Jon Iverson

Having previous experience working for the CIA or the KGB may be a bonus on the resume of any aspiring audio industry applicant, it seems. In an effort to stymie the illegal copying and distribution of digital song files, record companies and hardware manufacturers have turned to increasingly complicated tracking technologies such as MPEG-4 and watermarking. The most recent addition to the anti-pirate bag of tricks: "fingerprinting."

Loudspeaker designer and manufacturer Richard Vandersteen has heard enough: He is embarking on a crusade to right an egregious wrong he sees being perpetuated by the marketing scribes and salesfolk working in the consumer electronics business. Though he was miles away, at his company headquarters in Hanford, CA, his passion for spreading the audiophile word came through the telephone loud and clear.

The prognosis was looking dim for yet another Internet music business, but last week the Internet Underground Music Archive (IUMA), revealed that it has signed an agreement to be acquired by Vitaminic, a European digital platform for the promotion and distribution of music over the Internet. IUMA had recently run out of cash and says that the acquisition will allow it to relaunch all suspended services within the week.

Savvy music fans willing to ignore the built-in copying restrictions on consumer-targeted CD recorders have always had their computer-based CD and DVD recorders and hard drives to play with, especially when it comes to manipulating MP3 files. Maybe not for much longer. A new content-protection approach is attempting to tighten the digital noose around the necks of PC users who have spent the last few years virtually unencumbered when it comes to—as Apple so succinctly puts it—rip, mix, burn.