The Fourier 6 has the special ability to generate large coherent sonic fields, from a box small enough to slip into an ordinary shopping bag. At $499/pair, the 6 competes directly with another remarkable-imaging, compact American speaker, the Spica TC-50 ($420/pair).
When it comes to loudspeaker drivers, Dynaudio has earned an enviable reputation for quality and reliability. To use an automotive analogy, they are the Mercedes Benz of the driver universe. If you're a speaker builder, the odds are that you have already experimented with these drivers. And even if you're not a speaker builder, it's quite possible that your speakers use Dynaudio drivers. After all, some of the finest speaker systems in the world do. A case in point is the Duntech Sovereign, which single-handedly embodies almost the entire Dynaudio catalog.
The Ohm Walsh 5 displaces the Ohm F at the top of the Ohm line, and the current Walsh 5 production run represents a "limited edition" of 500 pairs worldwide. There's even a certificate of authenticity—hand-signed by Ohm Acoustics President John Strohbeen—packed with the speakers that makes it all official. I think that this is more than a clever marketing gesture and clearly demonstrates Ohm Acoustics' pride in their new flagship loudspeaker.
Small enough to fit in a shoebox, these little darlings from England almost manage to redefine the state of the art in very compact monitor design (footnote 1). Here's a speaker that isn't as neutral as the BBC LS3/5a compact monitor, but that does manage to equal or exceed that venerable design in most respects.
Even to a nontechnical observer, someone without a deep grasp of the germane technical issues, the Amazing Loudspeaker should indeed prove a source of amazement. First of all, there's no box. Don't mistake the back grille for an enclosure—if you pass your hand along the Amazing's behind, you'll realize that the grille is merely a cosmetic cover; you can actually stroke the woofer magnets if you're so inclined. Yet without an enclosure or electronic trickery, this speaker boasts excellent dynamic headroom and true flat bass extension almost to 20Hz. Just think of the woodworking costs inherent in trying to coax such low-end performance from a conventional box speaker. The savings in carpentry have been put toward one heavy-duty ribbon design. The Amazing begins to sound like an incredible bargain at its modest (by high-end standards) asking price. What's the catch? Fundamentally, the answer lies in superior engineering. And, as Bob Carver will readily admit, good engineering isn't inherently any more costly than bad engineering.
A "CD processor," is how I distinctly heard Cary Audio's Dennis Had describe it. The venue was Stereophile's High End Hi-Fi Show in New York last April. Nothing really unusual in today's digital marketplace, I thought to myself, though a bit out of character for a company dedicated to vacuum-tube technology. But wait a minute. Dennis had described it as an analog CD processor. Analog!? Well, yes, the unit processes the analog signal from a CD player.
MartinLogan's Gayle Sanders has almost single-handedly raised the electrostatic/dynamic hybrid loudspeaker to a position of prominence in the High End. First, there was the MartinLogan Monolith (reviewed in Vol.8 No.3 and Vol.9 No.3), followed by the much more affordable Sequel (reviewed in Vol.11 No.12, Vol.12 Nos.8, 9, and 12, and Vol.14 No.2). Then came the subject of this review, the Quest, and most recently the diminutive Aerius, reviewed by JA elsewhere in this issue.
MACH 1 Acoustics? Cute name. Mach 1 is, of course, the speed of sound—the speed at which a loudspeaker's acoustic output is forever constrained to travel. Quite a fitting choice for Marc McCalmont, Marine and jet pilot turned speaker designer. Marc retired to Wilton, NH together with Melissa. (Oops, that should be MLSSA, the well-known acoustic analysis system—not Marc's girlfriend.)
The Model R107 represents the flagship of KEF's Reference Series, and is second only to the Professional Series KM-1 in KEF's product line. Anatomically, the 107 resembles a person. Beneath a decorative "hat," there's a special head assembly akin to the head on the old Model R105. This head assembly contains the brains of the 107, namely a T33 ferrofluid-cooled tweeter and an improved version of the classic B110 midrange driver, featuring a better voice-coil and a new polypropylene cone. The nerve center is also here, in the form of two passive dividing networks and load-impedance equalizing network. Level equalization of the drivers is performed actively within the KUBE, the second brain of the 107—about which you'll hear more shortly.