroger  |  Aug 05, 2007  |  First Published: Nov 05, 1998  |  0 comments
It was inevitable that I'd encounter the California Audio Labs CL-15 in my search for a CD player priced less than stratospherically. CAL was one of the first companies to hit the market with a high-end CD player, and they've been building great-sounding digital gear ever since. What's more, the CL-15's predecessor was the Icon PowerBoss Mk.II HDCD, a longtime personal favorite. I was particularly curious to see how the CAL would stack up against today's competition. I've been impressed with CAL products over the years—the original Sigma, the Delta, the DX-1 and 2, and, of course, the Icon. On the other hand, the competition—players like the Rega Planet, Arcam's Alpha 8 and Alpha 9, and Ultech's UCD 100—has improved dramatically since I last heard the Icon.
Brian Damkroger  |  Aug 05, 2007  |  First Published: Dec 05, 1998  |  0 comments
"They're cuuuute!" Not a very professional reaction, but what can I say? When the Monster Cable folks pulled out their new Entech Number Crunchers during a recent visit to Santa Fe, I couldn't help myself. I was edging John Atkinson and Wes Phillips out of the way, using my long arms to reach over...gotta get one! There would be time later for the critical evaluation and cool, detached objectivity—first, I had to get one. The Entechs are the Beanie Babies of the audio world
Brian Damkroger  |  Jul 22, 2007  |  0 comments
At $2295, the CD31 is the most expensive integrated CD player from Swedish manufacturer Primare, and an evolution of their D30.2, which I reviewed in the June 2004 Stereophile. I knew that the CD31 wasn't a clean-sheet design, but my first look suggested that it wasn't even much of an evolution—a comparison of its and the D30.2's spec sheets matched almost line for line. When I asked Terry Medalen of Sumiko, Primare's US distributor, about the similarity, and if the CD31 was just a mild tweaking of the D30.2, he said, "Well, yes and no. You really need to listen to it."
Brian Damkroger  |  Jul 01, 2007  |  First Published: May 01, 1999  |  0 comments
I've been in love with British sports cars ever since a visiting highway engineer brought a green MGB-GT to my tiny Nebraska town 30 years ago. Since then, there's been a steady stream of ferocious little cars in my life. Triumphs, MGs, Healeys, you name it—right up to my current crop, a Triumph TR6 and roughly two-and-a-half Jensen-Healeys.
Brian Damkroger  |  Apr 22, 2007  |  0 comments
I can't remember a time when I wasn't concerned about power quality. I grew up around finicky, home-brew ham-radio gear and labs full of instruments, and with both, power-conditioning gear was standard fare. When I moved into high-end audio, it seemed obvious that power quality was important. As a result, I've experimented with a wide range of power-conditioning equipment, from simple ferrite loops to huge isolation transformers, and even exotic laboratory power supplies that could vary the voltage, frequency spectrum, and shape of the AC signal.
Brian Damkroger  |  Apr 08, 2007  |  First Published: Aug 08, 1999  |  0 comments
"I've got the world on a string, sitting on the rainbow
Got the string around my finger, what a life, Mama, I'm in love.
Life's a beautiful thing, as long as I hold the string
I'd be a silly so-and-so if I should ever let you go."
—Ted Koehler
Brian Damkroger  |  Feb 25, 2007  |  0 comments
Stereophile editor John Atkinson said one evening in 1995, "What I find fascinating is that, in an industry as mature as audio cables, a new company can appear out of the blue and upset everything." He was gently poking fun at my admission that I found cable design fascinating, in particular the practice of combining different conductor materials.

Pages

X